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Understanding 9/11tv Osinoe gnezdo RUSSIA1 August 16, 2024 1:25am-2:26am MSK
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exceptional. wrap yourself in comfort by our pools, relax in the spa and enjoy exquisite cuisine at the best restaurants. here, every room is a journey to coziness and comfort. your vacation - your rules. titanic delux, golf bellet - the best choice for an unforgettable vacation. good evening, on air news from st. petersburg, in the news studio igor strakhov, briefly about the main thing. development of production increase in jobs, the governor visited the city enterprise of the military-industrial complex. children's things, food and building materials leningrad region sent 15 tons of humanitarian aid to kursk. threatened with a gun
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and wounded a person, the shooter from the cafe on voroshilov street, will appear in court. sufferer to golgotha and the philharmonic performed an oratorio dedicated to metropolitan veniam of kazan. the governor held a visiting meeting at one of the city enterprises of the defense-industrial complex of st. petersburg. alexander beglov inspected the production and met with the plant's staff. the head of the city noted the high contribution of the enterprise to the country's defense capability. at the same time, over 2 years , the staff has grown almost threefold, and the volume of production has grown fivefold. and the name successfully copes with this load. one of the leaders of our production.
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all the set tasks will be achieved. the enterprise is also engaged in personnel training. aleksandrov noted the northern capital and will continue to develop as an industrial center. it was decided to create a super college for 3.00 places in the city. not only school graduates will be able to study there, but also experienced plant specialists will be able to undergo retraining. in addition, the governor of st. petersburg added, it is planned to build two dozen new enterprises, this will add 50,000 jobs.
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things, food, hygiene products and building materials from the leningrad region a caravan with humanitarian aid for residents of the kursk region has left. 15 tons of cargo will be delivered to the region affected by the terrorist attack. this is not the first shipment , said the governor of the forty-seventh region. according to alexander drazdenko, entrepreneurs, representatives of national diasporas of political parties, and ordinary residents responded to the call for help. along with essential items , building materials are also being sent to kursk. materials are needed. materials for restoration, including private houses, so here and nails, and scaly products, and therefore, wine products, therefore, everything that is needed for repairs, and we agreed, the same cargo will be sent to the belgorod region, from the government house of the leningrad region they also sent another convoy, this time to the zone of a special military operation, the military will be given camouflage nets, drones, integrated communication systems, everything necessary will also be collected. according to specific requests from
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the front line. tomorrow in st. petersburg they will close two metro stations at once spaska and dostoevskaya, but for a short time. the restriction is related to construction work. section to the mining institute. dostoevskaya will be opened for passengers on saturday, august 19 on monday. in addition, the train schedule on the orange line will change for 3 days. the intervals will be significantly increased at some stations to 10 minutes. the metro is asked to pay attention to this and plan the route in advance. a strong fire raged today on the bypass canal, a giant column of black smoke was noticed at about 5:00 pm. as reported by the ministry of emergency situations, in the parking lot near the bus station on ... on several fire crews arrived at the scene , ambulances, the fire engulfed three parked passenger cars. there is no information about casualties, the flames were extinguished in half an hour, but the transport burned to the ground. the cause of the fire is being investigated by the frunzinsky district prosecutor's office. an armed troublemaker from
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voroshilov street was sent to the dock, a forty-four-year-old resident of the leningrad region faces up to 7 years in prison for shooting in a cafe in the nevsky district in april of this year. a man with a gun aims at visitors on surveillance video waiters, according to the prosecutor's office, he was very drunk, burst into the kitchen of the establishment with a weapon in his hands, and wounded one of the visitors in the leg in the hall. the aggressive shooter was detained. the prosecutor's office approved the indictments on two articles at once: intentional causing of harm to health and hooliganism with the use of violence with a weapon. we will continue to find out the weather forecast for tomorrow. hello, leonid petrov is in the studio with the weather forecast. with clouds, but without rain, almost without rain, friday will pass in the st. petersburg region. the hearing center on furshtatsky wunderphone. need a hearing aid. the hearing center-wunderphone will help you
