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Understanding 9/11tv Taini sledstviya-9 RUSSIA1 May 7, 2024 2:40am-3:26am MSK
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on other topics: st. petersburg is in second place in terms of the quality of the urban environment based on the results of the twenty- third year. alexander beglov reported this at government meetings. according to the governor, these are the interim results of the state program. it unites the social and economic development of the northern capital. in particular , the master plan was approved last year. the document obliges developers to take a more careful approach to planning transport, public and business infrastructure. zoning is required territories. this has a beneficial effect on the investment climate, the governor emphasized. so last year the city received a record amount of financial investments, more than 1 trillion rubles. 88 new social facilities have appeared in st. petersburg, these are schools, kindergartens, and clinics. let's find out the weather forecast for tomorrow and continue. hello, with a media forecast in the studio leonid petrov, sasadka. for now,
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tuesday will pass without warming in st. petersburg and the region. according to the hydra data of the center of st. petersburg , partly cloudy weather will remain in the leningrad region on may 7 light wet snow is expected on the property. during the day, thermometers will show about 5° above zero, the air can warm up to +7 in tifina and baksitogorsk, it will not be warmer in volkhov, 6° plus, weather forecasters also promise in kirishi, gadchin and vyborg. in st. petersburg , light rain with snow is also possible, but the sun will definitely come out , only a weak wind will blow, during the day in the northern capital it is +6 on the thermometers, on wednesday night it is already around zero, a good day is in the mood in any weather. in the leningrad region , the sowing campaign is in full swing, seeds, fertilizers, the technology is there, margarita skoraburova will continue, ships sail across the seas, and we travel through the fields. this work, says anton
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zdorovtsev, has its own romance, without the extreme expanse of the poleichinsky region, he has been plowing for about 10 years, in good sunny weather the process goes quickly and easily, smart technologies also help, each tractor is equipped with a computer, we look at the depth of each number - this is each can of grain, when they blink, it means the grain is not being sown, almost the entire process is automated, the machine operator needs to monitor the instruments and how the shiner works. and also set the seeding depth, and this is done manually, it is regulated by these, we remove the stopper along the ruler and set the depth, how much the depth should be, but it depends differently on each field, on each cultivation, where the cultivation is softer soil, we deepen where more, well, like now we deepen a little, so that we maintain approximately 5 cm of depth, at the beginning of spring the machine operators practically have weekends off.
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in terms of seeds, and mineral fertilizers, plant parts, fuel. upon the shoots of agrai, as always, they don’t give accurate forecasts, they say it all depends on the weather, however, in the leningrad region, the production volumes of the agro-industrial complex are only growing from year to year, the region in this regard is the absolute leader in the north-west of the country. margarita shkarobburova, sergey tamyuk, nikita sokolov, yuri smirnov, vesti petersburg from the leningrad region. two passenger catamarans were launched at the sredenevo shipyard. bastion, the lead ship. sommers project, it was created specifically for excursions around the forts kranschlot, emperor alexander ii and peter ii. taking into account the engineering features of structures. for example, it will be able to enter narrow harbors. fort otlebin is the fourth catamaran of the kotlin project. the vessels of both projects are high-speed, accelerate to 50 km/h, and can also pass under the arches of st. petersburg bridges. in 2022 , an agreement was signed at the st. petersburg economic international forum for... ten such
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vessels, two of them worked excellently last year, now there are three more vessels, they will be ready for the summer, in the saloon on the upper deck of the catamaran. can comfortably accommodate two hundred passengers, already this summer they will go on the regular water route st. petersburg, fortov island, it seems to me that a super solution is to come to the center of st. petersburg , catamarans will go from there every 15 minutes, well, an hour’s journey in a wonderful environment , very comfortable, and of course with beautiful views you can see both historical st. petersburg and, accordingly , already industrial when you drive up. directly to the cranstat. water route to kranstadt was restored in the twenty-first year. after a ten year break. over 3 years of navigation, the number of passengers increased from 40 to 200 thousand people. high-speed catamarans depart from the palace square. the journey to artov island park will take an hour. these were
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the victory day telethon starts in the studio of the rossiya tv channel. the whole country honors the heroes of the great war. everyone who fought on the front line. the whole country is watching the best russian films about the war, the legendary t-34, that
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the soldiers have run out, that we have enough for a century, for the first time on television, a big film premiere, a righteous man, but we need to go another way. no, no, only the bridge was saved, the music of victory will be played on the russia tv channel, razkudlyavy, green maple, the whole country is listening to sing, this victory day, our main songs, a festive concert.
