ensuring russia's technological sovereignty and the main challenges on the way to achieving it became the main topic of the operational meeting of the security council. vladimir putin held it via video conference. here is footage from the beginning of the meeting. today we will discuss a very important issue, namely, how the achievement of technological sovereignty affects the security of the country. the speaker today is first deputy prime minister, belousovich.

vladimir putin updated the composition of the council for the development of civil society and rights person. the corresponding decree was published on the kremlin website; lawyers shata gargadza and henry reznik, journalist leonid nikitinsky, public figures alexander mukomololov and mara polyakova, as well as economist yevgeny yasin, who died last september, were excluded from the council. several new members have been added to the council, including public figure alexander ionov, president of the food bank rus charitable foundation, yulia nazarova. and others it is planned that the updated hrc will strengthen the work to protect businessmen and develop international relations. valery gergiev headed the bolshoi theater, the order on his appointment was signed by mikhail mishustin. on friday, the new leader was officially introduced to the troupe. the post of general director and artistic director of the mariinsky theater will also remain with him. both theaters remain independent, there is no talk of merging them, the government explained. well, my colleagues are sure that the courage of ideas and...

gergiev’s well-known ability to keep up with everything will help cope with the new task, and the first reaction of the theater community, zinaida kurbatova. what it's about they talked for a long time on the sidelines, valery gergiev was appointed as the new director of the main musical theater of the country. deputy prime minister tatyana gullikova announced this in the presence of the minister of culture olga lyubimova and valery gergiev and now ex-director vladimir urin. throughout your professional life, including. for these 35 years , which he directed, he was associated with the kirov, then marinsky theater, now, in addition, he not only performed at famous venues around the world, but also directed symphony and philharmonic orchestras of foreign countries. today, as i said, it is artistic.

the head and director of the myriinsky theater and also, dear colleagues, will be the general director of the bolshoi theater. we have been working with vladimir georgivich for many years, we have been working together with valeriyevich for many years, we have a lot of joint experience, many tours behind us, many jointly held festivals, complex international events, all this will not stop. of course there will be continued, big plans for the bolshoi theater, big plans for the mariinsky theater, and the ministry of culture will support it in every possible way. valery gergiev remains the director and artistic director of the myrinsky and becomes the director of the large, probably the symbols of russia, the double-headed eagle, perhaps reminds us of what both theaters are for russia today, culturally both.

the capital. it’s unlikely that anyone could be called valery gergiev’s competitor for this post. in addition to an impressive track record, the people's artist of russia has everything qualities necessary for this. in 1977 , gergiev graduated from the leningrad conservatory, and was a student of the founder of the leningrad conducting school, ilya musin. valery abesalovich's career developed rapidly. he became the conductor of the marinsky theater, then the kirov theater, in 1978, 10 years later he was already the chief conductor, gergiev immediately organized one after another the festivals of musorsky, tchaikovsky, prokokhev, then created the project stars of the white nights, now it is the largest festival in the world, more 20 years of the easter festival, also created maestra, in 1996 the team chose him as director of the mariinsky theater, gergiev’s merit was the production of operas by wagner, his favorite composer of the entire cycle of the ring nebengo, and then muscovites began to go to opera performances in st. petersburg. today, of course

, we have such an exciting event, of course, of course, so to speak, uh, today we were introduced to the new general director, well , of course, of course, we all know him, because the name valeriyevich, of course, you know, all people of art, everyone connected with the theater, with music, of course, of course, everyone knows him, and uh, they are familiar with his work, of course, of course , they are familiar with the work of the mariinsky theater, well , today such an event happened, you know, a historical event, the impressions are, of course, so exciting so far, and i think that it will progress exactly until we go out on stage together, but because of course, for us, the star of valeriyevich gergiev, it is so high that we will have to stretch, and of course, the excitement every time you go out on stage will now be doubled , and maybe even tripled. the characteristic placement of hands when conducting

, the temperament of the musicians, they say that the maestro knows how to hold the orchestra, and indeed any group, with an iron fist, but if necessary, he always helps with housing and everyday life, about gergiev and his ability to be on time everywhere, they went to performances often started late , the maestro rushed from the airport and immediately stood at the controls. in addition to this, there are obvious organizational skills, the ability to extract money, and push through various ideas that gergiev is effusive with. determined, brave, real patriot. he didn’t think twice about it, in may 2016 he gave a concert with his orchestra in liberated palmi, before that in 2008 he performed in a destroyed skinvali, and also a huge number of charity concerts, in 2004 it was... the beslan project in the name of life. the arrival of such a legendary maestro of talent on a planetary scale, who probably has no equal in the world, in terms of influence, in terms of talent. we all know very well that the kirov and marinsky theaters created a world brand of absolutely

