the military police are also working, the dvkr is also working, that is, counterintelligence is identifying, and there are many guys who are now fighting on our side, well, that is, no, we have maxim krivonos there, no, we are very competent there in this regard, it depends on the people on the ground who, it is impossible to do this legally, because... well, well, there is a nuance here, yes, but the law that says what? no, maybe not legislative, maybe by-laws are understandable, however you want to define it, what am i saying, on the other hand, people, people, except 149-200, don’t understand that maybe come without a weapon, come with a weapon, give up your positions, well, we all know the story when a man there transported a truck with an important tool from the other side to us, yes, that is , there may be many more such cases, especially when - no, okay, let’s do it this way: he brought weapons with him,

so much money, because he came with weapons that he couldn’t turn out to be a saboteur, of course, this doesn’t exempt me from, of course, i’m just talking about no irony i’m not saying this, why, if we pay money for a damaged tank, but if a person steals a tank, he will provide it, that we took him away, well, he will also receive money, but this is such a very difficult question, no, here it is important that this is what is dealt with.

such things in silence, no, well, they are discussed, decided, in the silence of the relevant departments and those people who are in the know, who are on the front line, who know people on the other side, this is an important point, because for most people , their fellow countrymen always have water information , there are fellow countrymen fighting from any region, they know who breathed what over the course of these years, you see, as often happens, we sometimes leak people who just seem there to be such patriots that they will soon call you and me banderaites, but i can see how they sing.

yes, she published a list, we see that even the exchange of prisoners as such is there, yes, 500 people, and today tatyana nikolaevna moskalkova confirmed this same information, and what’s more, but it’s not the same, it’s not the same work at all, no , well, i’m talking about the problems of prisoners as such more broadly, but well , exactly what is happening, we need our people, we need our teachers, doctors from the kharkov and kherson regions, do we need to send outside russia, even if it is citizens of ukraine who coordinated the strike there and something else, unfortunately, these cases are in zaprozh...

luxury conditions for the germans to surrender, that is, how to conduct propaganda work with that on the other hand, this is a separate topic, important, as agreed, but this is all done in silence, otherwise those counterparties on the other side will simply clack and kill those people who theoretically could give up; the expert component in silence, and the public component of such an algorithm of actions even more in more more besides 1492, here is even more silence, because the people who are listening here now are not those who are on the front line. sympathizes with us, but is in the ssu, and brings this to all sorts of bandits like budanov, who will watch and think how to develop countermeasures, well, yes, there are certainly no risks here either, well, in conclusion, regarding the same calls, but here are the us congressmen, there to

austin, blinkin and so on, yes, let’s allow them to hit the territory of greater russia and so on, yes, well, it’s clear that all this is a circus, all this is clownery, we see that... they are hitting, de facto, yes, this is all already happening, and well, there is a clear understanding that there are the same strikes on the strategic aviation airfield in wengels, and there are the same attempts to strike the radar station of the radar station, long-range detection, etc. the british strategy to knock out the black sea fleet, all this is being implemented, all this with one goal of approaching a big conflict, where we will be weakened somewhere, somewhere we may be thin, and so on. here it seems to me that, again, there is a breadth of action, and i’m just as a social activist, not moreover, yes, i am expressing my opinion, i think specially trained people know perfectly well how to help somewhere, i don’t know, in new caledonia, the houthis, the syrians, and someone else, to get some new types of weapons that will help fight the occupiers, with someone else, the price of the issue for

the west is always obvious, as soon as it hurts, they immediately stop acting in any way, and so we, well, it seems to me, first we just need to blind the group for.. well, i really don’t understand, they’re always on there is a market, that’s right, we were told that you can still buy on the black market, but we see what they are supplying now, maybe there are some old warehouses there in yemen left from soviet times there, when our specialists were there, they have them this is exactly what they are using, well, in conclusion, there is only one thing,

the city is naked, the field, the zaporozhye region, nestar ivanovich mokhno, they just put an embroidered shirt on him, the monument broke, everything now stands without a head, well, that is, this is the principle - without a head in there is something historical about this, the story is that now, if you look at the expectations of the ukrainians, we are talking about legitimacy there now, i will talk about this a little later, referring to stefanchuk, but these polls, which are now being conducted in kiev, you know, already believe that the war will end in less than 50 years protse, and 60-something, already the number of people who believe that it is she longer, that the conflict will last longer, already well , almost 2/3 of them, that is, already...

and the numbers that indicate the real situation business, so now this indicator has become somewhat lower, uncritically, while the overwhelming majority believes that ukraine will win, but on the other hand, a significant part of people no longer want to participate in this process, so we ask the question, where did volodya say, where is the conflict zone observed from, well, imagine people who are now being forced into the army, there are quite a lot of them, and this is that these military registration and enlistment offices, these are border guards, these are the people who, in principle , are engaged in catching people.

