masha holds some kind of grudge, what happened, how it happened, they didn’t love each other that way, neither one nor the other meets halfway, i’m so ashamed in front of him, in front of the memory, i imagine him all the time, he would have us three like this i lined it up in front of myself, i would take off the strap, and so nicely, one, two, three, girls, are you crazy, the fate of a man with boris korchevnikov on friday on rtr, from a letter from evgeny leonov to his son. i haven’t felt such enthusiasm for a play and a script for a long time, what a writer this siberian boy vampilov is, a mighty talent, his sarafanov, now i call him my sarafanov, the hero of our film, an amazing force, as soon as i tell myself i am sarafanov, absolute clarity comes to me, as if everything appears before me in its true form, people, actions, facts, and as if. .. everyone

around understands that you shouldn’t be cunning and hide. of course, such a master as leonov was perceived as a teacher by everyone on the set. the rest of the actors are young, they have only recently started their journey, but evgeniy palovich is a god-given talent. it seemed that for him there is nothing impossible in the profession. he was wide open for his partners on the set, he was ready to guide them, so that not only he, but the role would work out for them...

and after his show , it was almost impossible to play something better, or at least as well, he told me how to play silva showed how, but i asked him not to show it anymore, because i would need to leave the role, he would play two roles, silva sarafanova, because his show was grandiose, he instantly transformed into silva, showed me how, then i understood the essence, but it was impossible to repeat from my memories. i could argue with evgeniy palovich until i was sick on equal terms, he allowed me, and i liked this, i was a quarter of a century younger than him, on the other hand, self-esteem, distance, the behavior of a truly intelligent person. sometimes i didn’t understand leonov, it seemed to me that in some part of the filming he was doing a lot, playing around, just some kind of horror. i look at the screen, organically, accurately, right on target.

maybe leonov was amazed not only when was in the frame, for everyone on the set in life , he became father sarafanov, a modern blessed one, whom life had not whipped, taught nothing, fortunately, but it seems to me that this is just such a sincere kindness of this man, uh, well, she, wonderful, i see you are real comrades, you... thank you, she conquers time, and because meeting such a person, even on the pages of a play or in a movie, is already happiness in these days. often become covered with mold, dissolve, viktor sukhorukov, playing sarafanov, had to enter into involuntary dialogue with sarafanov leonov, never disappear into the bustle. played

brilliantly, played in such a way that there was still love for him and a huge memory, so the character, and thanks to his performance, we fell in love with the film, the thought is wonderful, today other generations are already watching it with pleasure, and yet, when will i once again they said: you’re not afraid of leonov, i say: i’m afraid and i also expressed my boldness, i’ll play better, but not better than leonov, i’ll play maybe even better than the script’s basis, better than in the film, i only meant that i’ll play

in its own way, but what a wonderful idea, a creative dispute took place not even between different interpretations of the image, between different centuries. the truth of life is in his hands, in his face, his pauses, so he drank, ate, spoke, everything was realistic with him, i tied my sarafanov a little bit, tied strings, he was still a kind of character for me, uh, non-specific, in evgeniy lyonov, he is very specific, and of course, he didn’t take it, he was afraid, it was possible to adopt something, suspicion, detail in the dialogue, no, for me, it was no longer important, i met, i believed, i

it took off in my version of the eldest son, on the contrary, i began to pull him into the orbit of my life, the biography is... a loser, a weakling, a drinking man, and from the heart, his wife leaves him, leaving sarafan two small children, 3 and 5 years old, what kind of an alcoholic is a weak person when a woman leaves a man. all his life he has been writing his oratorio, contata, working as a substitute, earning extra money by the ruble, sometimes at a funeral, sometimes at

a dance, sometimes they’ll invite him, they’ll call him, maybe somewhere else in the fifth row, he anyway with his clornette... on such a serious television film, their creative orbits subsequently often intersected, ugh, idiots, they auditioned for the same roles, if this work had not been in melnikov’s film, then prejudices towards each other could have arisen inside them, and so

they they knew the value of everyone; they remembered all their lives how easy it was for them to act in partnership. sebastianov semyonov, the vast silva, busygin, vladimir, why silva? and the devil knows. "we lived in parallel, but never crossed paths, we had no clashes, apart from supporting each other and mutual respect, we didn’t feel anything for each other, besides respect there was also a wonderful male brotherhood, solidarity, one might say, we remained on very good terms and always were, a wonderful young man, we chatted with him, told stories jokes, supported each other, and since he is as hardy as an ox, this greatly facilitated our relationship with him, his physical shape was ideal, he could not sleep, not eat, always be in excellent shape, i tried to im tremble, so in this sense we

created a good duet, in one harness we could turn anything around, mikhail boyarsky, for the sake of this role, sacrificed interesting cinematic projects for which he had already been approved. at the last moment, the sky swallows left the picture. cinema, is it possible to transfer this very cinema to the future? but i never regretted it, because a step towards my eldest son was a step towards a cherished acting dream that might not have come true at another time. your neighbor and i, dear dad, drank like neighbors tea, this is one of my favorite roles, your son left me, because this is practically my first job and i remember it very well. and especially since there was such a crazy acting company, amazing, and a director, one of

the best we have in st. petersburg and vampilov, of course, the most important thing is vampilov, the material with which i first met and which i will almost never see again i never used it in my work.

