made a car, it’s him, yes, he’s heading out of town, hello, dima, where are you? ir, i’m solving the issue with money, everything is very urgent. wait, here, yes, dmitry, hello, hello, dmitry, you know. him, he was beaten very badly yesterday, he came covered in blood, and what happened, he didn’t say anything, i’ve never seen him like this, never, he and he also said that he had no other choice, hello, semyonovich, the boy in rozusk urgently, he was kidnapped by his own father, yes. we move here, here and here, we go in

a chain through one and a half meters, the car can pass, yes, there is a wide road here, here and here, but a little narrower, here then we will be waiting for a wait, i don’t know, calm down, i ask you, katya. so now, first and in detail, grisha wanted to see a real forest, i brought him, we were walking and got lost, there was no connection, and grisha twisted his ankle, i carried him to the clearing, left him there and went for help, abandoned him because of money , please, calm down, get him into the car quickly, i promise you, we will find him. everything

is ready, we can move forward, vadimich, let’s move forward, misha, misha, grisha, grisha, grisha, grisha,

okay, well, as for me, there’s no reason to panic, no, we’ll go, okay, we’ll decide, just let’s talk first, how are you, okay, i want to go home, i understand, it’s okay, you’ll go soon, just tell me first , what happened to you and your father in the forest, but nothing, he promised to take me katya, but he brought me to the forest, said that she would come here, but since there was no connection, dmitry asked... me to climb a tree and can’t see li katya, he put me on a tree, i had to jump back, so i twisted my ankle, he said, what will you do for help, thanks for telling me, hang in there, thank you, right? it's good that everything

worked out, well, goodbye, see you. take a seat, why am i handcuffed,

you are suspected of committing a criminal offense, endangerment, what? this is unprovable, do you think? dmitry asked me to climb a tree and see if katya was visible, he put me on the tree, i had to jump back, so i twisted my leg, he said that he would go for help. i was forced, i wonder who did this, to start it, come on, sit down.

oh, hello, grigory, katya, look, kirill antonovich, how are you, great, uncle kirill, you go to english, yes, it’s great, well, i’m glad you like it, good afternoon, hello. grigory, run, run, and we will have an adult conversation, i’m an adult too, come on, come on, come on, well, my lawyers have finished the case, dmitry has been deprived of parental rights,

thank you very much. uncle lyosha is coming, catch him, how are you, great, well done, no, it’s time, if anything happens, goodbye,

goodbye, bye, grigorievich, goodbye. now everything is according to the law, this should be noted, i i’m inviting you to dinner, and it will be a date, of course, don’t look away, don’t rush your eyes, don’t, just watch, don’t rush anymore, if.

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delicious dishes from the best restaurants. here , each room is a journey into coziness and comfort. your holiday is your rules. titanic dellux golf bellet is the best choice for an unforgettable holiday. do you remember, vatik, in our childhood, when dad told mom about who he wanted to invite to his new radio play, he... often said the name garik, garik, garik, garik. yes, yes, only a few years later,

when you and i came to the contemporary theater on shakespeare's twelfth night, we saw this garik on stage and learned that his last name was leontyev. yes, garik leontyev. and today avangard nikolaevich leontiev and i are partnering in the performances of the moscow art theater. i am very glad, igor, that your colleague and partner is in our studio today. yes, great. avangard nikolaevich, dear, we are very glad that you are with us today. when i was just starting out in the profession of journalism, i did a long interview with mark zakharov, and i titled it with his words, to be a theater builder. and so it seems to me that, without any pathos, you are the same theater builder in the literal sense of the word, your whole life in the profession is absolute, absolutely.

well, here my mother was already wiser, she gave birth to me late at 43, i was the third child in the family, your older brother died in the war, in honor of him you were called the vanguard, and he died in 1943 near kursk, defending kursk, brother died, he was 19 years old, and he was the first-born in the family, he was called the avant-garde of 1924 . it was fashionable back then to have such names industry, november, yes, when i was born

after the war, i was already named avant-garde in his honor, as far as i understand, from childhood, when you were a very young boy, the school director entrusted you with the key to the school so that you could to come and study with your classmates in the theater studio, this is probably a unique case, the key to the school and to the director’s office and to the office. what is this, what kind of boy is this, whom the school principal trusts, what kind of child was this, why did she mother raise me in such a way that i could to trust these kind of responsibilities , well, that is, very good, very positive, very obedient, and very disciplined, vasilievna bogomolova is my first teacher in primary school, she said, here is leontyev. he’ll hurt himself, he’ll do whatever i say, just like that, yes, look, i really loved to please

the authorities, so i could n’t help it, so that i would be good, so that they wouldn’t scold me, so that they would praise me, it’s better, yes, i was helped all the time and dmitry nikolaevich zhurabev helped me enter the mkhat studio school zhuravlev, who heard you in the theater studio, yes, as you read, he is on our report, he is a great reader, yes, artistic. reading, sounding word, yes, he even kissed you, in my opinion, yes, when he kissed you, he says, i’ll just kiss you, they say kissed, one of our studio students, said the old man. derzhavin noticed us in the grave and blessed us, impudent, veniamin zakharovich rodomyslensky, who was the rector of the studiumkhar school, where you successfully studied for 4 years, told you in your graduation year where you do you want to work, in which theater, and you told a contemporary, he says: i ’ll talk to efremov, that’s what it is,