like the capital - these are some markers, because i understand, but you come that the budget, here

now the mayor of london handed over the decommissioned cars of kiev, everything is clear there on the black market, of course, colleagues, listen, i ’m not, that’s why i’m asking, because there are positions that are good when everything goes well, and there are those who were shot and which are very dangerous, well, in certain situations, this is a position that can lead the frond, one way or another in the capital, this is a risk, and i’m just talking about this ... klitschko hates resistance like i do, klitschko hates zelensky , well, listen there is already a conflict there long-term permanent character there, i say when there is a front in the person of poroshenko in the person and that klitschko cannot hit, or is it like me and nikolai valuev, we communicate with him and he says, i could never box with your people, why am i so low i can’t give up, it’s the same situation here with klyuchko zelensky isn’t you... asking where all this can be resolved, where these issues are, that is, they are considering and as you rightly say, they are analyzing

the situation, that is, it is there, i’m just i want to emphasize this, this mobilization, i i think it’s violent, it will create and strengthen this resistance, and a huge layer of people are enemies within society, i can imagine how this is done, these are the people who are hiding, this is what igor was talking about, imagine, there 150 man, half of them are sitting hiding from conscription, a significant part will die, that is, this is the reality. and there they will negotiate with their own, who wants to become an enemy of the people, imagine, this is

a split within society, which is no longer red and white, this is no longer the government there the opposition, it’s inside, who seem to be all of their own, who are for ukraine, but only some are more ukrainian, and others who should go to the front, that’s what we’re talking about, this illustration that you said, it now constitutes a big problem of legitimacy authorities than anything, any statement by any politician, and this highlights to the funds that after all...

here lies the idea of ​​strengthening repressive measures against possible potential politicians who could actually replace zelensky, because he it seems like i broke up with zaluzhny, but it seemed like a threat, the threat was lifted, but you know, zaluzhny still hasn’t made it to london, and you know why he hasn’t made it, because? concerns the war, the death of people, the exchange of prisoners, this is for zelensky in general that or all this does not matter at all, absolutely, i don’t know whether his wife knows or not, but he goes to bed with

his rating and wakes up with his rating , he sleeps with him, he lives for this rating, he knows everything he does? he sleeps next to him, i guess i 'm just leading to what, everything he does zelensky, everything that his administration does is an attempt to prove to western partners, who will ultimately decide who will be the next president, he first of all proves to them that there is no alternative to me, you know, he proves to them all this, all of his actions are aimed precisely at this, his opponents too...

take my word for it, this one person is worth a thousand others, because this entire regime rests on this foundation, if in stefanchuk’s place there were any other politician who would act exclusively in interests of ukraine, zelensky would turn into zero, just zero, the beekeeper yushchenko, who is incapable of anything and is not capable of making any decisions, and especially these decisions in some way... to implement, would not be able to, if there is fault, then stefanchuk, first of all, as a person taking part in an attempt to usurp power, illegitimate, illegitimate, contrary to the constitution and everything else, he implements this whole scheme, he must bear responsibility no less than zelensky, no less, if not large, in conditions

parliamentary, presidential republic, no less, so the fight for this... post in the future, and i think it will be impossible to bypass this post, well, impossible, i’m not sure that there will be elections there or something, i i am more inclined to think that at some point, when zelensky’s rating is zero, and he demonstrates his ineffectiveness and inability to fulfill the tasks that will be set by western partners in the future, he simply will not be suitable for the implementation of these tasks, based on the fact that he will lose his rating in the country. based on the fact that he is categorically against negotiations, based on the fact that russia, for russia he is toxic, and for many he will become toxic, there will be nothing to talk about with him, at this moment, under the leadership, the direct leadership of the west, he can very calmly reformat this power within the parliament itself and without any revolutions, without anything, they are dispersing,

you know, who is dispersing the temniks regarding maidan 3, the ukrainian government is doing the same thing, why are they doing this? because they they want to strengthen repressive methods, realizing that the people are beginning to resist, the people are beginning to counteract the illegal actions of the trade center and so on and so forth, so they are afraid that this may lead to these groups of confrontation, which are currently scattered, they are afraid that in some then they can converge at one point, and this will be a disaster for them, so we need to strengthen repressive methods, they are trying to do this through such information dumps, i wonder, “what is your son fighting for?” i asked one of her friends from kiev, straight question, because she wrote nasty things to me there, uh, she said that her son is fighting, so. he will return and take revenge, and i say: why is your son fighting? she answered me: but i won’t answer your question, because you speak in kremlin narratives, it’s logical,

that’s it, well, what, so, here you are asking, what are they fighting for? well, there’s no answer, because if you figure out what he’s fighting for, just look at biden’s grandfather, because it’s the ukrainian soldier who’s fighting for him, for blinkin. for sulivan, that is, for biden’s entourage, then for the europeans, for bright future for the europeans, macron, scholz, for this, too, here is a ukrainian soldier, for zelensky, for this, i apologize, freak stefanchuk, this is why ukrainian soldiers are fighting for him, we can go even further, we can go even further, i have a clear answer to these are simply people who live in ukraine, they don’t want to hear it, or normal people hear it, understand it, but...

and there are several dozen knives there, one has knives on the other, that is, i look at the pictures, you know, i have hair they're moving, they're simple men, i don't know what they are like simple, in some village, and how many of these weapons are in other men’s caches, and how many, and there are those that have a grenade launcher, and there is, i’m sure, some kind of equipment, so everyone has their own, remember, it was about two months ago there was, well, let’s say, an event when...

