kente, speaking about the situation in the special operation zone, the president dwelt in detail on the participation of foreign mercenaries in the conflict, on the threat of a number of western countries to send their army contingents to ukraine, as for the fact that there may be or are mercenaries in ukraine, yes we we know this well, there is nothing new here, so what does it mean...

the authorities say that they are ready to send their contingents, we hear polish speech, there are many mercenaries from poland, if, say, some contingents come there european countries together with the poles, others will leave, the poles will never, this is an obvious thing, for me at least for me , for sure, maybe i’m wrong, but hardly, hardly, so under the guise of liberating...

liberating some ukrainian units stationed along the border, free them in order to send them to the battlefield, and keep them along the borders to ensure their safety, nonsense and nonsense, that’s all, and if they are there, then they will also be in the zone of destruction of our armed forces , i don't...

i always look with surprise at some kind of gestures on the part of our western friends and partners, who say that russia refuses negotiations, he said a thousand times, as if there were no ears, we do not refuse, the ukrainian side refused publicly, they initialed agreement, they didn’t refuse, in order to defeat us, it doesn’t work out, it’s ready now, you come back, what are we talking about? they want to draw something, to create the appearance of world support for what they themselves drew voluntarily, based on their wanted to present this as a consolidated position of the world community, but they won’t succeed, this just means that they don’t want to come to an agreement, but are clinging to getting something else - and

they won’t be able to turn the situation around on the battlefield it turns out, and the more attempts there are, the more losses there will be. after the big evening news, today don’t forget the new episodes of the film melody for two, but the news continues to follow the developments , so stay with us. good afternoon everyone, i have a magazine in my hands soviet screen, may 1964, on the cover are nikita mikhalkov, evgeny steblov and alexey loktyev, and the description on the last page is as follows: viewers will certainly fall in love with these nice guys from muscovites and siberians when they get acquainted with funny adventures.

young people learn about their strong friendship, loyalty and love. 60 years have passed, i’m walking around moscow, 60 years, you can imagine. the song performed by eighteen-year-old nikita mikhalkov became the anthem in moscow. and i’m walking, walking around moscow, but i can still walk, the frozen wild ocean, tundra and taiga, the film became a runway for young actors

discovered by georgy daneli, inna churikova and valentin smirnitsky, vladimir basov and of course nikita mikhalkov played their first roles in the film, another debutant on the set. now he calls i walk around moscow god's providence, it turned out that no one can repeat, the late love of georgy danelia, the path to god and the mystical death of alexei loktev, the suicide of gennady shpalikov and the main mystery of the last sixty years, who became the same girl in the rain with whom the cult film began? unique. stories from the set of the film, which was called the main film of the thaw, and the fate of its creators. i'm with cardina, with a bouquet of flowers, thank you, galina, in our studio,

director, journalist widow, georgia daneli, galina daneli. i must tell you that every time i walk along the clean ponds and see the corner of the house, i always remember that birthday party that you allowed me to attend, that warmth that was in your home, in general, always with the warmest memories of you and your spouse and your family, honestly, thank you very much, and you have your favorite fragments in this picture, because there is a scene on clean ponds, i’m walking around moscow, and i really love it when she walks like a little bus, with an umbrella and a cyclist on top of her, because only i know that there were only three actresses filming in this

aisle, yes, no one knows this, everyone thinks, i was always sure before that this is galina polskikh, yes, actually... no, this is just an actress, i don’t know her last name of this actress, she had to leave, it was raining, they didn’t have time to film, which means that the next day they filmed the legs of the second director, or the assistant director, and filmed someone else from the back, so three girls we played one girl, i don’t know about the guy, i think one for today we will also tell you the answer, because we found this girl, a tour of the office in georgy nikolaevich’s apartment and now you will look at the unique artifacts with your own eyes. lasechka, let's go,

let's show georgy nikolaevich's office. here is his father's library, photographs and drawings of georgy nikolaevich, since he drew very well. right here. absolutely wonderful self-portrait, he is on pointe with great humor, this flower, he said, it’s you, and i’m in front of you on the quanta, this is the work of fillini, who gave him, this is his table, a huge table, he really likes cats to sit on here, ours, on the top shelf, these are our prizes for all films, but not for all, this is one tenth of the prizes that georgy nikolaevich had, which we get from the state cinema managed to hide it somehow. from them, because before guskin took all the prizes, they never gave anything to anyone, two necks, i look, yes, two necks, a golden eagle, here is the number of posters that we managed to save, polish, here are 33 earrings, autumn