incredible recognition, and of course, i wish you nothing, first of all, you need health. very broad, broad he will have... power over culture, and this is very important, i am waiting for changes, culture needs to be protected, and i am sure that he will do it, he is very smart, he is a very good leader, he has opened up in the 21st century concert hall, then in 2013, the second stage of the mariinsky, in 2016 two branches appeared, in vladivostok and vladikavkaz, gergiev stood at the origins of the moscow zaryadiya concert hall. valery gergiev himself often compares himself with vladimir talikovsky, who went down in history director of the imperial theaters until 1917 . in his era, the artistic and cultural significance of the imperial theaters was so great that they wanted to preserve such a structure even after the revolution. valery

gergiev wanted to create a similar structure on the basis of the st. petersburg institutions of variinka, the conservatory and the zubov institute of art history. at the press conference , the maestra recalled that chaliapin sang at the mariinsky the next day. it was a good practice of mutual enrichment. there is no doubt that gergiev will cope with the leadership of two largest theaters in the country, using the rich experience of the management of the imperial theaters. kurbatov's name is coming, news. hello, this is the cinema industry, ivan kudryavtsev is with you. today's issue will feature the film reporter magazine's event of the year award. reading film festival and winter auteur film festival. of course, there are new releases this weekend, and here are two films from the festival. window to europe in vyborg. we'll start with them. after the competition in vyborg , oksana byshkova’s film nina with yulia peresilt and evgeny tsyganov starring. this is a joint production of filmmakers from russia and georgia. the film was shot in tbilisi.

nina, the main character, goes there to meet the past, which included passion and disappointment, and of course love. nina is happy. husband, little son, favorite job, one day her ex-lover ruslan calls her, admits that he is terminally ill and invites nina to come to dbilisi to say goodbye, after some doubts, with the support and consent of her husband, nina goes to meet the past, to the city where she and ruslan once spent many happy days, this journey will completely change the life of nina and her family, the film was directed by oksana bychkova, whose career skyrocketed after the debut lyrical love story peter fm, released in 2006, the film became a hit and a sincere declaration of the author’s love for st. petersburg. nina’s script was written by bychkova in collaboration with love mulmenko, the author of fidelity and compartment number six. evgeny tsyganov was chosen for the role of ruslan right away, so for the role nina had a huge casting, and yulia peresilt was not among the favorites. nina is a very

unexpected role for me, i have never played anything like this before, this is a completely different heroine, we decided that this is still a female-male dialogue, there are some obvious things that are for... but there is everything... some kind of romanticization of some relationships and some characters , including some male characters. nina's world premiere took place at the shanghai film festival, where the film was included in the main competition, and the film also participated in one of show programs in san sebastine and opened the window to europe festival this year. in vyborg, nina received a golden boat for second place in the vyborg score competition, and the producer of pictures, ekaterina filippova, was awarded the producers guild prize. this is a love story, this is such a classic adultery, which has unexpected turns and conclusions, i would say, but in a very exotic backdrop of georgia. oksana bychkova knows how to subtly explore relationships at

various stages, be it just the beginning of love in st. petersburg fm or a long history together in another year of drama. in nina, the relationship of the main characters seems to have already been completed, each has their own life, but a new meeting shakes both up, when the past catches up with the present, the future is foggy. the themes of confusion and loneliness sound even brighter against the backdrop of the unusually quiet, empty tbilisi. this whole film... is about the fragility of the world, about the fragility of love, about the fragility of relationships, about the fragility of our hearts. the drama nino is in theaters from november 30. another participant in the competition of the window on europe festival in iborg, the film blonde by pavel mirzoev is being released in wide release. actions the film adaptation of the film story of the same name by alexander volodin was transferred from leningrad in the seventies and eighties of the last century to st. petersburg in the present century. young and energetic ira devotes all her strength

to the small theater northern post, her income includes washing windows, typing books from dictation, but her true aspirations are only for the stage, however, a few days before the performance, harsh reality invades life, artists are kicked out of their usual premises for non-payment rental, directed by the melancholy liv nikolaevich, in which ira is in love, disappears somewhere, the girl decides to see the matter through to the end, to find a new space to play in the play. you see, our theater is a completely special theater, it is not state-owned, not commercial. leo wants to free such spiritual and physical capabilities in a person that he himself is not aware of. at the center of the story lies the conflict of a bright personality with a world of conformity and agreement. the main character is surrounded by people who in every possible way dissuade her from the lifestyle that she leads, persuade her to normal normal behavior. however, ira does not give up on her goals and firmly follows . to the words of the lion that once inspired her, she is faithful even more than