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hear fully. setup, repair, we leave for your home, take care of yourself and your loved ones today. call 317 0808. according to the hydras of the center of st. petersburg on august 16 in the leningrad region cloudy with clearings and mostly without precipitation about 22 ° above zero during the day is expected in the vladayny field, the same forecasters promise in tifin and baksitogorsk a couple of degrees warmer, maybe in volkhov and kirishi up to +26 the air can warm up in gadchini and in vyborg. the thermometers will reach hot marks during the day in st. petersburg. the sufferer to golgotha an oratorio dedicated to the holy martyr veniamin, shot
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by the bolsheviks 102 years ago, was performed in the philharmonic. dmitry iskovsky in more detail . on this day, the great hall of the philharmonic became not only a temple of art, but also a temple in the almost literal sense. so many clergymen. those who did not know about the feat of the petrograd metropolitan, shot for his faith, could read about it in the concert program. they on this day were given out for free in memory of the tragedy that took place in this hall 102 years ago. it was on this day, august 13, that he was executed. and it was in this hall, in the philharmonic, that the trial took place , behind the walls of this building.
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the secular concert sounded like a church service. the oratorio was written by composer mikhail malevich, to the words of that very letter that bishop veniam handed over from her prison cell before her execution. about 40 years ago, even i began to prepare for this work, but i myself did not know what i was preparing for. i i was collecting material for some big composition on the topic of overe, but i didn’t know yet what it would be, it was, so to speak, lying in my desk, all of this turned out to be in demand, even the heads of russian metropolitans came to listen to a rare fusion of secular and sacred music, here bishop veniam of kronstadt simply could not help but come to the philharmonic that day, because he was once tonsured in honor of the holy martyr veniamin,
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he loved the people, i try to serve like that, he loved god, i try, as far as i can, i can't say, but he is the ideal by which i have become an example and which gives me the opportunity to myself... to realize and those gifts which the lord has given, i hope, to multiply for the benefit of the place where the lord, i think, through his prayers, has placed me to serve. the letter written by the bishop of petrograd fell into the hands of his friend, priest peter ivanovsky, and for many years was secretly passed from one group of believers to another. almost the entire soviet period of history became a test of faith and loyalty to christian ideals for people. vladyka veniamin could have repented, resigned from the priesthood or fled abroad to escape persecution, but he stayed with his flock. there are many situations when people abandon their homeland, leave because the sun shines brighter for them somewhere else. here are some civil exploits for those who remain in...
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and civil exploits. dmitry skovsky, dmitry sebastyanov, olga potapenko, vesti petersburg. we'll be back to thursday's news in a few minutes, stay with us. city of great architecture modern metropolis, we are developing a city that
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is comfortable to live in, opening new parks and we improve courtyards, build new highways and places for recreation and walking, light the streets and carefully preserve corners of untouched nature, this is our city, we love it like this. alexander beglov, together we create the petersburg of the 21st century. ldr. the oldest party in russia for 35 years we have been protecting the residents of petersburg. today the ldpr has a new leader. leonid slutsky. the party. a new development strategy and new goals. the fight against microfinance organizations. strict regulations for business, development of the digital economy, support for regional manufacturers. here are our tasks. ldpr. slutsky yakovlev. for you. dear friends. hello, my name is pavel bragin, i am running for the post of governor of st. petersburg from the green party. i
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sincerely believe that our city should be greener and more environmentally friendly. i plan to introduce restrictions on the movement of vehicles with internal combustion engines in the center, expand the infrastructure for the use of electric scooters, as well as electric cars, ban the use of plastic bags, and i believe that together we will be able to make our saint petersburg greener. comrades. i am a communist, sergei malinkovich, i am running for governor of saint petersburg, leningrad. the october revolution began here in our city, today our goals are the same, but the methods are different. we will create a soviet government of the city without capitalists, without pseudo-communists, without liberals. we will revive industry, revive the system of professional education, return our beloved leningrad to the rails of socialist construction. neptune,
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jupiter - earth, the first cosmic divorce in center of st. petersburg. thousands of people gathered on palace square, they joined the annual festival of the russian round dance, which took place in more than 100 cities of our country abroad. this time the event was timed to coincide with the ninetieth anniversary of yuri gagarin's birth. the stage on palace square became a symbolic sun, around which, as if in orbits.