avangar nikolaevich, well, i don’t know of any cases where the rector asked a student where you want to work, i tell you i’ll do everything, then the whole contemporary. i came to watch you in graduation performances, yes, this is such luck that i can only now, wow luck, this is generally something unique, to appreciate this question from the rector, where are you, where would you like to work, well, for comparison, that means our mother and our father, when our older brother was studying at the studio hut school, they called, they said, that means we are expelling your son, my mother threw herself on her knees, and veniam zakharovich said, i beg you, just leave him, he said, well, he’s a great guy, good, but not... unbearable, he behaves, but it’s impossible, here ’s the other side, this of course doesn’t go well with you, no, well, i always behaved in an exemplary manner, so to speak, you had a graduation performance of tsar fedorich , yes, yes, and the main role, yes, pavel mosalsky, director our course, by the way, our glory also had an older brother, the head of the course pavel

vladimirovich vasalsky, it was his last course, he called me harry, yes harry. mosalsky was so imposing, he probably always wore a bowtie, yes, on a starched shirt, yes, with a bowtie, he came to us at 9:00 in the morning, this is generally not typical for actors, in general at 9:00 in the morning they put it on the actor, in in this way, he was a wonderful person, absolutely, yes, they entrusted me with the role of tsar fyodor, there was a graduation performance, also what a god.

no, no, the whole course was shown, we played all the excerpts, i played two excerpts, they took you alone from the course, yes, i played tsar fedor and played a fragment from the whip, yeah, so they took me as a result, but efremov is in prison, vertinskaya, lavrova, dal, volchik, tabakov,

krylova, melioti, sergachev, mikhkov, just these names take your breath away. only the stupidity of youth saved me from being clamped down on this show, i could have been embarrassed to the point of paralysis, because it’s true, you name names, now when the artistic director comes to the run-through, we worry more than i did then, when the whole troupe of contemporaries at first played such travesty roles, small boys, that is, somehow i played. i even scold myself for being too inert, here i am, what does it mean, and what depended on you here, it was necessary, it was necessary to make applications for roles, like other actors did, and why, what happened, and why did you do this they didn’t, i somehow felt so good in the atmosphere of a contemporary, that is, it didn’t matter to you whether it was extras, scene after scene, standing

there, just like that, yes, it appeared valery fokin, yes, but years have passed, who invited you to a play based on dostoevsky, and he did this play, but this was some kind of new word in a contemporary, yes, it was a play “and i’ll go,” based on two stories by dostoevsky, he it wasn’t on for so long in the contemporary, yes, it was on a small stage, valery fokin the director, konstantin raikin and elena koreneva were the performers of one story, and i was another, the dream of a funny man, well, that is, this is a close-up of leontsev in the contemporary. is it possible? this is to say, in my opinion, you need to throw up, he he said, well, then we rehearsed with him, it was all very cool, and

fokine’s performances in his contemporaries, and in general i love him very much as a director, i really trust him, gregory, get there, you won’t get there, brother, what a a man who didn’t work as a driver, who owned a three-piece matted wagon, renounced his home from his native verloga for a century, went to trudge with the merchants to the fair, whether you should have given your soul to god, or whether your friends left you for some fat, pretty-cheeked soldier, tramps wandered into the forest did you take a closer look? heartbroken by yours mittens, and three cramped but strong skates, or maybe i was lying on the tents myself, i thought

and thought, but for no reason, i wrapped myself in a kopak, and then my head in a proruk, when he gave me the role of chichikva, i was terrified , and this is actually a one-man show, even though there are others involved? almost but practically, yes, i was horrified, because i saw how vladimir vyacheslavovich belokurov, people's artist of the soviet union, played in the art theater, belokurov, i saw, and i saw that it was wonderful, and not with boris livanov, who played nazdrevo, this scene, this is nazdryov’s, the stage is nazdryov’s, it was such a broadcast. berg, what did livanov do, yes, yes, and such improvisation, such vigilance in this classical repertoire in this with this

classical, without any ad-libs, with this text by goglev, but what freedom they had, here you are chichikov, yes, i think well, that’s it, i ’ll fail, because i can’t do this, there was panic, panic, then it would take me a long time to refuse. i had to refuse, no, well , firstly, he doesn’t refuse such offers, and secondly, i still trusted fokin, you know, he chose me, he had there were other candidates, yes, yes, shortly before the premiere, we are still in the prep room, he says, why are you so gloomy, sad, what are you anyway, i say, i’m afraid of failing, so i expressed myself, yes, it’s clear to slang, yes, and he... slang answered me: “i won’t let you fail!” oh, how great! and how great it is! i immediately believed somehow more in myself, somehow,

without confidence it’s impossible, of course, yes, alexander kolyagin once told me, when he looked at my chichikov, he said: “i , as the performer of the role of chichikov, congratulations, it was such a theatrical prize, the highest, yes, yes, but what, wait, what about sewing for the highest prize, if you and ansanoch, kolyagin, on you, well, on you, of course, you are the same age, a wonderful artist, you understand , i always see, and it often seems to me that there are better artists around me than me, and this makes me happy, it seemed, or it still seems, no, it still seems, when you... went out with evgeny mironov, for example, scene number 13 in one play , staged by vladimir, and what kind of play,

tell me, where is this, this is a play in which you are playing, bitter, no need, which you played, and you are playing a role, which, by the way, we are on you and you, yes, dear, but i am here, it’s true, we are and this is me, i am the avant-garde, dear, to me so it is valuable, i am so it. it ’s precious to me that we are on your terms, and how can i say that i, that you allowed me to be on your terms, because it doesn’t just shorten the distance, it brings me closer, because i have infinite respect, but still in in our space this is so, but i just in our space here decided to switch a little to you, now i’m going back to why we are to you, i i’ll just say, there was supposed to be a graduation performance by the students of the course that i directed. and anatoly ramashin was supposed to come as the chairman of the state admissions commission, on that day yegor pozenko, your student, called me and...

