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Understanding 9/11tv Utro Rossii RUSSIA1 May 29, 2024 9:30am-9:56am MSK
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landing, you need to warm up before that. what should you pay attention to? each risk factor should have its own pill, where to look for help? you only need five ingredients that will benefit your entire body. from the onset of the disease to its manifestation it takes two ten years, so the whole family needs to be examined. the most important information from the most competent sources. take care of your complex body. and be healthy, about
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the most important thing, from monday to friday on rtr, i was a substitute in the maternity hospital, my daughter, my beloved, without any confusion, the premiere on rtr, do you know who your father is? koroshennikov, alexander nikolaevich, you know how much money he has, you are kirill’s new nurse, i’m gali, everything here belongs to her by right, and the fact that you are his daughter, you said, no, you haven’t had time yet, all her family and friends are here, i’m with alexander nikolaevich, you’re taking yourself a little, are you jealous, i, yes, who is she anyway for me to be jealous of you, but she doesn’t know about it.
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no one, where you came from in our house, hates you, except her. alexander nikolaevich, i must tell you, a jackdaw. june 3 on rtr, i have a special connection with elya, when we first met, it felt like we had been together all our lives, he confessed to me somehow...
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and more romantic than shakespeare’s heroes, how eleon saved denis after a difficult injuries, what trials are hidden behind his light, swift flight over the stage of the big theater, and how the life of the theater and its artists has changed with the arrival of the new director, valery georgiev. this is the life and
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fate of denis rodskin. good morning. i'm glad that we meet regularly. the last time you were here, i have my handsome man, eli benoa de lance, i pronounce it correctly, yes, yes, absolutely right, correct me if i’m wrong, this is the most prestigious award in your profession, indeed, all dancers want get this prize, but the main thing is always for a dancer, a real dancer, is what he does on stage, and whether the audience likes him or not, this is the most important thing for a dancer, and...
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i remember how my mother decided to take me to the municipal children's ballet school, and i was very reluctant then, i didn’t understand how it could be, i’m a boy, i have to wear tights to practice classical dance, the fact that i would dance in a big theater, i didn’t even have any special thoughts, but our program is called life and fate, you know, my fate, it turned out like this, and looking back, i probably don’t have a single moment... i wouldn’t want to change, because everything turned out the way it should be, because there were disappointments, there were ups and downs, white streaks and black ones , but this is life, without - in fact, without some disappointments there is no real artist.
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i understand correctly that this page of the bolshoi theater began with these falls, with disappointments. it was very difficult for the team to accept you, you had to hear, well, such a traditional thing, they recruited you there, an upstart and etc., that’s exactly what happened, that they recruited, not only from third-party choreographic schools, but in fact it didn’t last long, literally after 2 months i realized that the bolshoi theater was somehow always next to me, that’s what i always have there was a feeling... that it was as if i was born into it, that i had some kind of internal connection with it, it was physically difficult, because from the very beginning i started dancing quite serious ballets that required enormous physical effort, but thank god that i came across in my life
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very competent teachers who very clearly guided me to this or that performance. you know, i look at this photograph with difficulty, i can hardly imagine it, i still have difficulty imagining it. soloists of the gzhel ensemble, where you danced before the bolshoi theater, and you remember that period with great gratitude, because i started very early. walk the stage, we danced our final concerts in the tchaikovsky hall, probably from the age of 16 i already started dancing serious things, this is traffic rules, ballet stuff, ocean pearls, and also at the age of 17 i danced sda from the ballet the nutcracker in the choreography of winona, in my third year i danced, by the way, beiderk’s ballet, for which i received binoad, and well... probably in no other choreographic college, i would not have been able to master such a repertoire so quickly,
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of course, there was a lot to work on, but the fact that this happened is, of course, a great happiness for me. how did you end up on the bolshoi stage from the gzhel ensemble? there was a festival to review choreographic schools, our school they invited me as one of the participants, and all the teachers liked me very much - at the moscow choreographic school, they said that... “come join us, study in your last year, we will take care of you, i say, no, i won’t betray my own , and i completely graduated from the choreographic school at the gzhel dance theater, and i don’t regret it at all, you see how now you have changed roles, you yourself already meet new artists who come to the theater, as you meet them myself? in fact, i always greet any artist very positively, uh, but. in the event that he is passionate about his profession, wants to dance and wants to achieve
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a certain result, i am ready to help them with advice, these are the artists who believe that they have come to the theater, they are already stars, to be honest, these are the ones i immediately see from afar and i can tell them one thing that it is unlikely that anything will come of them, that is, if you come right away with the feeling that you are already a star, then you will not have a destiny, i... in myself, because i, when came to the big theater, i felt absolutely not yet ready for the big stage, i still have a lot to prove, and i have to learn from those artists, adult artists with whom i stand next to in a classical dance lesson, and you know, well, i’ll honestly say now that i still, when i go on stage, i it seems that something might not work out for me, that i need to work more... on something, but thank god, most of the performances go quite smoothly, and i think that this is part
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of my character, that i need to work even more in order to be sure of the scene. who cares for these 15 years, you are still grateful, as a teacher, whom you count among your teachers, nikolai tsyskaridze was among them, one of your first teachers, who else you have nikolai maksimovich, he was my first teacher and he explained. me, what is a big theater in general, what is the life of an artist, how a dancer should behave, and most importantly, what a prime minister should be like, i also worked with yuri kuzmich vladimirov, he is a legendary dancer of the big theater, he is the first performer of the part of ivan the terrible, now i i work with alexander nikolayevich vetrov, and the result i can say is that i am very, very lucky with my teachers, because in addition to the fact that they... are their own business, they are even great and i’m not afraid of this word, legendary
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dancers, put it on, we’ll see , just for those who haven’t seen what these people taught you, put on a fragment of spartak.