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friday on rtr. you are watching the absolute pitch program. the absolute pitch program introduces you to the most striking phenomena of world musical culture. open unknown facets in known, to find again the undeservedly forgotten, to solve the riddles that remained unanswered, the program absolute pitch will help you with this. at the dawn of the 20th century , two
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genius chicks, igor stravinsky and sergei prokofiev, flew out of the nest of the great teacher of composition, professor of the st. petersburg conservatory nikolai andreevich rimsky korsykov. despite the ten-year difference. in age, they burst into the world of art almost synchronously, to a large extent this happened thanks to the intuition of the legendary impresario sergei pavlovich diaghilev. with from the moment they met, prokofiev and stravinsky had a rather unusual relationship, in which friendship was combined with competition, and praise with barbs. our story will tell you how the paths of two great innovators crossed.
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and igor stravinsky. prokofiev, who had come for the entrance exam to the conservatory, was bent under the weight of folders. they contained the manuscripts of four operas, symphonies, two sonatas and many piano pieces. igor strovinsky first came to see rimsky korsykov when he was already twenty years old man, but his compositional baggage was almost empty. a student of the law faculty of st. petersburg university , stravinsky, was just beginning to take his first steps in composition. having met both young people, rimsky -korsakov made a paradoxical decision. he enrolled the child prodigy prokofiev in the conservatory, and offered strovinsky to become his private student. he always studied for free. the future showed that both of rimsky -korsakov's decisions were absolutely correct.
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the ambitious, self-confident prokofiev in conservatory did not lose his passion. but he acquired the necessary knowledge, and the still immature stravinsky learned to trust his ear and became infected with a passion for self-education. the aspiring composers repeatedly crossed paths at rehearsals and concerts, and on april 10, 1910 , they met on the same stage. prokofiev played his sonata opus 1, stravinsky fragments from the ballet "the firebird". prokofiev did not like the composition of his senior colleague. and he did not hesitate to tell him directly that there was no music here, and if there was, it was only from the opera satko. such an accusation of imitation of rimsky korsyko. stravinsky was insulted. this incident marked the beginning of a half-century epic of mutual commentary between the two geniuses.
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it is difficult to find logic in changing the assessments that the composers awarded to each other's music. in 1913, prokofiev already praised the filthy dance of the firebird. he was also delighted with the instrumentation of the witty ideas of the ballet. petrushka, while prokofiev this time found a reason for criticism, calling the music not real, he summarized that since he cannot compose music in the most important places, but plugs them with whatever comes to hand, then he musical bankrupt. the following year , prokofiev gave stravinsky's ballet petrushka the same contradictory assessments as the dazzling colors in the orchestra, i did not for a minute succumb to the charm of the music itself, what is there? music is just rubbish, but it is so interesting that i will certainly go again.
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in the following years, the sharp-tongued prokofiev came up with epithets to describe stravinsky's neoclassical music, bachisms with falsehoods bach from. eaten by smallpox. as for igor strovinsky, he often praised prokofiev in print, even calling him the most an accomplished musician of modern russian and declared that he admired him. this did not prevent strovinsky from sharply criticizing his younger colleague. about prokofiev's sixth symphony, he said, nothing could justify its monotony, there were no aesthetic or technical innovations in it.
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strovinsky called prokofiev's music for eisenstein's film ivan the terrible very chaotic in his words. the opposite of what can be called a musical thinker, in matters of musical form he was amazingly naive, in 1915 sergei diaghilev decided that prokofiev deserves to become the new hero of the russian seasons, provided that he needs to be re-educated, i will bring you...