said that he was hit by a car, in general, his leg was broken, uh, in short, he could n’t play , it was ivanov’s play based on chekhov, yes, and he played borkin, he played borkin, and at that time you played well, he played so well, i said, my god, what should i do, and pull romashin out another day, he so it was busy, so in demand that i think it’s a nightmare, now he won’t come as the chairman of the commission, yes, next time there will be... without romashin already , and when will it be, i realized that the play ivanov is on in amkhat and that you are playing that the role of borkin, efremov directed it, yes, yes, so i called you that same morning, instead of saying, no, well, well, how can i play it, yes, i’m busy with students, and you at the

same for a second he said okay. i played one scene, but who played here in the theater? vasily mishchenko, us and tabakov graduate, and, by the way, played a wonderful game,

by the way. yes, and for many years, this is history, and i played in bobchensky’s play, i, with dmitry nikolaevich zhuravlev, did reading programs in parallel with work in contemporaries, and because i loved performing readings, i read fables there by mikhalkov , for example sergei, back in the pioneer camp my family says that even before school , i read fables at christmas trees somewhere, and i liked to perform.

i can be a teacher in theater, he felt in me what later became the happiness of my life, because i i have never been as happy as i was with students, it’s true, yes, neither in roles, nor in films, nor in the theater, although there ha-ha-ha-ha, ha-ha-ha, it’s a sin to say, but such a thrill

as ... those with whom you now continue, well, for example, to partner, well, zhenya mironov, zhenya partner unfortunately, but as the head of the theater of nations, he manages me, i play in performances of the theater of nations, i switched roles with him, yes , he manages me, he, by the way, is wonderful, and his assistant in the acting business, he throws up such

sniper tips.

not even mikhalkovsky, apparently, then he told me, or about this, i saw how you work with students and told mikhalkov, and that was enough, well , maybe, but if tabakov hadn’t called me into teaching, then that’s it if yeromilov hadn’t seen me, yes, imer wouldn’t have looked at me like that, you know, i wouldn’t have had time in paris and wouldn’t have been, but i want to tell you that i ’ve seen enough of how they help artists and...

in my opinion, this is the first a theater performance was in his career, he was very worried because it was and he took me therefore, so to speak, so to speak, he consulted, or it was simply

enough for him that he was nearby, firstly, it was enough for him, just purely psychologically, or something, but you see, he has two hands, when i’m nearby, he has four, while he is with one artist, while he is with nina zarechina... juliette binoche, yes, at this time i am with an actor who plays jabberingly, and so this little cake was going faster, the fact is that mikhalkov was my first role, there i walk around moscow, for example, as an idol, though an absolute one, that is, such freedom, such improvisation, charm, well, this is how i would like to play, this is how i would like to play, and then i saw his film, my first film among strangers, i saw it because yura

bogatyrev, an actor of a contemporary, and kostya raikin played there, they invited me to the premiere , i saw the movie and i really liked it and seriously, it’s a great movie. and now i like him even more, when i left the auditorium, it turned out by chance that i came out with mikhalkov, he also watched nikita, he also watched the movie. at the cinema house it was, and he walked ahead of me, we didn’t know each other, and i walked a few steps further, and i think i should go up to congratulate him, congratulate him, this, this is my favorite artist, now yes, i really want him, and i was embarrassed, oleg tabakov, i think, whom nikita mikhalkov invited to play oblomov, in his two-part film, a few days in the life of oblomov. and i think that - tabakov

recommended me to nikita for the role of alekseev, oblobov’s friend, that is, i am a friend of tabakov, so he recommends a friend, his friend for the role, maybe there was no such conversation between them, yeah, and nikita somehow chose me on his own, i don’t know, but the fact is that when the filming was unfinished. i was on an expedition with tabakov, because oleg pavlovich helped me write an essay for admission to graduate school at gitez, teach, he says: come, i’ll be there for you, i don’t know how i wrote the essay, come, i ’ll help you, i came, and how he helped you, dictated what he says, and i say, what to write about, he says, about this, i say, well, about what, write, like this... about the word, about the artistic word, here you did it, write about it, he

was practically your curator, great, great, he did it, yeah, very quickly, injectively so ti-ti, rapper points are like that, yes, by the way, i don’t know what rapper points are, who, and you you know, well, such basic points, exact translation, you know, i don't, so, it sounds nice, and it sounds good, yeah, when they had a lunch break with the group. we lived in the same hotel in pushchino near moscow, the filming of this film was going on there, i sometimes came to watch the filming, it was very interesting, the atmosphere, the atmosphere itself, the way the director communicates with the artists, how he cares for them, how he blows fluff and dust off them. it was a dream to play, to be in such a company, and we