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my body is in the right tone, i need to work even harder so that my breathing doesn’t run out at the crucial moment, i was staring at it, because of course this is the sacrament of the birth of ballet. this is the premiere of the ballet romeo giglietto, which took place in april 2024, here in the footage the legendary dancer mikhail leonidovich lavrovsky and i are learning to fencing, i must say that in addition to the fact that mikhail leonidovich is a brilliant dancer, the premier of the bolshoi theater, he also has, i don’t
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understand this category of fencing, and i need a lot with it. i always showed a recording of how she lived this role as an actor, and when we were preparing this part, she was juliet, i was romeo, we watched a lot of performers, namely galina sergeevna ulanova and her partner, zhdanny, we will need to study with galina sergeevna as long as we are in this profession, this is probably the most important thing,
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my parting words to both myself and eleanor. you know, for some reason i now remembered different pages of the history of this ballet, ulanova recalled in her memoirs how their car was lifted in london, that is, such an impression was made by this art and what they do on stage. and i must say one more thing: in 1956, galina sergeevna danced romeo julietto, yes, it was an incredible success, it was such a powerful first year. the push of russian ballet to the west, and i am proud that in 2016 i also opened the tour, 60 years later i danced the role of basil in the ballet don quixote, and of course for me it is a great pride that 60 years after the outstanding galina sergeevna ulanova, i was given the opportunity
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to go on stage at kloven garden, many fans write to me that we are very, very suffering without russian. ballet and god grant that it all resumes and that russian ballet shines again, and i have no doubt that this will be the case western stages, they will persuade, decorate, and we will think about it, stage it, watch a second life, this incredible sunday of the legendary ballet.
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i’m listening to music now, and i’m getting such goosebumps. this is absolutely brilliantly written, and the picture also gives me goosebumps, of course it’s incredible what you do together, it’s incredible, i was waiting for you with eleanor, she unfortunately got injured, this is part of our profession, but everything will be well, difficulties only stab us,
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you are also familiar with this, you have experienced injuries even come out... strength and so that we move on and make new and new successes, because, at least in my case, it has always been like this. another strong person has come into your destiny, this is valery. gerkiev, who headed the bolshoi theater, when this only happened, because well, any leader, when the leader changes from country to country, well , it’s scary how it will affect our destiny, on the theater, and so on,
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you had such worries, i to be honest, i didn’t have any anxiety and still don’t day, uh, the fact that such an outstanding conductor headed a big theater, in general i consider it great luck not only for the theater, but for art in general, and nothing but... uh, i have no admiration for his talent, how life has changed theater during this time, how long has he been running it? we finally started going to the marinsky theater, dancing there too, recently i danced the ballet spartacus and you know, it’s a very strange feeling that we are dancing on the stage of the marinsky theater, such a moscow ballet, the calling card of the bolshoi theater, this you know, it’s already something like this... in my understanding, it’s a grandiose event that such two large theaters began to cooperate, listen, but somehow i completely missed it, that this didn’t happen before, it happened, but for 20 years the big theater hasn’t i came to
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the marinsky theater before, there used to be such exchange tours, but now it seems to me that this event will be much larger, and i hope that we will gain experience from the marinsky theater, and the marinsky theater from the bolshoi theater. denis, this year is not only your fifteenth anniversary season in a big way theater, and also such an age, the age of christ, 33 years old, often many people, reaching this age inevitably, some, well, results, the first results or semi-results are summed up, but their life, and you do it, i’m really satisfied where i am, the country i live in and the place i work in, there is nothing better than a big theater. thank you so much for this
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service, true art, for so many years, so many seasons, you give so many experiences, to all those who see what you do, thank you very much, this is life and fate, denisa, thank you. are you ready for our musical investigation, ready, ready, four experienced experts guessed, guessed, i can say that nothing is 100% clear to us, i absolutely do not dare say exactly, guessed, guessed?
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from your smiles i see that you like the way we deceive you, well, what can we do, i’m glad to be deceived, catch me if you can, big music show, ate, why did you ate, ate? on friday on rtr, i love you, i love you too, watch on the weekend, leave she’s alone, well, you have no prospects in life, oleg, we don’t need to meet again, sometimes parting is just the beginning. great love, it’s not easy to be the wife of a prosecutor, yes it’s not easy, they’re watching you, this is your husband’s man, let him go, fox, be careful, tell me, do you
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still love him, first love, that’s all, yes, don’t touch me, what are you do it, let it go, listen to me carefully, something needs to be decided with them, fox, run away from him, you are in danger, he has already betrayed you once, i will do everything so that we can be together again. have an affair with last saturday on rtr, good morning, my beloved, my voice sounds only for you, my heart beats only for you, in this program not only songs are fulfilled, but also wishes, my mother-in-law promised to give me a gift after the wedding, my wife says, yes you i don’t understand, what the hell are you doing? i burst out, how could you, taxi, taxi, taxi, taxi, oleg
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