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russia celebrates victory day. on september 19, 1947 , urgently buy a new ticket and watch the scout’s feat again. if
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one of the children got to see the film the exploit of a scout, then immediately after watching these children became heroes of the courtyard, the streets of the district. it was difficult to buy tickets, so the post-war children's cinema sessions were replaced by stories. the events of the film show how soviet intelligence officer alexei fedotov heads to occupied vinnitsa in order... to obtain the secret correspondence of general von kühn with hitler’s headquarters, in as a result, he captured the general and took him to moscow, they were conveyed in person with all the details, countless times, you will come with me, general, it blew the roof away, we looked at this picture not as ours, not as someone else’s, as we looked at it as a real one, which is more, of course, our own , because it was in russian, so there were no fake things, which even now seems... that’s how you have to shoot, you have to make a joke, everyone is looking for you, and then you jump out, with whomever
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you need, get into the car, behind victory, phrases from this film immediately became popular property, there was no feast in the soviet union where they did not raise a toast to our victory, to our victory, instead, hello, guests, now they said to the host, do you sell a slavic wardrobe, do you sell a slavic wardrobe? to any injustice they answered: we will settle accounts with you, we will settle accounts with you, you see, each such phrase was filled with a special meaning drawn from the cinema, for the blood of the people devoted to you, the right of power given to me by my homeland to film my future masterpiece, the feat of a scout , boris barner. in may 1946 arrived at the kyiv film studio. he felt
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bad at heart. the forty-four-year-old director was experiencing severe depression. confused, he walked from workshop to workshop and realized that not a single structure was functioning normally here. light was supplied intermittently, specialists were absent. he did not believe that under these conditions a decent picture would be produced. and with every step the heaviness in his soul only intensified. boris barnet could not refuse to shoot the film, he considered himself not in demand enough, was afraid of downtime, he made his last film not in moscow, on yerevan film studio, he needed a job that could meaningfully remind of his undoubted directorial talent, for barnet there were no wartime films after the war, there was no work in moscow, he was not given work. after all, one night his previous film, it was shot in yerevan, now kiev, it was believed
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that barnett’s films of the war period, they are one more unsuccessful than the other, all, probably, people who work in cinema are tragic figures in their own way, they have to face something else so that with obstacles, but with the conventions of cinema, one of which is the most the big one is budgetary or financial...
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december 6, 1946, today is only the second day since i began to emerge from another period of spiritual darkness, decline, dullness, drowsiness and other abominations, why this is happening to me, i don’t know, that’s all it’s very difficult, even for a sophisticated freudian, there
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’s a lot of everything, i think that the main reason is that i chose about... it’s wrong, that’s not what i should be doing in life, you can understand how the film the feat of an intelligence officer was born in the state film fund russia, look, here in our state film fund, almost for each film there is a folder, a so -called case, this one has number 1767, which means that such folders have already been created before it, well, 1766, that’s 67. we have thousands of such cases that are collected in this folder, almost everything that refers to the film, here is the film’s editing sheet, there are original editing sheets, there is a literary script, here’s maklyarsky’s own, they, you see, they are on a typewriter, this is some kind of third copy, probably because it’s already hard
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to read, on such a piece of paper, generally poor, this one... scenario with the original title of the feat will remain unknown, boris barn held it in his hands, re-read it many times and thought about what his new film would be like: an unpretentious story about the fight against nearby enemies, as was customary in the cinema of those years, or a serious work? since no one knew how the authorities would react to the topic, which was innovative for soviet cinema, the script had a subtitle, which the authors prudently placed on the first page. everything you see happened not so long ago, for reasons understandable to you, the names of the characters have been changed, the locations of the action are sometimes named inaccurately, but the main protection for the authors of the plot should have been provided by positive reviews of cinema classics, from the reviews of the editorial board of the screenplay studio: the script, the feat remains
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unknown, was discussed at a meeting of the editorial board of the screenplay studio in april 1946. and in the form of a hero, his self-control, courage, and ability to behave in difficult circumstances. it's all very well done. according to unspoken rules,
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critical remarks had to be present in the evaluation of the script. by scenario, the feat will remain unknown, recommended. is my feat unknown again? well, nothing can be done. it so happened that no one heeded my voice. maybe i'm wrong. i instill this thought in myself, i even want to work. the future cult film had three scriptwriters. already experienced mikhail bleiman and konstantin isaev, the third name of mikhail
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maklyarsky, said little to the cinematic community, but it belonged to this person. the idea of a film about intelligence officers and the first draft of the script began it was he, this was the first literary work of one of the three co-authors of the script , mikhail maklyarsky, who is isidor ivan, who, in fact, had a long track record of working in the authorities at some point in the punitive, and then in the intelligence authorities, it was one of the brilliant heroes of our intelligence service during the great patriotic war. at the same time, in his soul there was always a craving for creativity, communication with cultural, interesting people, which he tried to realize, as soon as the great patriotic war ended, he decided on...