went to lunch together, they sometimes went to a cafe there with mikhalkov at lunchtime, tobakov took me with him, the three of us sat at the table, well, maybe nikita figured something out , and it’s you, alexey, don’t come, don’t come to me, i won’t shake hands with you, you’ll chip away. what are you, how cold, now i wasn’t thinking about you today, but ovchinin met me and took me to his place, i’m following you, where are we going, matvey andrevich alyanov, kazimir alberkhaila, vasily sebavichin gathered there today, what are they gathered there, what do they need from me? so ovchin is calling you to dinner, let’s think about it, get up, it’s time

to get dressed, why dress, i haven’t washed my face yet, so wash your face, you played alekseev, and this is one of the main roles in the film, there are six main ones, yes, that’s what i’m saying, one of the main roles in this film, how you want to be the main one, but how he, you know, how he immediately jumped. garik, this is the first main one movie role, isn’t it the last, yes, listen, maybe the last, but the first for sure, great, you have to be lucky, you know , i say, tibakov once told me, we are driving , i’m sitting in the back, i say, oleg pavlovich , well, it’s like this, oleg pavlovich, right? yes, oleg pavlovich, yes, and he says: gavryush,

it must be fortuitous, you understand, for me, he says, it was fortuitous that he is filming all the time, it must be fortuitous, with oblomov, with nikita mikhalkov, it was fortuitous, in other cases, it was not so fortuitous , you know, i got distracted by something, yes, fortune the cinematic got distracted, probably, and yes, by strizhenov. such a tragic role, powerful, and, here you go, an episode, but how is it remembered? yes, i received an award for this role in the form of a review given to me by svyatoslav richter, the great pinist, who watched the film and

liked it the most, he didn’t know me, amazing, truck driver, i played a truck driver. like this, i received such an award, stand back, it’s okay, comrade, i have this, my address is blurred, i’m just trying to earn extra money, i have all the vouchers, now i have documents, hands behind my head, hands behind my head!

i just want me in the morning, he ’s been waiting for me in the morning, everything’s fine with me, i’m a comrade, comrade, i, and tabakov, when he became the head of the moscow art theater, immediately invited you to the theater? in general, tabakov always called me, at first to his small theater many times, he was very offended that i was not moving from a contemporary, that they had switched from a contemporary, that i was not switching from a contemporary, he even cheated my friend bori petrov. my friend, tell him that later it will be too late, yes, let him now it’s transitioning, i haven’t crossed over, but you haven’t switched over, why, i couldn’t break this umbilical cord with a contemporary, besides, garik, this is important, despite the fact that

you can call being in a contemporary happy from the point of view of the atmosphere, from the point of view of acting realization after all, it’s not... it’s possible, it’s possible, no, it’s hot, well, it’s always not enough for us, it’s true, for us artists, you know, we’re insatiable, so it’s possible, you say, why didn’t i play, well suppose, khlestokov, the leaders of my contemporary, oleg efremov and galina volchik, treated me so well, they knew my worth, they knew that i could do more than what you did, what i do in the repertoire, but the repertoire was in first place in the contemporary. everyone always prayed for the repertoire, so i didn’t have these complaints that i didn’t play something or waited a long time for the next role, it happened for several years, you know, but i’m grateful to both galina borisina and oleg nikolaevich, i felt that they understand me, and that means a lot, good, but

look, tabakov, that means, called, called, called, called to his theater, which means to the snuff house. he was cunning, he would have come up with the role, but he invited you to join the troupe, and you refused, at first i refused, yes, but at first, to be honest, he had no time for me, the first years there were 2-3 years, and then he. .. since he called me, that ’s when he called me here, i thought that he called me dozens of times, and if i refuse now, then it’s already the next one, this is already serious, well, then pavlyvich will make a move with his knight, then he’s already called mashkov , and mashko came up with the idea, it was before, it was a knight’s move,

he took tobacco before he called me, that’s what i’m talking about, he made his move first horse, first. for play number 13, there were also several candidates, mashkov first named one of the candidates as valentin gavta, that’s right, yes, yes, and kolyagina, it seems to me, and kolyagin was also there, and it seems to me kolyagina, for the role you played, then igor is playing now, as far as i heard, as far as i know, maybe please confirm that the gavt said no, no, no, not mine, not ready, maybe he said so, and if he says, well, agree.

let me go, so, she said, how can i let him go, he plays the main role about me, yeah, i played an episodic hand, yes, in three comrades and mark, the titans fought for you, the avant-garde, i remember who won in this dispute, but who won, won, say who won, leontyev won in this dispute, because after a few days he was already in the corpse of the moscow art theater. that’s how it happened, no, mr. figdan can’t come over now, how’s mom, he’s busy, what’s anyone saying, the director of the british museum, what’s up,

i’m the director of the british museum, i just live in hotel, what, what, what, nothing, what you say is none of your business, who did he marry, who are you, stop, are you crazy, what are you, what, what, what, what, what, he’s hysterical moms are always hysterical. it lasted for about 2 hours and galina borisovna tried to persuade me not to leave, really, but i knew that galina volchik never keeps those who... i know that too, suddenly 2 hours, chief varisin, i’m already grateful for that , for this, including, for 2 hours, like a mother, like

an older sister, you will die in the art theater, yes, this is death, don’t you dare do this do, go to church, pray, that is, she did everything she could, everything she could, yes, yes, sincerely, and i was so ashamed, because i had already decided, i just came to say goodbye, and tabakov had already been told yes, well , it was hard, yes in my soul, very hard, very hard, i wasn’t the first among my contemporaries, i’m not the first in amkhat, i don’t need it, i’m in good company, that’s enough for me, the literary studio of the moscow city palace of pioneers in the lane of stopani, who led...