marathon, i’m walking around moscow, he played all the instruments, he put together a collection of drums, so they dismantled everything from the drums. there was only one left for souvenirs, but i don’t know how, i don’t know how, when he was in the architectural institute. they had an ensemble and it was drummer, and we played the guitar, he played the guitar very well and sang, sang, so he came up with this, oh, it’s not a pity, oh, it’s not a pity, the jackdaw fell in love with me, she’s very seductive, the blue-eyed big thing, so he sang this song , well , he was always humorous, we just met, i was 19 years old, but the truth is i told him, leave me alone, i don’t like you, in the end many years passed, we met for a long time, he had a clinical death, he was dying , he had very severe peritonitis, they barely saved

him, and he weighed 42 kg, you can imagine what was it, so i met him at mosfilm, i said, that’s it, i realized that i was mother teresa, i urgently needed to save a person, and i was friends with juna, i brought him and said, juna, we need to cure him, he says, yes, of course, ha, danel said, you will cure me, let me cure you, danel said, he had very strong energy. i’m getting married, that’s it, she started crying, kolya came,

“lyuba, you know, i’m leaving, i fell in love, i ran into the kitchen and said: “mom, why are you crying, jackdaw, like that,” he says, “babu,” and he and i studied together at school, he was on a year later, we were friends like that, in general, for how long, like this, the woman says, how lucky he is, you’re a fool, a fool, she said, interesting, very interesting, unusual, and

vitik time flew by like lightning, but it is believed that in this in the film i walk around moscow, danelia shows with strokes the history of his family, that his father was a metro construction worker and that he was our dad, the general of the metro construction, the chief engineer, yes, so they lived on clean ponds, and with... nikita mikhalkov celebrates 30 years of the film i walk around moscow and interviews in the company just georgy daneli, andrei petrov and vadim yusov, the film’s cameraman. i understand that it is very difficult to explain your paintings, but still, you are like a person. who sang this picture together with his colleagues, how did this impulse arise, what is it, where

did this particular picture suddenly come from and why did it appear like this? well, it’s hard to explain how the picture came about, so genushalikov came to me and said: i have a grandiose script, let’s make a movie, what, it’s raining, a girl on the street behind... a guy with an umbrella and holding an umbrella on her , further, well, we’ll come up with it further, he says that the most important thing is gennady shpalikov, an absolutely brilliant poet, who always wrote only from the inside, only what bothered him and even, he didn’t even care anymore as if it had happened, but as a real any poet, like a feeling of something future or present or past, this picture should not be explained, watch, i would never... take pictures of life, this is the second time i am walking around moscow, and here is such an alloy, and shpalikov, that means, iusov, and

andrey, and you, having excluded one component, there is no longer a picture, pavel galich, our guest today is the actor, grandson, alexander galich, it ’s clear to you that this is a different generation and shpalikov is just a monument to...

and quite some kind, i don’t i can say that he was cheerful, but joyful, it so happened that they filmed it in a different way, so they decided on bald scenes for me, the scenes where i have hair, and they made a wig for me to match my hair, so there is even one telephone conversation when

i enter the booth with my hair, i come out wearing a wig, well, that’s how it’s edited. i already think that i am walking around moscow is, to a large extent, god’s providence, through some common mood that all the creators captured, which means the paintings, including us artists who were busy there, it was most likely such a consonance of souls, so i would say, but the picture is alexander vasiliev cannes, right? exactly like this, and, of course, at first no one here could imagine such a thing, because the attitude of the cinematic fraternity to the film was very skeptical, and shpalik told him, well, he committed such a betrayal, made some kind of naked pop music, so the french saw that this picture is far from just pop music and it is no coincidence that it has such a powerful margin of safety, of course, this