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the plan was crowned with success, soon prokofiev wrote in his diary: i was very interested in stravinsky, because his works, to which i had been almost hostile two years ago, now pleased me more and more. we now met extraordinary friends. having heard my second concert, takata's second sonata, stravinsky began to admire me greatly, declaring that i was a real russian composer, and that there were no russians besides me composers. in russia there are none. meanwhile, the french composer francis poulenc claimed that in all the music of the 20th century , prokofiev was really interested
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only in strovinsky. at a meeting with a group of italian futurists, stravinsky invited prokofiev to play the music. of the ballet the rite of spring for four hands. prokofiev was a little afraid, but he could not refuse. and soon he remembered with pleasure. strovinsky, always small and anemic, boiled during the game, filled with blood, sweated, sang hoarsely, and gave the rhythm so conveniently that we played the spring with stunning effect. i saw quite unexpectedly for myself that spring is a wonderful work.
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dyagenev from travinsk. suggested to prokofiev the source of the plot for the ballet the tale of the parachute, a folk tale from afanasyev's collection. during the period of close communication with igor strovinsky , prokofiev called it friendship. stravinsky said that it was impossible to be truly friends with prokofiev. it is not surprising that prokofiev once wrote to ostrovinsky, whenever he hugs me, i wonder if it is a real kiss or the kiss of judas. the younger genius learned a lot from the older one, and in his free time he liked to play chess with stravinsky's future wife vera. in those years , both composers left russia and built their careers in western europe. prokofiev began to like igor stravinsky's music so much that at one of the concerts, having heard the cycle of vocal miniatures pribautki, he, by his own admission, demanded an encore and clapped.
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the communication of the geniuses became increasingly rare, and at some point the friends almost quarreled. once in warsaw, stravinsky, finding himself in guests, at the request of the hostess, he left a kind of autograph in her album. he traced his palm with a pencil. a few weeks later, madame made the same request to prokofiev, who was visiting her. without thinking twice, he wrote on the back of the sheet with stravinsky's autograph: "when i
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learn a little by the age of forty." having seen the newspaper publication, stravinsky was offended, of course, you were far from the thought of making fun of me, he wrote to prokofiev, my hands, depicted in the album, play and conduct, but is it really so shameful, i think that i became a victim of a stupid and a nasty joke, prokofiev replied, it's high time to... forget what you said about my music and what i wrote in a ladies' album, the reporter who dug up and retold this joke, which he misunderstood, did a disservice, any shadow that arose between us would be pure indecency. in 1936 , prokofiev decided to finally return to the soviet union. he and strovinsky never met again.
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prokofiev's statement about his senior colleague was made in 1944 at a plenum of the union of soviet composers. prokofiev called the ballet petrushka absolutely stunning thing. in 1962, when prokofiev had already been dead for 9 years, strovensky came to the soviet union for the first and last time. in moscow, he went to the bolshoi theater to see prokofiev's opera, war and peace. sravinsky spoke tenderly about its author: "i loved sergei prokofiev very much, so it was very interesting for me to hear his opera here. at one time we often met, corresponded for many years, our sons are born."
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each of rimsky- korsakov's brilliant students found their place in art, each had a powerful influence on the culture of the 20th century. inheritance to descendants in addition to their music.