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made several films, but unexpectedly the bad advice of the film rebelled against kryuchkov: boris barnet did not have time to conduct long screen tests, here he had to watch all the famous thirty-year-old actors. the director was looking for a type that would combine masculine features with a certain sophistication and intelligence of the image. thirty-two-year-old pavel kadochnikov was recommended to the parnet by sergei zenshtein, who filmed the actor.
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i played the kadochniks, you would n’t believe me anyway, you have to be born a scout, kadochnikov turned out to be impeccable in his multifaceted role, in addition, he endowed the intelligence officer with lyricism and human traits, he wanted to worry, and this was a victory, i liked everything, a strong man, confident. where he portrays some
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neighbor of his, a small boy, who is telling and retelling the film, and then someone sirens, sirens, he reached into the safe, there are documents there that you are an old man, the safe started buzzing. the germans are incompetent, and he once stood behind the stalls, they don’t flog, the germans don’t care, they defend, he’s an executioner scout for us, he’s standing there, he’s coming out from the fence, the general, once in a while, wherever he thinks, to us in moscow, here’s a retelling like this, the whole picture fit into his head, but for him there was such joy that all these idiots missed nothing, our kadochnikov is so handsome, and this this nose is so okadosnikov that you are a corsa. it’s just a guy like that, you don’t know, he didn’t look, of course, but we were sitting next to him, and he forgot that we were sitting with him and he retold this to me every day,
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literally like this, well, maybe with the little ones nuances. the main character from the scout's exploit had a real prototype. mikhail maklyarsky always emphasized this, but did not name him. there were several guesses. the most likely version is that the image was copied from the soviet intelligence officer nikolai kuznetsov, who kidnapped the commander of the punitive forces in ukraine, general ilgin. nikolai ivanovich kuznetsov died tragically at the hands of ukrainian nationalists in leo in 1944. at the age of 32, deadlines were running out, boris barnet was physically no longer able to search for other actors in moscow. sergei he invited martinson to participate without any tests. and he happily agreed to this job. he really liked the idea. my father and i accept your offer. there was not enough fatal beauty to play the role of teresa gruber. the day arrived for barnet to leave for kiev. he decided for himself that he would find
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a beautiful actress there. all he had to do was make some kind of note in the documents on the musfilm. he stopped by there for just a few minutes. in the accounting department, barnet stood in line behind a beautiful woman from whom he could not take his eyes off. it was actress elena izmailova and already a few days later in kiev she rehearsed this role. and if we again look at the intelligence officer’s feat, then how he takes pictures of women there, even for seconds, shows that he understood them very well. nice weather, beautiful woman. barnat was one of the most loving directors, in my opinion, of our cinema, he had three wives, all beauties, well, it’s true, maybe not everyone liked them all, but in fact they were all very beautiful, and about his novels in general and there is no need to say, he was a connoisseur, he could not film take it, and then why shouldn’t they be
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beautiful, this is radiska. buchma was not only the artistic director of the kiev film studio, he combined this position with work as the chief director and actor of the ivan franko kiev drama theater. buchma met boris barnet at the station with the question: “have you found everyone, who are you still missing?” and while they were driving to the studio, buchma told boris barnet about the amazing talents of his and others in kiev.