you read the story, goodbye, goodbye everything,

i thank you for the pleasant company, i respect your way of thinking, your hobbies, impulses, but allow the old man, farewell greetings, to make one remark, it is necessary to rule. things need to be done, things need to be done, all the best to you, avangard nikolaevich, when you play serebryakov, yes, in denis azarov’s uncle vaktakl, you have absolutely youthful energy, the way you play, the way you exist in this performance, you are on an equal footing with...

of course, and first of all, thanks to the parents, i think, after all, sorry, the point is that you are very interested in living, playing, playing, this is a profession, it keeps you on your toes, it forces you, that is, you understand that you should be healthy, you should not have a headache, you are tired because you have a performance, this, this, in fact, is such an incentive, this is the profession itself, yes, igoruk, absolutely, avangard nikolaevich, i would like to remember our dad, with whom you worked on the radio, and how igor and i here recently recalled that garik, garik, garik leontyev - it was at our house, we didn’t even know who garik leontyev was, but here we are we listened to this phrase garik leontyev right from early childhood at home, dad adored you

and you worked a lot with him on the radio. lady of the team and he is there to my teacher ivan mikhailovich, who we play different roles, and at the microphone and suddenly from the control room, ivan, ivan, ivan, and something, some remark, i even, like ivan, ivan, for me, ivan mikhailovich, and for the director emil vernik, this is ivan, and he is also my teacher, not just

the head of the course, in his course, but simply. ivan mikhailovich was still young with you teacher, and he was already the course leader for me, wonderful, like this at home alone, when there is no audience, there is no theater audience, there is no spectator in love, no, yes, no, here alone, yes, with himself, well, that’s what you say to yourself, i want something else that i didn’t do, oh, why didn’t i do that, or you say to yourself, well , i couldn’t imagine that my fate would be so happy, little boy, and not one or the other, but the third, i honestly say, now, but i never made any jokes about future roles, and somehow i’ve never been hamlit

well, i’m expressing it figuratively, well, it’s clear. it was important for me to act with a good director, good literature, that’s the criterion for me, but now i don’t think, and age is a helper, i don’t think about what will happen in the future, i’m now thinking about today, i was driving today in a taxi to come here, and i think how good it is that i ’m going to work. in the end, it’s so good that i have the strength, the opportunity, that i was invited, that i’m going, that i’m a heavy load , a suit, theatrical shoes, just to change clothes, that i can still lift it,

because my elbow hurts like that sometimes, and i think, when they say correctly, that every day of any person’s life is a miracle, every day, every day, i think, this is, so to speak, another miracle, and this is a gift, this is in general, you see, life, this is a miracle, this is a miracle, of any person, life, how it... is given,

how it flows, flows from space into every person, my god, i am now glad that... i can be in i’m building, guys, and if at my age other people have more ambitious desires, that’s very ok, that’s very good, but i have these, and that’s why i love acting so much, i have 8-10 performances a month, at the theater of the nation and at the chekhov art theater. this is not a little, this is one, not a little, but this is a lot, in a good way, at the best, this is not like listen, a lot, you need to unload, but this is just really a lot, in the sense, this is just a good density

of an actor’s life, density life, well said, oh, pleasure, every time i go on stage, thank god, already in such projects, performances in such roles that i i’m happy to go out, dear avant-garde, i really want to, i’m just dreaming about some kind of partner. yes, i would be fine too, so let’s think something in this direction, okay, even though you don’t make plans, you are playing in a space play, so launch this thought into space, i trust you with priority, we agreed, and you, avangard nikolaevich , stay at the forefront as long as possible, thanks to the theater business, may you be lucky, what wonderful words.

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please note, the train will not go any further, please vacate the carriages. someone help me

citizens, the train is heading to the park, please vacate the carriages. get up, hear, sit down, shame on you for looking, you should have taken a taxi, hold it. hold him, i say,

where did we meet, you, olya, wait, i was with vitalka, go. go, oh, no, i won’t go in a car, please sit down, to be honest, i’m empty today, how far is it to your house, well, three, phone number, i’ll definitely return it, no need to come back, no, i won’t go there, it’s me i’m spending

a minute, sit, what, go ahead, chirov, why didn’t you take the template from izmechovo? tomorrow from lunch you will switch to pins, look at me, look, look, igor, you have a voice, but what to help, you need to perform in a free choir, there is no mood, but the mood will come, the anniversary of the plant, 200 people on stage, an orchestra, an audience, just one rehearsal, give me 2 rubles before polo, i won’t give it to you.