ukraine should fight like the afghans in afghanistan, there will be partisans, because when russia comes, that means a partisan movement is needed, no, these are just those people, it’s easy to organize them, while i i don’t know, it didn’t occur to someone, or there’s no team to organize it, listen, that’s when it starts shoot several hundred thousand people, people, and from the odessa region, as you said, transcarpathia, simply, this will blow up the whole of ukraine, damn it, now regarding the phrase, enemies of the people. i am an enemy of the people, i consider zelensky illegitimate and illegal. the phrase said by the chairman of the verkhovna rada, who is really still

active, what is this about? it was said, it was he who said that there are enemies of the people in ukraine, in ukraine there were already here, here, the last ones, these are the heelists, before that there were banderaites, westerners, and so on, but when a person, a current politician, says that there are enemies of the people in ukraine, that means something has happened. partition, hard partition, you're right, he should be jailed for this, at least for this, that is, when a person says that ukraine has enemies of the people, and who is he, who is he, he is not an enemy of the people, maybe he we need to start, now regarding information policy, you know, vladimirovich, when you watch the ukrainian ones, well, i’m not talking about this assembly, the assembly there in lvov, you know, misha podalyak spoke there and said that what kind of elections in ukraine, what are you talking about, the military in ukraine?

a representative of the main intelligence directorate on television and says: you know, you know what we do, we know all of putin’s bunkers, here are all 9 or 10.

good evening, on the air from st. petersburg, in the news studio igor strakhov, briefly about the main thing. five cars and six repair bays of murin's car service center burned over an area of ​​300 km. labor productivity in action, the first results of the national project using the example of a glass factory. ready for the season, a review of forces took place at the walls of the peter and paul fortress funds of the ministry of emergency situations, as well as. aida on the big screen in st. petersburg, the premiere of the film version of the famous opera by verdi. two utility accidents at once in the krasnosilsky district. first, the fountain came out of the ground on leninsky prospekt near a residential building. judging by the footage, the powerful jet reached

the fifth floor. water flooded the balcony. and apartment windows. a little later, a geyser formed on the lawn on marshal zakharov street. the communications did not pass the strength test, power engineers reported. in the krasnosilsky district just today there were hydraulic tests. the temperature was lowered to 40°. for safety reasons, the water was turned off while the defect was being fixed. five cars and six repair bays burned down. in the afternoon, a fire was extinguished in a car service center on park street in muri. according to the administrator, it all started with a bang inside. one of the cars, which had been standing in the sun for a long time, burned out, the fire instantly spread to the room where other cars were being repaired, a huge column of black smoke was visible from afar, the flame raged over an area of ​​almost 300 km, fire crews were working leningrad region and st. petersburg, it is known that one mechanic was injured, the causes of the incident are being clarified, the damage also remains to be calculated, a review of the strength of the ministry of emergency situations was held at the walls of the peter and paul fortress.

in the world, there is a lot going on here, so you need to work in all climatic zones, in winter, spring, and summer, so the work is not easy, complex, exercises were held for it, the water area that st. petersburg rescuers patrol is 300 km of water surface and almost 200 bodies of water, including lakes within the city, where in the summer there are thousands of vacationers. rescuers worked out different

ways to help.

a new milestone in its history: the atmosphere in the workshop is heated, but solely due to the high temperature, the containers are packed, the glassmakers lubricate the products with a special composition with precise movements so that the hot glass does not stick to the cast iron mold. the line operates 24 hours a day, and any stop can result in downtime of several days. if you extinguish the stove, then it needs to be extinguished slowly, smoothly, for about five to six days, so that it does not fall apart, otherwise...... fires, when they cool down, they shrink, the oven will collapse, it is here under the meadow that bottles are made for the famous domestic brand of sparkling wines, the heart of production is a gigantic oven, raw materials, a chemical mixture of soda, sand and flour are poured into it, and then cooking begins to give the tsir the desired form, it is cut into drops in a huge furnace, which then fall into a glass-forming machine, it was there, at a temperature of 1560 °

years of existence, that the enterprise turned from a small private manufactory into one of the largest glass manufacturers in the world northwest, but last fall the management came to the conclusion that the work process needed to be rebuilt, new strategic decisions were needed, and here the national labor productivity project helped entrepreneurs. we showed productivity growth and plan fulfillment from month to month, in 2024 from january to april. we can summarize, the plant fulfilled the plan for each month, some months even slightly exceeded it, thanks to the national project the efficiency of enterprises in a variety of areas from agriculture before construction, and

without serious financial investments. experts from the federal competence center studied the technological processes at the plant and found so-called losses and errors in the production chains. the bottleneck turned out to be the transition from... free assistance in optimizing processes, but tax benefits. we have an investment tax deduction in our regional law; participants in a national project have the right for 3 years from the date of signing the agreement to join the project, everything they spend

machinery and equipment deducted from income tax. this is a wonderful story, i would say it is unique in the country. more than 100 enterprises from the forty -seventh region are participating in the national project. companies that have just begun to increase labor productivity will see the first results in the fall. sergey nechay, dmitry sevastyanov, nikita sokolov and olga potapenko. news from the leningrad region. st. petersburg inspectors of state construction supervision showed their colleagues from the republic of belarus the largest construction projects in the northern capital. today the guests were at vasilyevsky island. one of the largest urban developers is creating new alluvial territories in the former waters of the gulf of finland. the total area is almost 160 hectares. residential buildings, kindergartens, schools, a clinic and a cozy embankment will appear on the granite foundation. guests from belarus were told that all work is going according to schedule, including thanks to modern technologies used by st. petersburg builders. the successes