picture is a manifesto, firstly, all their lives they taught students, everyone, that basically there is a conflict, here initially the girl crashes on the spot, a guy comes out of the plane, elbows, says, girl, it’s good for you, but it’s good for me, and if this happens, yes it happens, baskakov, the deputy of the state cinema, called them, danelia a sleeper, he says, we need to come up with some kind of conflict, he began to pronounce the monologue that they gave to basov after that was invented, one on one, he says that life is a conflict, first of all, and the essence is where, the essence is, yes, every individual. must have your own truth of character, but you don’t have the truth of character, i don’t know, maybe my writing is not good and the gun doesn’t shoot, but it’s all true, true, but there is no essence, what is the essence, the main essence, well, they made fun of it internal there is a subtle conflict there,

because our heroes define a new consciousness, they take on... the check of pure the unclean ones are separated, of course, by the guy who runs into mikhalkov and in the subway , or the one who says: the dogs were bred here , the dogs there are to be shot for the hell of these dogs, well, it’s clear who the default is, some old stalinist, we we don’t take him to our ark, here comes a 40-year-old woman at night knocking on the railing with her umbrella, which means the bridge from which she is returning, apparently from a love date, in soviet cinema a woman of 40 years old was supposed to have had some kind of love dates before that? no, of course, these are only spies there could be some, but here she is her own, a freeman of happiness, but unfortunately, it will not last long, already at the end of the sixties all the beautiful freemen are behind...

to myself, that since the filming of the picture by georgy daneli, i have been walking around moscow , 60 years have passed, a whole human life, and of course, when we starred in this film, no one could imagine what it would become for so many years, it would be watchable, people would watch it, remember it, love it,

we improvised a lot, we sometimes came to the site, worked for two or 3 hours, then it turned out that they had already filmed, i really value these memories, and my friends with whom i filmed, and zhenya steblov, and galya polskikh, for me then it was basically an adventure, nothing more, i was going to enter shchokinskoye and it happened , that...

but still this amazing feeling of lightness, that’s how the whole picture sang, there was such a time that provoked such a picture: hope, uh, a feeling of some kind of freedom in moscow, summer, that was all, as if that’s all came together at the same time, in the same place, with exactly these people, so, of course, i remember this picture with tenderness, these are clean ponds, right? and before they were called dirty, but under peter the great they were identified and renamed. i absolutely understand that i

didn’t have any skill or profession, i didn’t possess it, but georgy daneli, the whole group was so close, it was one family, that this picture just clicked and... it was sung in a month, so i am eternally grateful to georgy daneli, because, in general, he became my first teacher and the one who wrote me a recommendation for vabgik on directing department, so i congratulate all the viewers who love this picture on turning sixty to all those who took part and are still alive. i really hope that this picture will live on and give other generations the opportunity to understand what it’s like, this is the time when

i walked through moscow, and i walk, walk through moscow, but i can still walk, the salty wilderness, the ocean and the tundra and taiga, funny incident, what am i doing now? we will make a short advertisement, friends, right after this we found that girl in the rain, in edenha, rain girl, who is she, after advertising, stay with us, in front of your own intuition or your neighbor, after waving i’m no longer scared, they haven’t decided yet, isaakovich, it’s time, it’s time, it’s time to decide, catch me if you can, a big music show, in general, i’m confused, on

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once again, good afternoon everyone, georgy daneli’s film i walk through moscow is called the anthem of the thaw, lightness, carelessness, a feeling of freedom, happiness, today everyone who played 60 years ago in the film, about which they said that these pictures were about nothing, stars and heritage of our cinema, the idea of ​​​​the film began with the scene in edenha rain girl, let's remind.

the same girl later. 60 years later we found her svetlana konstantinovna besedina meet friends, i know that in april you also celebrated your birthday, 85 years old, congratulations , thank you, thank you, thank you, today we are discussing, i told a story that... these are your legs, i swear that these are my legs, but you know how the greats joke, i think that

georgy nikolaevich was joking, there are a lot of legs there, someone else’s legs were filmed, but my legs are because they’re a pebble, so you look at how he’s there, she he’s walking, or i’m walking, i step on a pebble. i remember this pebble, i still think, lord, i probably ruined the shot, and i’ll have to go again, it’s watering again, and it’s cold, in general, these are the things, but i don’t know, well, come on, come on, we went with you to vdnkh, where gennady shpalikov once saw his girlfriend in the rain, that's what you said, attention. this is , of course, 60 years, then i jumped and galloped there, now i can’t do it anymore, i studied at the shchepkinsky school on the course of igor vladimirovich ilyinsky, i starred in a film there, sat