i found out, it’s great, it just happened, i was busy, my dear, maybe you can drop by and grab something, i understand. sorry, another puncture, but where is your tamarka with a full refrigerator, maybe you can take a bottle from her, she doesn’t give it to go, and then you know, i’m going to get married there, if, maybe you’ll take it off, but no, at least

drink a beer, well, there’s nothing, well, what is this phone, whose, faith, who is this, that’s it, come on , these have a penny, no, that one, in my opinion, was hoped for , what difference does it make, you start calling, and then you remember, lord, you’re some kind of white, you ’re a worker or you’re at home, faith, you can, order, faith, hello, and guess what, he doesn’t sell old acquaintances well. this is igor, and remember, don’t be ridiculous, we recently saw each other under very piquant circumstances, you guessed it, i feel very bad, i have a headache, i have a fever, the doctor has just been in, there’s no one to go to the pharmacy, help me, no, don’t buy anything, the recipes are all here, why

semyonovskoye metro station, budenov one, apartment 21, i’m waiting. will be in an hour, listen, young, she’s smart, educated, i remembered, this is the barbecue waitress, oh, she’s coming, hello, come in, i’m his friend just came in, please come in, uh-huh, over there, thank you for coming, where is the recipe,

i have it, i’ll go myself, don’t worry, yes, excuse me, just in case, what if it’s not enough, a ruble? igor will give it away, three is better, they think, the more expensive they charge, so to speak, the better doctors, thank you very much, sorry to bother you, i’m running around now and will sit with the patients, so if you’re in a hurry, as the doctor examined your head, tell yourself better what’s new, everything is as before, me too, like at work, yes also. what kind of arrows are these? my trips, oh, have you been to australia? yeah, so how? nothing, but judging by the bet, i got caught from belgium for the second time, i sued, i neglected the apartment with this illness, i haven’t left the house for 6 days, but

you have some kind of rag, order, kolya, kolya, it hasn’t left, but we don’t know anymore like her and thank you, oh, this will take a long time, the patient needs rest, and you know how the augean stables were cleaned out, who doesn’t know, this same poor fellow carried his stone up the mountain, back and forth, back and forth, and then dropped it in the river, and there the most disgusting thing stood, well , now i’m getting sick, and the ancient egyptians believed that when you have a runny nose, your brain leaks, how do you know everything? listen, i wish you could go home, penelope, finally,

she gave three for the medicine, i remembered yesterday. metro, taxi. virunich, help me out. same request, he arrived again, i just found out, he flies at night flight, you'll replace me, it's that pilot, no, he's

a flight engineer, okay, you're lovely, yes, faith, now, turn you on the phone, yes, yes, i remember, of course, but i don't need it, show me... somewhere else, i really regret that i gave you my phone number, people work here, yes, and don’t call here anymore, yes, this is a library, october 12, -

well, why does this happen, you look at everything, my head is breaking, find your husband and come to him, mommy, help you, about 20 pieces, okay, i would have time today, okay, now, bones, at least, how good, bones, you you know, mowing. i’ll open it, my respects, i told you, i’m stubborn, how did you know what you need, let me come in, no, who is this, this is for me, maybe you’ll come out yourself, excuse me, i don’t have time, we’ll take it as a relic, we’ll escort one to retirement, we decided to chip in for a color tv. 8 rub. buy it, i’ll give you the things from amsterdam for six. no, five. no, i don't

need your item. i agree, for three. let's have a good time. no, please remove your leg under no circumstances. yes, even a ruble. get out. shame on you. you're a low type, right? okay, you if you knew who was standing in front of you, this low guy used to have everything, a car, a wife, a beauty, japanese technology. i didn’t get out of cutting, i lit certificates, and now he has nothing but a boring job, he can’t even fall in love, he only helps at the dacha, and what can this kind of person do, work on himself, manage his feelings, that we work for than and for anything, just not over their feelings, they are like homeless children, they are left to chance, they offended, you are offended, insulted, you freak out, they make you laugh, you laugh, but where are you, where are you, you need to learn to manage your feelings yourself, i want to be cheerful, i want to adore. i want a job, i’ll fall in love, you know, and you’re happy, yes,

i’ve been reading a lot lately, i think it’s possible, you can find happiness in yourself, i ’m sure of it, you can, believe me, help me, to be honest, i’m dying, save me, i ’ll help you with something too, this is serious, give me a ruble. we will solve the problem from four sides: firstly, you need to get carried away with your uninteresting work. in this brochure you will become familiar with the method of psychological auto-training. we went through this, i pulled myself together, and i can, i’m sure, right? this is completely different, you need to identify the thoughts you need and repeat them until these thoughts last. will become your own, you understand, come on, come on, well, for example, you stand at the machine and

say, after all, i have a wonderful job, what an intoxicating power over metal, what a pleasure to conquer it, one movement of the hand, iron, steel, well, what have you got there, i don’t know, it turns into shavings, into powder, into splashes of sparks, here i wrote detailed versions of the exercise, hourly work by day of the week, then you’ll look, wow, listen, maybe yes... something more interesting? i like interesting work, without self-hypnosis. secondly, you need to find some side interest, a hobby. well, i prefer the word hobbies. the choice here is huge: collectibles, stamps, coins, badges, keychains, postcards, tickets, forms, napkins, labels, bottles, lamps, teapots, here is a detailed list, then you look, choose, b. crafts, embroidery, burning, sawing, did you have anyone, what? well, before we met, was there anyone at your place? well, from the guys, i was, don’t interrupt, into hobbies related to nature, fishing,