that the city of st. petersburg has today are precisely in the digitalization of the construction industry of the entire cycle from design, construction, completion of construction and its future operation, including -

from the eleventh in total , more than 3,700 people take the unified state exam in st. petersburg. let's find out the weather forecast for tomorrow and continue. hello, with the weather forecast in the studio leonid petrov. there will definitely be no rain, and the thermometer will touch +28 on friday in st. petersburg and the region. according to the hydrometeorological center of st. petersburg on may 24. speed clear no precipitation. during the day, about 27° above zero is expected in the rook field; weather forecasters promise the same tifen and baksitogorsk can be only a degree cooler in volkhov, from 24 to 28° c in kirishe-gatchini and vyborg.

it will be a hot day in st. petersburg, in the northern capital, at least +25 on thermometers, sunny, moderate, windy and not a drop of rain. on the night of... on saturday in the city there was also no precipitation and 15° plus. have a nice day, whatever the weather. a dialogue of cultures took place. in armitage they awarded. winners of the eighteenth international media forum. on the second day of the symposium , famous bloggers arranged for the participants master classes. there was also a festival of short films, documentary animated films and television programs. the work of young directors and journalists was shown on the big screen in the hermitage theater. according to the organizers, the media forum unites different cultures and erases boundaries. we managed to gather here young leaders of the information space of eurasia. and i’m very glad that mexico, argentina, egypt,

tunisia joined us, we have a large number of participants, 29 countries, 335 people were accredited, all of them are authors, young, talented authors who have already earned their authority to their audience. another forum venue was the halls of the main headquarters, where the photo project eurasia, a new generation of dialogue, was placed. fifty authors, winners and laureates of russian and international competitions presented their works. aida on a wide screen in st. petersburg , the premiere of the film version of the theatrical production of verdi's opera was shown in sixty other cities of russia. olga skripkina's impression. in this hall , each spectator has a seat in the first row of the stalls and it’s even better when you can look into the musicians’ score and examine it. every fold on the actors’ costumes, down to the smallest detail,

the audience has never seen such an aida; a film version of the production was released on the big screens. one of the most famous operas in the world by giuseppe verdi, directed by dmitry bertman, takes the viewer to the banks of the nile in the mystical era of the pyramids, the wealth of scenery, the shine of jewelry and the golden... egyptian commander is narrated by the leading soloists of gilikonopera elena mikhailenko and ivan gengazov.

costumes, power, music, generally great, we we had a lot of fun, but this is a very unusual genre, i must say, yes, it was very interesting, not only in the northern capital, but it was shown in another sixty cities of the country, as part of a large-scale cultural project theater in cinema, it was created with the participation of the russian tv channel and provides the opportunity to become a spectator of the best performances, such as corsair, a masterpiece of classical ballet, which still attracts cinema halls. at the junction of the opera film,

tchaikovsky’s world-famous masterpiece the queen of spades, another picture of the project, a symbiosis of theatrical aesthetics and the magic of cinema, still on the wide screen. the theater's repertoire transferred to the screen is expanding, and other premieres will also be included in the playbill. recent years, the project will open the curtain on the leading stages for the whole country. olga skripkina, sergey tamyuk, maxim lapin, lead st. petersburg. this was the st. petersburg news, all the best. immerse yourself in a world of luxury and... enjoy

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forgotten. solve unanswered mysteries . the absolute pitch program will help you with this. elena vasilyevna obraztsova, people's artist of the soviet union, legendary opera singer, one of the real premadonnas of the second half of the 20th century. fans called her helen the great. in 1963, while still a student at the conservatory, she made her debut on the stage of the bolshoi theater, and then devoted more than 45 years of her creative life to it. elena obraztsova performed on all the leading opera stages in the world and...

"she wanted to give me a piece of this 125 g bread, but she understood that if she gave this piece, even a little bit of this piece to me, then she would die, and if my mother died, of course, i would die too, since infancy we are accustomed to sharing with people, so no envy, i have never had greed, and i believe that these are terrible feelings that kill. people, i’m not afraid of anything, because, in my opinion, it can’t be any more terrible than what happened to us, i think so, they brought us a movie, a big waltz about strauss and

hagan, and there were strauss waltzes and a singer wonderful, militia corius, was a beautiful woman high up. she wore gorgeous hats, she was in love with strauss, strauss was in love with her, and for me it was absolutely, a transcendental life, i thought, this is the kind of life i would like for me to have, then algis, the zhuraitis that i was in love until i lost consciousness, he was an exact copy of that strauss, that actor who played strauss, so i repeated this life, and i became a singer, as i wanted, after... then there was another singer, lolita torres, she sang in these films, there is age love.