flirt, but i don’t know how, i need to find a man who can fix this, i i strongly recommend that you pay attention to your colleague, even the most unlucky caterpillars, i really like you, they turn into butterflies, come to me, no one has cared for me like that. love, the main thing is not to burn your wings, that’s crap, i went to edik,

but he’s nowhere to be found, in my opinion, he’s leading you on for us, if you love him, let him go, if it’s yours, he’ll definitely come back, and if not, then never yours was not, the law of conservation of love on friday on rtr, the floor is shaking, shaking. from the wall, big changes have come, into the new season with new renovations, with a slight movement of the hand, we from this room, absolutely without faces, we are making three different functional zones, ideas are overflowing, we want to turn the radiator into an art object, there will be plenty of surprises and a lot of work, plans are turning into projects before our eyes, i adore plants, i generally... real stone flowers will soon bloom in the living room of our heroes, after dismantling

a lot will become clear, and dreams become reality, look, let them into your home, big changes, every sunday on rtr. "they say he wanted to see me, not that you, you will receive half a ruble in month, you will work, i don’t work for russia, i serve russia, their choice is service, a state decision has been made to support the syrian people, we are officially entering syria, i am the head of airborne tactical training, how will i evaluate the flight personnel, if you yourself..." don’t go there, how will i look people in the eyes,

their love is the homeland, i don’t deserve it, i’m an officer, and an officer is when you live for others, don’t live for others, their element, let’s get together let's look around, that's right, the sky, kostya wrote: the boss asks me to tell you that he loves wife, boss's wife misses her, today on rt.

i knew lupian before the filming of this film , i watched a play with her participation, where she played the main role, and silva was different, so i was absolutely completely in the material, i watched the play several times, i really liked it, and my wife played that role wonderfully , who plays natasha, i don’t need cicero, i’m courageous, this was also one of the reasons.

mikhail boyarsky especially had a blast, because he had to make his silva the most fashionable guy, and that meant a guitar, jeans, a signature a shirt and the obligatory accessories, which he carefully thought out, he invented the anser that

he had on his arm, it was very fashionable, then even birs wore such chains, when they asked me: how do you want to dress, i talked about how modern youth dresses , plus i ordered this anser, just the people were strong, the director was not very aware, the younger participants in the film were in the know, and they made an anser for me to order, which i wore with pleasure, and he really played his role, because just like today tattoo, and anser distinguished a modern person from many others, at the end of the film i wanted to keep him for myself, but

thanks to the filming of the film, the eldest son , all the actors would appear, but not everyone managed to go through a long creative path. it didn’t work out for vampilov himself either. he was

a man who lived on the edge, fighting external circumstances with his own passions. they seethed inside him, sometimes forcing him to do inexplicable things. one day his friends had to restrain him so that he would not walk along the railings of angarsky bridge. on the day of his death, he also could not find a place for himself, sitting in a motor boat, making circles around the ship, which was moving at full speed, they threatened him from the captain’s bridge, are you tired of living, see you tomorrow, after the eldest son left, almost nothing was known about nikolai nikolsky, the groom of the heroine natalie egorova. you froze, then so did vladimir izotov, who, it would seem, flared up brightly for a long time. he played vasenka sarafanova while still a third-year student, so he, like no one else, was ideal for this character, because his

nature was so neurotic, a little bit hysterical, very impulsive, but it correlated very well with the character, because as his colleagues remember, in life he was very similar to this vasenka, just like - vulnerable, defenseless, at the same time , something like this...

to earn a pension in the end, all these questions remain unanswered, unfortunately, one day the director brought his daughter olga to the set, she still remembers the atmosphere of sincerity , in which it took place work, i was on the set, they were just filming an episode, it was morning and vasenka came out and evgeniy palovich said that from... i said, i have an idea, they were just filming this episode, and they sat me somewhere nearby with

a sound engineer, behind some cabinet, and literally there, a few minutes there, well , half an hour, but i seem to understand everything, well , i’m a director’s daughter, that this is a film process, and there was a complete feeling that... i’m just sitting and spying on some life that is unfolding in front of me. before premiered on television on may 20, 1976, the eldest son had two premieres for his own: first at the leningrad cinema house, then at the moscow house. here is the entrance ticket that was impossible to get. on this ticket of the leningrad cinema house, everyone signed it, evgeniy pavlovich also signed boyarsky,

a movie from another time, there’s even a washstand hanging on the street, a lot of things that people don’t understand, what kind of paraphernalia is this, what kind of utensils is this,

what is this what kind of room is this, what kind of furniture is this? what kind of clothes are these, what are they?