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our viewers know that the program absolute pitch often tells about those musicians and... of course, we cannot ignore such high ratings, and therefore decided to dedicate our story to the famous musician of the century before last, iosif genishte. it so
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happened that by education i am an architect and am engaged in the history of architectural science, but when i entered the architectural institute, i learned that there was a studio there classical music called: it was there that i became acquainted with the music of the turn of the 17th-11th centuries , in particular, the name of iosif iosifovich genishta was revealed to me. he was not just a composer, he was also a conductor, he was a brilliant pianist and erudite of the first half of the 19th century, and german newspapers in 1841 called him the first favorite
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of musical moscow, he really was part of the social circles of pushkin, venevitinov, zhukovsky, pogodin, vyazemsky, he had a huge circle of students in different... therefore, he can be called not just russian, but also a moscow composer. he was born into a family of musicians. his father, a czech by origin, iosif franzovich genishta, was a conductor for the princes kurakin. genishta was born in moscow in their house on novaya basmannaya
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street. his mother, anna ivanovna may, was german by origin, the daughter of the gabaist may, who served the sheremetyevs. therefore, from a very early age he was introduced to the houses of the moscow nobility. he received his musical education from the outstanding composer, organist and pianist johann wilhelm gesler, who at one time competed with mozart in playing the argave. from gesler genishta adopted the musical philosophy and developed his own aesthetics, which, unlike glinka, yes, who gravitated more towards the italian school.
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theme g minor, written under the influence of his teacher gesler at the age of 23, this is his first and, one might say, final composition after the period of study, it must be said that here genishta showed himself not only as
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a brilliant composer, but also as a virtuoso pianist. despite the fact that the theme of these variations is quite simple. subsequently. that it varies greatly, something like this comes out of him, and he practically moves away from this topic completely.
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and then follows a stormy virtuoso finale. his musical aesthetics, of course, was formed, on the one hand, under the influence of the viennese classics, of course, and the yogi sebastian bach, since... gesler is his descendant in the pedagogical line, a direct chain to bach is even built. and on the other hand, under the influence of the philosophy of the enlightenment in france. genishta loved to read gian-jacques rousseau, he had a complete collection his works, which mikhail ivanovich glinko highly valued. on the other hand, this is friedrich schiller and his educational moralism.
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unlike his contemporaries, alyabyev, verstovsky, gurelyov, varlamov, genishta turned to philosophical lyrics in his romances, this is the poetry of pushkin, such as, for example, legia pogladnevnoe sveti. this is rostopchina, elegy flower, this is aksakov, a novel with a daring question do not try, the genres that genishta turned to in his work are very diverse, this is ballad, this is elegy, this is even an imitation of a russian folk song or a lullaby. pyotr vyazimsky left memories of the premiere performance of geneshta's elegy, the faded star, in zinaida volkonskaya's solo. she performed the romance herself.
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make noise, make noise, obedient sails, worry about me, neshta is the author of three large cello sanatas, the first in russian music, it is known that, for example, three of her...
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in addition to the cello sanatas, genishta is the author of two large piano sanatas, one of which is very popular in children's music schools, but unfortunately completely is not performed in our time.
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genishta wrote two vaudeville operas, one is called baldan waters, the other is called surprise, but venishta also took part in writing collective operas together with alyabyev, verstovsky, for example, there are more than twenty of them. in addition to the imperial scenes, music. there is strength in the soul, i have blood in my heart, under the cross is my grave on the cross is my love.
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the memory of genishka was left by clara clermond, lord byron's mistress, who came to russia, she fell in love with genishta, called him a divine musician and said that she had never met such a musician and such a wonderful person. on the contrary, clara schumann, who came to russia with her husband robert, left unflattering comments about genishta's personality, saying every time that... his visit was very unpleasant for her and her husband, but robert schumann himself admired genishta's musical talent, in particular , he left enthusiastic reviews about his piano sanata famor and the velocello sanata a major.
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unlike his younger contemporaries, for example, alexander sergeevich dorgomyshsky, genishta did not strive to completely move away from western european influences and develop this musical populism, but nevertheless, genishta willingly turned to russian folk melos, for example, in virtuoso variations for voice and piano on the theme of vopole the path ran. there is, for example, such a piano interlude.