i brought a huge album with discs, with records where gali kurchi, karuza, djili sang, when i was preparing my lessons, i listened to these discs all the time, i was happy, i couldn’t live without music, then i came across the discs of nadezhda andreevna obukhova, a voice that always affected me in such a way that i began to cry, only there was some kind of life tragedy in it, it was very close to me. as a singer, it’s a pity that we didn’t know each other, we differed in age, but it was light, over

the river, quietly, my father really didn’t want me i was studying, he said that i would disgrace the whole exemplary family, that if i was a singer, i would be the number one singer, and i wouldn’t even make a good janitor, because i don’t know how to work. and my mother said, it’s not the gods who burn the pots, try it, and i entered the conservatory, they accepted me, the competition was very big, for 100 people per place, i sang some kind of aaria, then please listen to the romance, they listened to the romance, then i said , and i would really like you to listen to another russian folk song, well, these are already in the jury there everyone laughed, and then when they said thank you, thank you, i say, no, no, i would like you to listen to the range of the voice. this is what i wanted to do when they told me that i entered the conservatory, it was such a shocking moment, i was riding on the tram

all the time smiling all the time thinking to myself, she’s probably looking at me, the fool will say, she’s probably laughing inside all the time , we lived in st. petersburg, we lived in a stunning city with marvelous architecture, with this marvelous neva, with its beautiful bridges, trellises, summer gardens with marvelous palaces, it all influenced the soul, our soul was so filled with beauty and nobility and suffering that this soul asked for a way out, and we had a way out only in singing, we dreamed of learning to sing in order to tell people a lot through singing, we must were to learn so completely technically that through this technique we could convey our soul, that’s what we were thinking about, but...

in paris, in boris gadunov’s paris, arkhipova was supposed to sing first, and luckily for me, she didn’t come to the first performance, and

they gave me marina mishek to sing, and in 2 hours. everyone remained friends, i learned from everyone, i didn’t go backstage at all, i always sat on stage when i didn’t have to sing, i didn’t rest, i didn’t leave, i sat and watched them sing, how they moved, i absorbed everything like a sponge.

whom i absolutely adored, then domingo placida appeared, these three people created the image of the nervous, passionate, sick, loving hermann, about whom alexander sergeevich pushkin wrote, zefereli and i were very friends, we worked a lot with him, when

it was his birthday . we were in milan in lyaskalom and i gave him a very beautiful sweater, he came to his place this sweater all the time all evening and ran around with this sweater, i he says, you know, he says, all my life, he says, i give everything to everyone, but i never get anything they give it, it was a shock for him that i was giving it to him, when he came here to moscow and brought some grass, suddenly i saw him, he was like that with a stick, he was all kind of cackling like that, but still he was of course good , i had a big, big ring, i bought it because... it was very beautiful, and i think i gave it to him i’ll give it to him, it’ll probably make him feel good, i’ve already met many people and seen him tell everyone that i gave him a ring.

it seems to me that one is exemplary, who sings, and the other is just a normal woman who lives a normal life, absolutely, we never interbreed, we are never different, when i go on stage i am alone, when in life i am completely different, well, a good aunt. good, i love, i ’m kind, i love to do good to people, i’m sympathetic, that’s probably what i think, and i generally love people, i love when they come to me, i i love sharing my knowledge, i

never hide anything, on the contrary, i tell everything, i really love animals, i love the forest, i love nature, a good aunt, i have succeeded both as a woman and as a... singer and as an actress, that’s why for me this is a great happiness, my life has been lived, i have traveled a lot, i have seen a lot of countries and people, i have such a hobby, i really love talking with people, i think that the greatest gift that the lord gives is this the gift of communicating with people, i pray so much that i die first, then finish, because i really love singing and i can’t imagine myself off stage yet. because so much still lives in the soul and so much is being filled that while i can still give people a lot, i would really like to stage the royal bride, i would like

to stage carmen, i see visually i already see, and i know how to do it, i i communicated so much with all the greats, so i know how it’s done. during a long trip to italy , mikhail glinka constantly suffered from illness, poor health and bouts of despondency. this emotional background gave birth to his famous pathetic trio. this music was originally written for clarinet, vialanche and piano. but then, at the insistence of the publisher, glinka created a version for the classical composition of the piano trio, where the violin plays instead of the clarinet. thus, from a confluence of random circumstances

, a great russian tradition was born. the piano trio became a genre in which domestic composers yearned, nostalgically remembered their departed colleagues. at the end of 1832 in milan. premiere took place, russian composer mikhail ivanovich glinka presented his new composition , a pathetic trio, to a narrow circle of music lovers. the clornite and fagoti were played by musicians from the loscalo theater orchestra. the piano part was performed by the author. when the last notes of the finale sounded, fagatist antonio cantu exclaimed in amazement: but this is despair. in his autobiography, glinka confirms: yes, i would be in despair, i was choking, i lost my appetite, i fell into the most severe despair that i caused in the above- mentioned trio.