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the ensemble is absolutely brilliant, mostly ukrainian actors of the highest class. neither one actor boris barnet did not want to approve for the role of general funkyun. according to the scenario, intelligence officer fedotov captured a narrow-minded man in a nazi uniform. but barnett decided that the scale of the enemy should correspond to the scale of the intelligence officer, so that this would be a confrontation with two-facedness. in the end, the director announced that he himself would play the nazi general in whatever role he wanted. boris vasilyevich did it brilliantly, in his script this general was such an old gourmet womanizer, so physiologically unpleasant and cowardly, but barna, when choosing an actor, he could not stop at anyone, and decided to play
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this role himself and change the essence. he had to be smart, strong, but with some kind of past, with combat, he had to evaluate the enemy’s action, why he was going with him, not because he was so scared, because he understands that he is being led for this to get through security to escape, such scenes in other films about intelligence officers, residents, as many of them as you like appeared later, which means... appreciating his courage to somehow get to all the cars, go there and let them go, that’s apparently how it was supposed to be, he didn’t think that he would be a prisoner, they would push him into a car, it would seem that if the kiev film studio was in post-war decline, then it was logical to shoot the film outside its walls on location, but nearby
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amazing, outstanding people worked with barnett. masters to moscow, general, this quality is world-class, simply world-class, there - how all the decorations are built there, this depth of decorations, their diversity, some strange... sculptures, even sculpture - in this manicure agency, where our mother is working undercover, yes, and some strange sculpture stands behind the glass there, sculptures, in general, there is some kind of feeling there - a feeling of pleasure that people received who worked with such a minimum of resources, as we know, and who , nevertheless, were enormous professionals, daniil demutsky, a cameraman who worked... a little bit with dovzhenko, including on one of the canonical films earth, and then murits umansky, a brilliant artist here, you can simply enjoy every frame , the polish of this film is incredible.
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the director and cameraman decided that they would hardly go outside the film studio and even shoot most of the landscapes in pavilions. it's almost a night movie, there's always something going on there. cancer, because this is an occupation, this is germany, it works on perception, the light sources are not filling, as this is about to be a fashion, not only fashionable, a must for filmmakers in a period of great style, light filling everything, here there are either candles or lanterns , then the reflection in the water, then light from the window, then from the door, always a living color, light that creates an atmosphere of some kind of anxiety. uncertainty, unsteadiness, this is how the pavilion was done, everything is absolutely wonderful, the cameraman, the artist, and, of course, barnat, because this space is absolutely conventional, if you like,
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a metapholic space, this is the space of the night through which the hero must pass, the night of death of the underworld. what barnett spared no time in was rehearsing, he rehearsed carefully, as if he were preparing a theatrical performance, just like in the theater, barnett arranged a table period, when each future performer of the role read his lines, there were no trifles for him, everything was spelled out in the director's script, drawn in the storyboard, and then honed many times, only then the word motor was heard, and not just the action that was rehearsed. .. will be transferred to the screen. in each scene, we looked for logic that should work for the general idea. thank you. now the director was making a picture that corresponded to his level. a serious adventure film. how difficult it was
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defeat the great patriotic war. he said that victory is not only battles on the front line, but intellectual competition between strong opponents, where the outcome of the enterprise could depend on an inaccurately spoken word, on the wrong choice. intonation, where it was necessary to be able to think, play like an actor, manipulate the people around him, here he is sitting in this room, and everything is lined up correctly, the light, as the doors close behind him, the light goes away and he remains in such twilight, he sits, at first thinks intensely about what, then pretends that he falls asleep, these are the moments when something internally just goes on internally and nothing happens, it was absolutely. for cinema there was nothing new for this genre, it was a new technique, the viewer sees what a person is thinking, and here we see such a pure genre,
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naturally the atmosphere of the war, which recently ended, was very influential, suddenly we see the story of a person who is infiltrating into enemy territory and fulfills its task, all this is done compactly, minimalistly, in order to have time to get it done. film during less light interruptions, and it was possible without interference to work in the pavilions, then slept for 3-4 designated 5 months, barnet literally lived in the studio, he filmed in the evening and at night, when there was an hour, and during the day he edited the footage. the psyche was exhausted. boris vasilyevich was on the verge of hysterical psychological breakdowns, he forgot about his wife, when he came to his senses, it turned out that he had not written home for dozens of days. from a letter from boris barnet to his wife. only yesterday i realized why i didn’t write to you, i’ll try to explain everything to you, and you, my dear, try to understand and forgive, i left many times in my life from home, disappearing, withdrawing into myself, these things always happened to me in the midst of work,
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it always happened when i couldn’t think about anything except damned cinema, work, of course, which i hate, obviously love very much, responsibly .