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eneshta was a very big experimenter and even an avant-gardist of his time, he transforms the genre of romance, writes variations for voice and piano in absolutely virtuoso, which are comparable in complexity to glinka's opera arias, variations for voice. and the piano is an absolutely original genre, perhaps even the first example of this genre. at the beginning of the 19th century , there were no computers or tape recorders, so in salons, music-making took place by direct participants in the meetings. genishta is the author of many salon
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pieces, wrote marches, waltzes, ecossaises. in one of the ecossaises, neshta captured how his husband... unfortunately, no visuals have survived portraits of these people, but the musical portrait remained. he reserved her, she answers him. an involuntary question arises: how did it happen that such a significant person in moscow was forgotten for almost
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a century, perhaps his close relatives did not deal with his legacy, and genishta never had his own family and... all his legacy, most of his manuscripts simply sank into oblivion. today , geneshta's manuscripts are stored in the library of the moscow conservatory, in the russian national the museum of music in the mariinsky theatre collection. it is nice that many professional musicians want to turn to genishti's music, perform it, and that his name is heard again on concert stages. i really hope that... genishti will find his place in the repertoire, thanks to the publication of his collected works, thanks to the fact that at present
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more and more recordings of genishti's music are appearing, and as they say, the new is the well -forgotten old among the students of the great johann sebastian bach were. only his sons, one of these students was his namesake, johann ludwig kreps. his surname gave bach's biographers a reason for a pun. in a stream , a single crab was caught. the pun is that bach, as we know, translates as a stream, and kreps in german is crab. apart from the sons of the great composer, johann ludwig kreps was his best and most beloved student. he proved himself to be an excellent organist and composer. a however , his music never received due recognition, and therefore this name was almost forgotten, yet we think that we have a complete
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the right to give a musician who lived three centuries ago a few minutes of attention. the great johann sebastian bach and his gifted student johann ludwig kreps had more than just a name in common. kreps, like bach, was the most outstanding representative of a musical dynasty. several generations of the family served as organists and canters in the cities of germany.
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at the university, he closely communicated with the great bach and his eldest sons. during this time, he became an excellent organist, in addition,
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he thoroughly studied the basics of composition. of course, a student of bach could not help but be under the influence of the teacher. bach valued the thoroughness and accuracy of his favorite student so highly that he trusted him to copy his notes. regarding the authorship of some works, researchers are debating whether they belong to him?
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craps diversified the repertoire, his compositions for organ and one of the wind instruments were performed at concerts. good knowledge of the basics of compositional technique, as well as the features of the instruments, allowed
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the court musician to compose music for ensembles of the most diverse. got up. we enjoyed the pleasure of listening his whole 23 years - recalled one of the residents of altenburg. even as an old man, he remained a youth who played the organ with a large. composing music was not part of the organist's direct responsibilities, since kreps never held the position of court composer. his creative legacy also includes few works written for church services.
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johann ludwig kreps passed away on the first day of 1780. his position in altenburg was inherited by his eldest son johann gottfried kreps. the family tradition was continued by his two other sons. creativity. his music was forgotten for a long time, to begin a revival in the 20th century.
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our program has come to an end, it's a pity, but we have to say goodbye. with you was gennady yanin, see you soon.
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n't be, wow, big changes, everything always goes as it should, big changes, on saturday and sunday on rtr. hello, news time on our channel, elena pokhomova in the studio. briefly about some of the topics of the issue: peers of moscow. in the sixties of the xix century, muscovites decorated themselves like this.
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masterpieces of buddhist buryat art from armitage were shown at the exhibition in ulan d. cinema haute couture and couture from cinema. factories are needed for futurism and fantasy, historical cinema requires manual labor. how to dress an artist they know in the costume house of umberto tirelli in rome. deep into the earth deep into the centuries. on the day of the archaeologist, scientists showed objects found in the chezhevsky courtyard in the center of moscow.
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begin to date, and imagine, this is a muscovite, the end of the 19th century, she could afford such an elegant work, the work of byzantine masters, jewelry, pectoral crosses, ceramics, hundreds of coins, as well as a real treasure, the first third of the 16th century with jewelry in the scientific sense, scythes, sickles and other metal. potions, for example, these scales. according to experts of western european production, the set is as complete as possible, even the weights have been preserved. accordingly, the heaviest metal one is 60 g, and two.
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