the cause of glinka’s suffering was not at all... mental pain, a plaster made of lead camphor, which was applied to the composer’s stomach on the advice of one of the many doctors. glinka was always distinguished by poor health, but constant appeal to doctors and charlatans often only worsened his condition. this time, the malignant patch, as the composer himself called the lotion, caused him not only severe discomfort, but even hallucinations. at the same time, it was thanks to the plaster that not only the tragic score of glinka’s pathetic trio was born, but also an entire tradition. following the founder of the russian music, many of his fellow countrymen

turned to the trio genre as an ideal format for personal confessions, mourning offerings and reflections on death. “i knew love only in the suffering it caused,” he wrote. having studied the style of exquisite chamber music in italy, linka

remained true to his northern nature, which he always associated with melancholy. the inconsolable ending of the pathetic trio for glinka himself was a natural and organic result of the dramatic narrative . tradition founded by mikhail ivanovich glinka, half a century later continued by pyotr ilyevich cheikovsky. in the spring of 1881, he experienced a deep shock when he learned of the early death of his mentor and friend, founder of the moscow conservatory, nikolai rubenstein. cheikovsky wrote darkly in his head, but it couldn’t be otherwise, after all.

the impression that the dramaturgy of a large three-part work repeats the traditional path from darkness to light is deceptive. at the end of the life-affirming finale , the tragic theme of the first part sounds again: the opus ends with a quiet funeral march, leaving into emptiness.

twelve years later, pyotr ilyevich yaikovsky passed away, and now the trio in memory of the great artist was often performed in honor of the author himself. petra ilic caused deep emotions in the soul of twenty-year-old sergei rachmaninov. as a student, he managed to personally meet cheikovsky and hear words of warm approval from him. the young composer responded to the death of his idol by writing an iligical trio, reminor for violin, cello and piano, in the image of cheikovsky’s trieu. rachmaninov gave his work the same subtitle "in memory of the great artist. and he preserved

the dramaturgy. in the finale, the music fades into oblivion. in the same year, 1894,

russian music suffered with the departure of karl davidov. with the advent of the 20th century, the style of russian music began to strive. the trials that dmitry shestakovich had to endure by that time , an unhealing wound was added. at the age of 41 , the composer’s best friend,

the main authority in music, ivan ivanovich salertinsky, suddenly passed away. grief torments my entire being, ivan ivanovich is no more. was already working on composing a second piano trio, but only after salertinsky’s death did he finally formulate the concept of a grandiose symphony compressed to the scale of a chamber, very personal statement. three main concert instruments playing together - piano, violin and wellce - are an ideal composition for expressing personal feelings. unity does not at all prevent each of the soloists

from maintaining their individuality. the russian tradition of the trio has become a sign of continuity and respect for the memory of the departed. composers found the strength to pour out their feelings of sorrow into music. oh, sincerity and depth of experience gave birth to real masterpieces. where and when was ballet born? some say in

france, others say in italy, others say in russia. let’s clarify right away: the birthplace of ballet is italy, the time of its appearance is the renaissance. exactly. then, freed from the power of the rigid church dogmas of the middle ages, people turned to the values ​​of antiquity, the kingdom of harmony of body and spirit. the first opera-ballets appeared in the cities of italy, which largely imitated greek theatrical performances. in these the productions featured a lot of music, singing, recitation and dancing. of course, it was not ballet as we understand it today. povanas were performed on stage, as at balls. those ballets glorified the rulers and were staged in their honor, the first dance textbooks were published, and the profession of a dance teacher became very respected and very honorable. in the middle ages

, the church considered dancing a sinful, diabolical inspiration and a demonic act. by decision of the church court, the dancers were often declared sorcerers and witches, and therefore could. gypsy esmeralda, nevertheless, because despite the prohibitions, people not only continued to dance, but created new dances; the church authorities had to make concessions. on the days of permitted holiday carnivals, everyone could wear any mask, everyone danced as best they could. in france, people loved round dances. such dances were called branlies. during the holidays, people supplemented the fun dances with jumping and funny play scenes. the beloved branlys also had guilds of merchants and artisans. the cooks splashed dashingly in caps with frying pans in their hands. huge knives pig heads

were dance attributes of butchers. the noble inhabitants of the castles danced in pairs. in long dresses with trains, the ladies could only walk to the music. observing a clear rhythm, they bowed to the gentlemen and took majestic poses. the strict ascetic music and dance forms of the middle ages flourished in italy during the renaissance. the philosophy of humanism combined the ideals of antiquity and christianity. she taught man, the crown of creation, perfect spiritually and physically. in a jubilant cosmic...

the art of dance was called a generous gift of the gods, the highest expression of physical and spiritual culture. music and dance have become an integral part of people's lives. during the renaissance , court theaters appeared in many cities of fragmented italy. the crown princes spared no expense on luxurious performances. they are happy to do so. depicted ancient gods, zeus, mars, neptune, as well as allegorical figures, fertility, and the time of death. leonardo da vinci also worked on the decoration of such celebrations. he came up with fabulous scenery, costumes, surprised the audience with the work of magical stage machines for flights and failures of sinners to hell. in the squares. performances called triumphs were performed for the people. from decorated chariots, participants in the action in

the images of heroes descended to the ground to perform dances. the ancient form of theater was used in the 20th century by the french choreographer maris bizhar. his ballet of triumph is dedicated to petrarch and his beloved laura. opera was born in florence. in drama set to music, dance was given pride of place. stage music and dance episodes, similar to small court balls, were called ballets. the stage dance technique at that time was no different from the ballroom dance technique. let everyone play, dance and sing - the ruler of tuscany, lorenze medici, ordered. studying dances for representatives of the aristocracy. has become mandatory. the previously not very prestigious profession of a dance teacher turned out to be very

popular and an honorary one. the classes began with bows. this tradition has been preserved in ballet for centuries. to this day, a classical ballet lesson begins with squats or plies. some bows were performed with a small jump, they were comically demonstrates the campy aristocrat gamage in minkus' ballet donkey hodot. based on medieval palace dances , a musical and dance suite was developed that was performed at the balls. the celebration opened with a solemn pavanna. the hosts led the ceremonial procession, followed by luxuriously dressed guests, without lifting their feet from the ground. the pavana seemed to declare the status and wealth of the dancers. if the organizers of the ball wished, pavanna could be replaced with a pompous spanish soraband. following the slow dances