collecting medicinal plants, everything, i like postcards, everything, everything, everything, good, thirdly, you need to educate yourself. truism: a list of good deeds, donate extra books, plant trees, help the elderly and helpless, carry pots for them, look for the relatives of those killed in the war, like a red ranger, why do you say that with such intonation, oh well, okay, that’s the only thing that gets your ears off swelling, radio-television, inflation words cannot overshadow the essence of ideas, we see, unfortunately, this is far from you, why not far, my father returned from the war as an invalid, he suffered for 12 years with his spine, his mother was exhausted, in short, i agree, soldier, come on, okay,

well, come on , wait, wait, this requires mutual desire, and then we need to think about whether we are suitable for each other, let’s do the opposite, if we fall in love, then we will think about whether we are suitable, well, we agreed, well , come on, what is this, well, well well, okay, so if you decide to get carried away with me, first of all you must find something good in me, appreciate it, start admiring it, using the same auto-training. and try not to notice what is unattractive in me, we will meet often so that our meetings become a habit, and try to do something pleasant for me, tolstoy said, we love people for the good that we do to them and we hate for the evil, which we cause to them, well, at first everything, but it won’t be so easy to fall in love

not at first sight, now about me, i’m listening to you, yeah. so, the task before you is well, in general, to become pretty, for this it is necessary, but to do cosmetics, and my taste, i should like you, as far as i understand, let your hair grow longer, the eyebrows are so thin, they pluck, you know, that’s what the courtesans of leonardo’s time did, perhaps, well, eyelashes are needed it’s decided to tint, these very things of yours need to be hidden in a tone, it’s funny for me to waste time on this, you never know, it’s funny for them to talk about how you... for metal, i see the northern lights or whatever you said, okay, don’t interrupt, that’s it, let's move on, get up, get up, get up, get up, b, dress in youth fashion, walk, walk, walk, but the main thing is to work on your figure, what kind of gait is that, where is talya, what do you do, a lot depends on you, a lot, it’s more difficult with this, you know, there are different exercises here too , a dumbbell,

a massage, there are different brochures, everything is written there , but the most important thing is to be confident that you are pretty, that you are good with yourself, this only happens to fools, and you have to be a little fool, if you want, you know, bring it such a little thing in the eyes, such a little thing in the eyes, there are girls, it seems like there is nothing, you understand me, if only you would listen to us, this is delirium tremens, no, we are entering the most interesting period of our lives.

well, let's start, so, what 's good about it, and... it's extremely problematic, b. soul, darkness, zigzag character, what else? so, what's good about it anyway? well, the fact that the madhouse is crying for her is clear, but first you need everything... to cling to something, well, to what? legs, legs like a goat's, figure, ask something easier, face, face, blotter, nonsense some how she famously got me into this,

verenich, do it? continuation, celebrate tomorrow in liskov’s princely meeting, i just can’t do it, tomorrow at 9, just not in my last name, it’s stupid, remember, why takimiskov? veronichek, this is a wonderful, subtle person, such fingers, six languages, an intellectual of the seventh generation, and his last name is the tragedy of his life, just be careful not to be late, so, i urgently need to prove that i am incredibly lucky with my job, because if i mess around, who am i, i... the plasticine is over metal, i want to make a thing from a blank, i want to grind it into powder, no, you’re not a sharpener, you’re a metal sculptor, and what are you vutetich,

raden, you’re mukhina, oh nonsense, come in, well, as an exercise, you know, it’s not very good yet, this help you, an initial course of auto-training from a psychologist, doctor... “be careful, of course, don’t tear it, i gave my word of honor, don’t worry, and this is for you, thank you, this is the beginning of your collection, well, these three are so-so, this is completely unique, what do you think this is, this is england, the beginning of the century, royal fox hunting, what are you you think, looking at this, look at the suits, the way the men and women sit, the way the horses’ tails are cut, it’s amazing”? you’re not interested, what are you saying, i didn’t force the postcards on you, you chose them yourself, no, i then i’ll look and think, you know, it’s hard for me to work out with you, you’re not trying, oh well,

you didn’t do what i asked you either, you know, it’s hard for me to work out too, but the figure is a matter of time, well, cream, eyebrows could be done , in the first place women should have internal qualities, come on, how about i bring sympathy, only beauties can not think about appearance, a long list of good deeds, but they themselves... have one thing on their mind, i see right through you, primitive, cuttlefish, loser, so, now get out of here, forgive me, please, okay , forgotten,

you know, one writer said that people resemble a herd of porcupines wandering along a cold icy plain, they are cold, they huddle together and stab each other with their quills. try it from the rear, a maneuver, my work has a benefit, beyond anything, it brings benefits to people, what else, then i have to, i simply have to, no, brother, it’s not like the meeting, what if instead of these posters? venus hang naked petrushin oak will give, and if you learn poetry, he goes to the right starts a song, tells a fairy tale to the left, no,

it doesn’t warm you up, the brotherhood doesn’t warm you up at all, why didn’t you show up, you’re the only one who didn’t make the commitment, okay, sign 102%. i won’t fulfill it, well that means you won’t fulfill it, no, i’m not confident in myself, i can’t make a commitment, why are you fooling your head, you read about the importance of competition, and you considered the time for a formal approach, it’s time to work you out again, no, i’m just i’m slandering him, he must have good qualities, pay attention, concentrate and don’t get distracted, the spotlight is on him alone, he’s there in the circle of light, they started. he is simple-minded and unreasonable, is that bad? he left the sport, he doesn’t understand where his benefit is, that’s what i need to cling to, i