in the screener, suddenly the crown flies in, a phenomenal second director, saw me, but we knew each other, she lifted up my dress and said, legs, legs, i don’t understand anything, what’s the matter, what... let’s go, yes, freely, free everything, quickly, quickly, i’ll tell you there , apparently danelia said urgently there find, georgy nikolaevich says, so, you see the road, you are in a good mood, you love the rain ahead, but i hate the rain, whether it’s a crown, shouted into the swearing bag, robe, actress, that’s it, and there were people standing there, all over moscow they called her an actress , i’m in my second year, that’s it, you know, i was ready to walk from morning to... evening we we were filming everything on this road for 2 days , just some student, probably a cyclist, yes, i remember i was angry all the time that he was going the wrong way, so of course we would need another cyclist, it would be better, because no kind came, the first day he

was filming, anyone had to be filmed, you know, it was necessary, it was necessary to film, to finish filming this episode, the boy was caught on the street, i don’t even know who he was, but he didn’t know how to skate, youth, what can i say , this is already unique, since i knew the language, the state cinema sent me a referent of soviet cinema in prague, one day rasul gamzatov came, i say, unfortunately, i have an acting job, i only worked for 5 years, i starred in it, i say, only in such a small, small episode in the film i walk in moscow, he said this: a phrase that just, you know, touched me so much that i even cried, and i saw this film, years will pass, no one will be on this earth from those who live now, and you you will still be walking

around your hometown in the rain, bassing happy, and new people on the planet will admire your eternal life. so he asks if the water is cold, because she was re-filmed for the morning mail in 1900 , which year was eighty-five, yes , this was filmed for the morning mail in the eighty-fifth year - an episode from the film, i'm walking around moscow,

a song that we all loved, look, i as if i tried to do as you did, i also walked along the crimean bridge in a babbling manner, we filmed this episode: i’m walking around moscow. they filmed it in the morning, of course, but they told me that you didn’t want to after that they left films to act, yes, after i graduated from the shchepkhinsky school, i immediately gave birth. son, who, by the way, is also a filmmaker, graduated from the gig and worked as the general director of film distribution, who distributed mikhalkov’s films, that is, how everything is connected in this life, yes, everything is connected, and one day it was probably one o’clock, i called, i say, petya, where are you ? he picked up the phone and said,

well, this is the type of lace that life weaves, that he wasn’t in the project yet, this is sixty-three, and petka was born in sixty-seven, you see how, well, and so we talked, and, by the way, speaking about the heroes of the picture, we cannot help but remember galina polskikh, who also turns 85 this year. i was born in moscow in the center, lukov lane, building 10, apartment 11, now everything has changed, i just don’t even recognize it, i went, i go to school, and so here i am in the windows. i looked in,

the entrance to the courtyard, where most of our life is the children's room was leaking, we played hide-and-seek here, jumped on a rope, oh, how cool, they shouted, go home there, misha, go home, go, put it on, like one family, the yard was so kind, the people were like that, i was generally very they loved, whoever knits a hat, then... rosary beads, this is the window where i lived, my grandmother and i lived, and the room was very small, but probably about eight meters, still semi-basement, that’s how i always knocked like that, grandma , i'm here, open the door, dear? just like that, well, so we lived

peacefully with him, we meet the most beloved man, hello! 150 works in your grandmother’s filmography, you have some favorite films, and you know, yes, it’s probably still me walking around moscow, because this exactly shows the spirit, well, of my peers, those, well, those year, you see the dullness that seems to exist, yes, yes, it seems that somewhere it has already changed far and wide.