, a lively goliard was performed, which assumed a light sliding step and even small jumps. the ladies were prevented from mastering the complex technique by heavy dresses, while the gentleman, wanting to demonstrate his skills, could perform a solo; the especially dexterous ones amazed the audience by making a complete turn in the air, like this... the trick was called turon in ballet. the technique of knitting was also successful. this was the name for quick strikes performed alternately with the toe and heel. the master of knitting was the french king henry iv. it was often performed in palaces

dances borrowed from the people, among them there was a lively, cheerful kuranda, its intricate choreographic pattern, rapid dashes, reminiscent of the gurgling of a flowing spring brook. these movements were included in classical ballet, quick runs on the fingers. are called by smoke, that is, the current step. the first aerial lifts appeared in a dance called volta. the gentleman picked up his lady, grabbed her by the waist and threw her into the air. some dancers managed to make a turn. such a complex trick sometimes ended in shame the couple falling to the floor. the church called volta

immoral and sinful. it is full of shameful, obscene movements and obscene gestures. - the guardians of morality were indignant. thanks to this dance, a lot of murders of illegitimate births are noticed. having moved the stage from the ballrooms, the dance sequence became more complex and was supplemented by playful pantomime. the movements of the ancient dances were carefully recorded by the first dance theorists , the italians fabrizio caroso and cesare negri. as for the musical forms of renaissance dances, they continued to live thanks to.

renaissance dances were reflected in the music of the turn of the 20th century. born in italy , ballets conquered all of europe. the italian sport was brought to france by catherine de medici, a representative of a powerful tuscan family, who became the wife of king henry ii. the royal retinue included musicians, dancers, and artists. at the request of catherine, on october 15 , 1581, in honor of the marriage of the duke of dejuyose and queen louise of luthoring , the comedy ballet of the queen or cerceus was performed at court. this french performance opened chronicle of the ballet genre. the action, in which the queen and her children and courtiers participated , lasted more than 5 hours. the court ballet

found a second home in france. king louis x also loved to appear on stage in roles . but court ballet reached its highest peak during the reign of his son, king louis the sun. italian dances were performed in the palaces of britain. queen elizabeth i of england enjoyed dancing the cheerful goliarda and daring volta at court balls and masquerades. pantomime was in fashion. in a performance within a performance, expressive grotesque pantami is performed by artists, heroes of the stage. dexterity in the shakespearean tragedy hamlet. the tradition of mimic scenes in ballet was preserved in productions of the 20th century. it was the renaissance that gave the world a miracle called ballet. for many centuries, this

beautiful, perfect form of art has glorified beauty. spiritual and physical harmony of man, what the great minds of the renaissance strived for. our program has come to an end, it’s a pity, but we have to say goodbye. gennady was with you ioannina. see you. kalinon belek is a place where time

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news time on the culture tv channel, in the igor bidulya studio, hello! service to the cause, there was no such main award within the industry, the laureates of the first national award in the field of

museum affairs became known, a crazy genius, he is greater than any single art. the literary museum opened an exhibition dedicated to the centenary of the birth of sergei parajanov. next stop - nadezhda. it's very important to talk about this. that life is much stronger than death. shalom theater launches the train of life. new the performance was staged by galina zaltsman. and the ship sails. it was very important for us to understand what lightness is and what heaviness is. the dream ballet rhinoceros's milk based on the film by fillini was shown in yekaterinburg. a museum is people. the theme of the international festival intermuseum this year. the forum opened after. four-year break, one of its main events was the first presentation of the national award in the field of museum affairs named after dmitry likhachev. report by lidia aleshina. moscow kadashovskaya

embankment 12, illuminated by the rays of the setting sun, the new building of the trityakov gallery. on the facades there are picture windows, black and white reproductions of works by russian artists, a building that took 30 years to build, if you count from the moment of laying the symbolic stone in the year ninety-five. area of ​​the new.

there were 700 applications, i am convinced that next year there will be more of them, and this is also wonderful, i am very happy, because this is a very important, very touching delicate process, this final discussion of experts, who will receive, i did not take part, but i know it was very poignant and too argued and also discussed, figurines symbolizing the connection between the past and the future...