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paintings, and he is always him. however, members of the artistic council of cinematographers had many questions during the reception of the film. it seemed to boris barnoto that they wanted to destroy his painting, that no one understood him. and then boris vasilyevich was rescued by mikhail maklyarsky. the decisive viewing and discussion of the new film took place on august 21, 1947 at the ussr ministry of cinematography. alert filmmakers were interested in whether the relevant authorities were familiar with the content of the film. from the transcript of a meeting of members of the ussr art council of cinematographers on august 21, 1947. the issue here concerns the preservation of state secrets. and we are not competent to decide where the law is broken. that it turned out that he was watching, the deputy minister
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of state security watched and accepted. greatest the ending of the film raised doubts among those present. according to the artistic council, the film, with the exception of the end where the normal logic of the narrative disappears, is mostly well made. the end of the film, the whole situation with general kühn needs to be reworked. shouts were heard from the scene, killing the director. people. those who did not understand anything about the filmmaking process demanded that what was said here by the members of the artistic council would need to be taken into account by the film director. mikhail maklyarsky looked at the pale boris barnet, at the members of the arts council, slowly stood up and made a speech. he said that there is iron logic in this film, that the incidents they talk about happened in reality, that the ending is not an invention of the screenwriter. but a fact of life.
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fragment from the speech of mikhail maklyarsky. facts of the kidnapping of generals in the most remote areas in the patriotic war took place. and in all cases when our person found himself directly with the target of abduction, the main role was always played by the issue of preserving life. the man was given the condition that if he moved, he would be shot. and the logic of all these people is from the bourgeoisie. this speech helped boris barnett. maklyarsky convinced the members of the arts council that the kidnapping of the general should be preserved in the film. without this scene there would have been no film and its incredible success. when the film was released, the kidnapping footage immediately became a classic. genre this time maklyarsky saved boris barnet, but
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the director’s death will also be associated with the name of maklyarsky. maklyarsky played a fatal role in the fate of barnet. well, everyone knows that barnet at the end of his life was a very sick man, he drank, that is, his life at the end was very, very difficult. ambassadors for the riga film studio, he remembered barnet, about their success and invited him, literally invited him, despite the protests of his wife, who somehow did not want him to leave home at that moment, he invited him to riga, exactly
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during or before starting work on this film, the last for him, unfulfilled, unfulfilled, barnat had such a psychological crisis, and he committed suicide. the film by boris barnet, the feat of a scout, was released on september 19, 1947, and already on october 1, evening moscow reported that it was watched in moscow by over 1 million viewers. by popular vote, cinema tickets. the film became the undisputed leader of the year. he was seen by 22.73. spectators in 1948 , part of the creative team of the intelligence officer’s feat was awarded the stalin prize of the second degree. soviet film critics did not know how to evaluate the film's feat to the intelligence officers. adventure films were considered a low genre that one didn’t need to write about. but
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boris barnet's painting had such resonance that it was impossible to ignore it. movie it turned out to be innovative, and the film was evaluated. according to old principles, the articles wrote about the patriotism of the film, about the principles of socialist realism, and especially emphasized that the intelligence officer’s feat was original and did not copy the techniques of foreign cinema. the main postulate of almost all reviews was this: the film has no kowtowing to the west, god forbid, if they smelled some kind of kowtowing, it’s before... with the apt, god forbid, because the genre is basically spy in america was already very popular by this time, she even rather resembled the best american films, why i say american, they were because they somehow filmed more about intelligence officers, and we loved their actors, i won’t
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list them, but kadochnikov is in this row and no worse, and he was your man. you can’t take such things with your bare hands, they were scrupulously monitored, the ratings that the film received in the foreign press were brought to the table of the country’s leadership, the reviews were high, from the reviews of the foreign press about the film by boris barnet, the feat of an intelligence officer, american-style tense, skillfully constructed, fascinating film about espionage, we must give credit that...
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a quiet place, quite far from moscow, and he received a position here, which, by the way, was not noted in our personnel department, i was looking for documents, apparently he was somehow enrolled here through the moscow representative office, and he worked here for some time, but there
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