robertina is there, no, why not, the teenager needs it, put on a gift, well, we agreed, yes, i ’ll wait for you downstairs after work. and we are going to the wedding, do you have robertina? no, why? grown up, i really love gennady shpalikov, because after all, you know, you all say, it’s hard to say now, it’s hard to imagine 60 years ago, it’s not difficult for me, i just graduated from geek at that time, this is my fourth year, and i was familiar with all of them, where our sleeping bag was left for me. it’s a pity that he left so early, i remember, he

was even at my house once, and he was like, well, he had a very difficult life, in addition to the fact that his creative life was difficult, he also had a rather difficult family life , even though they had great love for their son and while walking, i met him one day - in a restaurant with my friend, he sat down at our table, sat down next to us, we were leaving the restaurant and he said: girls, can i spend the night with you, which he already had his family life was so difficult that he almost didn’t live at home anymore, he lived with friends, somewhere , who could come, sleep with someone there, sleep there, live there, and he came to us, me. .. i remember, i think, lord, how could it be that we couldn’t stop or hold him, he was sleeping on the lodge, it was warm in july, the month of july, they put a cot with a shura, he fell asleep there in the morning, he was apparently frozen, he was knocking on the window there so that we, he, we would let him back into the room, let him in, he said goodbye, left, and suddenly, when i remember this story, i think, but

as he wrote then, then he wrote these poems, people are lost only once, the trail is never found, but a person stays with you, says goodbye at night, and if he leaves during the day, he still leaves you , let's bring him back while he's crossing the square, let's bring him back, let's talk, and we’ll set the table, and we’ll turn the house over, and we’ll arrange a holiday for him, so we couldn’t stop gennady, you know, when he left us, like many friends, we couldn’t stop him when he was actually crossing the square, because he left very early, very early from this life, and he probably left because he just became tired, he was tired. he was tired of all these troubles associated with creativity, tired of family hysterics, of difficult family life, tired of all this, he left, he left the same way he left best friend, volodya kitaisky, left this life in the same way for peredelkin and totramtsev, the guide showed us the room where the tragedy occurred, everything was like yesterday in

this house in 1970. he came here during a difficult period for him, alcohol addiction, as he recalls daughter daria shpalikova, that at times she really wanted her mother not to kick her father out, but gennady went, one might say, to nowhere. the day before what happened, inna lesnyanskaya came to visit gennady shpalikov. his poems, she was offered tea, gennady shpalikov reached for a thermos, but the thermos fell apart in his hands. andrei torkovsky’s second wife took the towel off the hook and began wiping the spilled tea from the floor. who would have known that this very hook

would become such a fatal symbol for gennady shpalikov on this day, on which he would hang himself with his own scarf. on the morning of november 2, gennadi. shpalikov did not come for breakfast or lunch. grigory gorin grabbed the ladder directly, placed it on this side of the house, looked out the window, and saw a terrifying picture. gennady shpalikov was lying on the floor. grigory goryan collected everything that was on gennady shpalikov’s table, all the papers, and the notes and manuscripts were sorted out only after a while. and a note, one might say, was found, but on it was a very intimate poem, not pretending, but pretending, not pretending anything, i’m leaving you , leaving you, my dear ones, all goodbyes alone, in the end, don’t squeal, i bequeath to you

only a daughter, more there’s nothing to bequeath, let ’s do another short advertisement now. i walk around moscow, these are the lines written on his grave, refusal of cinema, alcohol, faith in god and the fatal decision that led to death, all the details are very beautiful, the premiere on rtr, i don’t know who you’re with, the administrator said that this was the first time in her life that she’d seen such an open holiday romance, that’s enough, marin , what is this, where did you get it from, you don’t deny that you know this man, melody for two, today on rtr,

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, you won’t understand what’s going on right away, but the summer rain has just passed, normal summer rain, i’m walking around moscow, the film is 60 years old. somehow we became friends with dasha, well, in general, we still maintain some kind of relationship to this day,

although well, dasha is going through a not very easy period in her life, well, this period has actually been going on for a long time, in general, the tragedy of the family, but you are the only person , who visits her, who dasha wants to see so much, let’s be honest, yes, i don’t visit her as often as i might like, well , we talk on the phone quite often, she tells me about some of her own, in in general, in my opinion, not particularly important problems for here, well, as it were normal people, but she lives in a social boarding school, yes social. for the program, she told what she thought about the picture: i’m walking around moscow, and how i remember my dad, and how

difficult it is for her to come to the cemetery to get to his grave, where is the castle now? well, i don’t remember when i watched the film for the first time, i ’m walking around moscow, because i remember it from beginning to end, all these episodes are remembered to me sometimes, so when you turn on the tv and there’s not... a lot of humor, i like it how she approaches the ice cream maker and says: there’s a bandit behind me,

run to the police, is yana in fear with this ice cream roller?