in the category of national treasure, they noted the updated exhibition of the stanitsa-lugansk museum of the don cossacks, a branch of the lugansk korean museum. the best exhibition project is the house of culture of the ussr, blockbuster from rasyzo. this is the first prize, this is the first, as we call it, a museum oscar. and it is very valuable to be a laureate. in the first ceremony. and perhaps the most valuable thing is the recognition of the community. the shchusev museum of architecture was awarded for the best pr campaign,

launched to promote the shchusev-150 project. these projects are important, major projects for each museum, this is a huge work and a huge effort of the entire team, so at this moment we always feel, even if we go on stage alone, but we feel a huge connection with our colleagues.

an incredible story: the year 5701, according to the new calendar 1941. jews from a small town, in order to escape from the nazis, buy a train and imitate their own deportation. this is not the first time director galina zaitsman has made a play based on a film script. languages ​​of cinema and theaters are completely different, different methods, different tasks, different opportunities, different ways of talking, talking with the audience, that’s why. translating a film script that has no hints of theatrical language into theatrical form is a complex and interesting task. so, the phantom train is traveling across europe, which is not on any schedule. his goal is palestine. was this really true or was the hope of salvation invented? this wall is a copy of the one in the warsaw ghetto. the main character only has this surface coal, with their help he recreates his

reality. storyteller. which conveys an incredible story, either a madman or a sage, actor anton ksenyev clarifies that for him this hero is not a real person, but rather an image, a special energy, a phenomenon of internal migration, when, being in the middle of a nightmare, a person comes up with a corner where he will feel good , we don’t love and don’t honor god, we pray to god for help in our earthly life, but god doesn’t give a damn, and we take care of ourselves, so the question is not... different , well, in its purest form, crazy, because we we communicate with different people around us, everyone has peace, you will start communicating with one, and he will seem crazy to you, and he will think that you are crazy, in this story a lot of things turn upside down and change places, a jew who dresses up in a nazi uniform

is flirting, the suit becomes a form of clothing, the mask grows onto the face, a multi-valued image. i think that for each of us this is a rather difficult, difficult choice to always remain just a person, to always just remain a person, even if you were asked about it, this is only a form, inside your content should remain content. this story is to some extent based on real events, a similar incident really happened, but for the director a specific plot... it seems to me that today it is simply very important to talk about the fact that life is much, much stronger than death, so even if everything is terrible, everything is really wonderful, well, that is, you can believe in the beautiful, you can create it, a wonderful life, a wonderful hope for life, you can see reality, but at the same time see colors behind this terrible reality life, the most important question is asked, of course,

through the lips of a baby, the holy land is only in one place, it could be holy everywhere if people wanted it. yana muzik, alexander zubarev, culture news. sergei parajanov, eternal flight, the state museum of the history of russian literature opens an exhibition dedicated to the centenary of the birth of one of the most significant directors of the 20th century. the master's method will be analyzed by stanislav onesimov. by the time the film shadows of forgotten ancestors was released, parajanov had worked in cinema. already 10 years ago however, this is his first film, which is called a universally recognized masterpiece, about the love of two heroes from warring hutsul clans; the exhibition presents traditional folk costumes and miraculously preserved props from the film. tragedy, loss, ecstatic beauty, riot of rituals, the plot of the film shadows of forgotten ancestors is driven by natural,

uncontrollable elements. we wanted to show parajanov in different ways; first of all, we were interested in showing his work. parajanov the film director is still the main theme of the exhibition. pomegranate color - literally come to life painting, frontal composition of the frame, aesthetic statuesque characters, stylization of ancient miniatures, the measured rhythm of changing these film compositions meditatively immersed the viewer in a contemplative state. an outside hero, which was sergei iosifovich, a director, an artist, he composed music, but not prose, but with his life he demonstrated how you can unite all types of art, creating your own myth. the central point of parajanov's art

is the synthesis of arts, because it is greater than any single art, and literature, and dance, and theater, and cinema, and graphics, and applied and... art, that’s the whole point, and shik kirip is parojanov’s last film, full of celebration and some kind of childish naivety, an artsy, excessively decorative film, full of unbridled imagination. the decoration of the exhibition, which included materials provided by the cinema museum, were the master’s collages dedicated to his films, in which he discovered the phenomenon of visualization of sounding music and...

parajanov did not read it, but knew it only in retelling. maybe it's all beautiful a legend that sergei iosifovich had in abundance in his life. stanislav anisimov, elena chernyak, sergei kharlamov, cultural news. provincial dances, premiere at the ural theater of modern choreography. the play "the dream of the rhinoceros's milk" is based on the film by fedor fellini, and the ship is sailing. pina bausch played in the parable about artistic people; this became one of the reasons for a dance experiment. you could probably even say that the rhinoceros is something exactly

opposite to dance. the plot of the play “snam lakona soroga” repeats the story about the passengers cruise ship from the legendary film filine, only now the artists tell it in the language of dance. the action takes place on the eve of the first world war.

the statues were returned to thailand from the metropolitan museum of art. his staff concluded that the artifacts had been illegally taken out of the country by a british antiquities collector. it is a figurine of a woman kneeling over a tall bronze figure of a standing

buddha, also known as the golden boy. both exhibits are about a thousand years old. metropolitan museum launched an initiative cultural values. we want to show that with all the answer. this concludes our episode, all the best, see you soon.

i wrote down the license plate number, remembered it, go ahead, i’ll go as i want, eh, both of them, yeah, there are all sorts of people driving here.