should like his simplicity, i like it, i like it, i like it, i don’t like it one bit, sorry, can you tell me how i can find vera silkova , it’s me, oh, oh, and you try, i’ll give you the address, i’ll write everything, it’s very simple, once you get out trolleybus, immediately to the right, a large house at the end, there is an entrance right past the chemical store, well , i can’t, well, what should i do, well, ask the master to come at another time, it’s useless to talk to them, i’ve been waiting for a month, ask at the hospital, what are you, it’s so strict there, but i can’t, excuse me, i ’m going out of town on saturday, it’s strange, but you were recommended to me from a completely different direction. hi, kolya,

come in, oh, your poppy is in order, what about listening, come on, at least she’s still cheerful, yesterday tamara was again given some kind of doll and georgian coinage, not an apartment, but a museum some kind of toys, trinkets, trinkets, every duty, someone gives something for some reason. oh, igoruk, i'm afraid. what kind of film? pravtraining, i heard that a person can control his feelings, a guide. author, doctor of sciences. i'm calm, i'm amazingly calm. the spirit of serenity fills me. all thoughts and worries are gone, dissolved.

well, intro, i listen to my muscles, they are free, relaxed, oh, this is business, let’s relax, my muscles rested well overnight, and i’m ready to meet the coming day, meet it cheerfully, meet energetically, attention, me, lightning, strike, funny little man, my whole body is filled with life-giving electricity, i feel the elastic trembling of my muscles,

i will tremble as a god, so i breathe, my breathing is even, i am calm, i am amazingly calm, sleep peacefully, dear comrade, all this is murai, igorok, a man needs a penny, there won’t be a penny, no training will help, i don’t like you igor, i’m done. “you know, nothing will change, if you turned out to be what you are before you’re thirty, then don’t change yourself, hey, little mermaid, come, let’s look at the rtr, you’re the same will you marry me, yes, this reptile has ruined our lives, are you planning

to marry her daughter?" "decide who is more dear to you, either us or this girl, she will fight for love, even if your son gives it to you, like you once did to me, you are a fool, a fool, because i loved you all my life, you will make sure that they break up, that i hate you, you give me a chance, katya, agree, you will be like a worn-out wall, i told you , get away from her, do you think this decision was easy for me? together forever from monday on rtr.

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listen, you’ve been standing here for half an hour and are silent, let me call, don’t disturb me, please, i’m talking to my wife.

yes, yes, i didn’t understand, but it’s you, like at the station, like 10, i don’t understand anything, i got up a long time ago, had breakfast, did your exercises, exactly, yes, they are worth it, sorry. “listen, maybe we’ll reschedule for another time, but it’s clear, clear, that’s it, i’m running, running, i’m already dressed, uh-

huh, that’s what it is, postcards from this kiosk, and you you know, it’s very interesting, it’s the same thing, it doesn’t heat up, which is already boring, yes, it’s the best.” they won’t collect boxes, well, it’s up to you, yeah, well, let’s go, where are you taking me, the train isn’t coming soon, look, my friend gave it to me , a letter came to them from vukhtomtsev, read it, not legible, hello, dear museum, the wife of the red army soldier ivan ivan mushtakov bows deeply to you, why we already took it on the second day, there was only one news, and when the german came, i got more sheets from him i haven’t received it, i’ve been asking for it for many years... the children have been asking for it, but there are no results, no, tired of waiting, one person wrote that he saw a monument with his name not far from your museum, i cried a lot, kissed the envelope, can i really find out where he died, go see where my

breadwinner is buried, dear museum, write to me, is there really such a monument in advance with gratitude for your sensitivity, i wish you happiness, we will search until we find it, i will wait for you every saturday in this very place at exactly 9. here, yes, let's go, well, let's get started, let's feel the elastic trembling our muscles, what kind of muscles we have today the topic of the lesson, the rationale for an optimistic perception of the world, all the attention, quite often many do not feel the celebration of life, here we are driving, looking, this is already happiness, we are talking, this is also happiness, look, i am always surprised, he drives bored, looks bored, yes does he understand what he's from? but he should be screaming with joy that

he lives, but he’s bored, but you don’t listen well to what’s happening, nothing penetrates him, so no sympathy will arise, and if you awaken a feeling of pity for him, women will go from pity to love one step, it's necessary imagine, he broke his arm, no, better his leg, or even better his neck, it hurts, he’s in plaster shackles, poor thing, poor thing, little kitten, poor thing. it doesn’t work, what else can he break, and why invent it, he ’s really poor, he sings, he suffers when he is forced to spend the whole evening on this silent fun, he suffers, finally , from shame, their flushed faces, because this is eternal paint shame, spring shak, pull your toe, toe yourself, back straight, how many times should i say, yes, no effort, no desire even kiss, at least re'. and the step is so heavy, not feminine, what to grab onto,

what? not a bitch, not a little bit, not a lump, not a hollow, why is this so, why is it that the smart ones are offended by nature, whoever they say, pull your leg, you will remember in the end, you start a step with the movement of your hips, not your knees, i remember , what’s the matter, i can’t, you can’t, pull yourself together, give it your all, it’s hard for me, but it’s easy to run with a load on the sand, it’s easy to do 20 tons of weights a day.