of course, you can’t even pray in church, and we even went to the patriarchate and asked if we could write notes to pray for him, but they said no, i wanted to thank nikita sergeevich mikhalkov, thank you,

nikita sergeevich, thank you, you played in the film his first father. i’m walking around moscow, well, it’s been shown so often lately, it’s simply impossible not to watch it, naturally, really often, but i generally think that i'm walking around moscow - this is generally a great film, simply great, but on the eve of

the program we visited the church in mytishchi, with which... the last years of your father's life his fate was connected. attention to the screen. in 1998, we met the very respected, dear and beloved alexey vasilyevich loktev. he came to the donskaya church in perlovka to baptize his baby named george. i came to baptize my grandson. well, we met him and the baby was baptized. but they haven’t separated since then, when i received appointment to build a temple in the village of druzhby, of course, alexey vasilyevich, among the first apostles, came with me to this land and we began to work with him. in this church , our dear, beloved alexey vasilyevich began his career as a reader, as an altar boy. here in our church there is a very respected person,

i remember sergei alekseevich loktev, alexei’s own son. vasilishche, who today worthily continues the traditions of the seven elbow church services. my dad and i talked a lot about god, so he introduced me to it, then, when my dad passed away, my father george also began to introduce me to the faith. i remember how on holidays, when we had big meals, the tables were set. alexey vasilyevich was always given a congratulatory word when he read. then, of course, it was unforgettable, i wanted to say the most important thing, what needs to be said about elbows, that his entire theatrical activity, this is the runway, this is his apple of fame, his fame, his popularity were inextricably linked with pride with demonic captivity in the form of

drug use, drunkenness, you are fine, very good. but this doesn’t happen, and how this man, with the help of god, fought to escape from this hell, from this captivity, from this, and what the result was, this is the film. or somehow, so to speak, a chronicle about alexei vasilyevich, here he is among the brethren, here he is leading the religious procession, here he is in the altar, here he is giving communion to the baby, here is the baby, here is alexey vasilyevich at communion, here he is reading the christmas message of the patriarch of moscow russia, in this surplice in white, we buried him, he lies in the grave in white surplice, as a symbol of a serving person, i didn’t bless him... festivals from the very beginning, somehow i really didn’t support these festivals, no, well, this is the last time i’m going , so he left, this is tragic news about the fact that they got into a car accident, it’s as if selectively, god

just called him, says, hello popol, i’ve finally come to you, bow to you bear? george, before he flew away, yes, he came to my house, we chatted, drank some tea, that’s it, hugged, he flew off like it turned out that forever, daddy, your advice is missing, there’s some kind of life situation, you just don’t have enough of your advice, in general some kind of mystical story, yes, it turns out that the actor comes to... contact to act with a blessing, because

well, this an example of what is still necessary does not happen that i don’t bless you, there or i am there, they usually don’t say that, but father george, they say: well, why are you going there, i remember you said, well that you will go there, he says, well, this is the last time, this is the word material last once, since... and you were at the funeral, they say that the funeral was somehow a special ceremony, you know, i can only say one thing, that alyosha loktyev, a man of faith , initially, when he was still very young, graduated institute, my great father boris ivanovich ravenskikh approached him, the theater director said: “come work for me.” he says: but they won’t give me a diploma, i’ve already been assigned to the province, he says: why do you need a diploma, i’m calling you with me, and for 10 years in... at the pushkin theater he worked together with boris ravenskikh, then followed him to the maly theater, 10 more, and then after the death of his master, his own, he called him father, he remained lost,

lived for a long time in st. petersburg, there was just this story connected with alcohol, but a unique case, this one his spiritual faith gave him the opportunity... all our destinies, and he took alexei vasilyevich at the zenith point, at the extreme point, he was in his best internal states, so you see the grave now.