he himself, i am very sick, i am lying in a kennel, some kind, there is not a single living soul nearby, i am not here now, i need to come to terms with myself, collect yourself with spoons into something whole, irina grigorievna, come on in, sit down, the author of the literary basis of the picture, known as a screenwriter, he worked on films autumn marathon, don’t part with your loved ones, they’re calling, open the door, this list goes on, for director pavel mirzoev in his new film it was important to convey the spirit of this great playwright. volodin is something else, volodin is some kind of separate creative planet, this is some kind of world in which human imperfection is the reason not for tragedy, but for a kind smile and sympathy, this is perhaps the most important thing for me. the role of ira. and the director of the lion in blonde was performed by daria zhovner and evgeny tsyganov. the artists formed a strong duet, but the path to this lay through

serious casting. i think i 've tried all the actresses there are at this age, at the right age. dasha just turned out to be the best, that's all. as for zhenya tsyganov, it was a little easier, because there was also a very large casting for the lion, not so huge, and i thought about it from the very beginning, but he was busy, and it didn’t work out very well. and then he had this... the opportunity arose, and we did several tests and it became clear that, in general, he and dasha were just, well, like a perfect couple, so are you sick or are you healthy? sick, blonde is already in cinemas. the international film market and russian film business forum ended in moscow. 3 days of intense work by distributors, owners and program directors of cinemas determined which films would receive the best screenings this coming year. at this year's film market , 13 film distribution

companies presented their projects. in this market, it has developed that mostly large russian projects are either shown or announced in large blocks. which we are of course very happy about, because this is one of our main main tasks popularization of russian cinema in russia and the cis. on the first day, representatives of cinemas were presented with the nmg film distribution portfolio, which contained a lot. one of the heroic franchise, which will be released on january 1, 2025. and let three is positioned by the authors as the finale of the story. the big premiere will take place on valentine's day, february 14th. my dad and i went here as children, we also lay like that, silent, he told me that he and my mother went here. a very beautiful combination of love, nature and sport, probably everyone

the person was touched by it. i think that ice is quite capable of conquering. let this work out, no less important for nmg is the drama by alexei german the younger air, which comes out on january 18, telling about the girl pilots who had to live, fight and love during the great patriotic war, girl pilots and girl technicians must show training, courage and self-sacrifice, not only pilots, but also technicians, they need to give birth, braid their hair, but they are here. they just wanted to make it better than the vast majority of russian films about war, from the point of view of emotions, from the point of view of screen truth, from the point of view of technology, from the point of view of creativity, from the point of view of tension, in fact, we did it , in my opinion it was important for me that after all, yes, the army, yes, this is the system , but so that there is still a soul of each individual

person, and it doesn’t matter whether he’s an artist of the first plan or a second, it doesn’t matter at all. among the projects presented by the film company, the atmosphere of cinema attracts attention to the comedy malvina, directed by daria charrusha. it's about a girl who decides your problems with the help of an imaginary friend. and, of course, the most ambitious film adaptation in recent years, the master and margarita based on bulgakov, is intriguing, taking the viewer to the partly fictitious fantastic moscow of the first third of the last century. rent a film... what if i make you the heroine of my novel, then let her have a lover, the film company our cinema has placed its bet on the flying ship of ilya the teacher, the rental potential of which is also very high, it will appear in theaters on march 7, jump to me , i can’t, vanya, i love you, it’s huge

brand, this is our heritage, but this fairy tale is told in a new film language, this is one of the most important film events of the next year in russia, among other films that attracted the attention of cinemas ferrari from kara rental with adam driver in the title role, anti-romcom lyubov mulmenko frau, telling about complex love sociopath and ballerina. it will be distributed by the pioner film company and ari aster's new production project, heroes of our dreams from the exhibitor. the reading took place in moscow 2:0. the purpose of the film adaptation festival is to revive the interaction and mutual enrichment of the two huge sectors of the creative economy, film and literature. hollywood even films comic books and is very successful. we're still warming up. there are two big pitchings within the business part of the forum. at the first competition

of developed projects, filmmakers talked about films and tv series based on literary works that... are already ready for production and have found a team, but have not yet found a distributor in the form of a platform, channel or rental company. i’m glad that this direction is developing, i’m glad that pitchings are based specifically on film adaptations, specifically on literary works, someone may say that they can’t come up with something on their own, they go and turn to literature, but coming up with a series based on a literary work is a lot of work, here you also need the author’s opinion. at the second pitching , book publishers or literary agents presented exclusive new products with open film rights. purchasing big stories, big ones well known in our community, in bookstores, and this is such a guaranteed success for filmmakers, because they buy this entire audience that will definitely go watch the film adaptation, there are no options , there is a constant influx of new authors, we now have 8,000 authors in our holding and an annual

conversion of about a thousand authors, that is, we look at a huge number of stories and see there different potential for film adaptation in completely different genres. a third of the participants in the reading are students of specialized universities; for future screenwriters, directors and producers, the organizers have developed a whole course of seminar educational lectures on how to write a script, find a book for film adaptation director zhora kryzhovnikov, screenwriter andrei zolotarev and anna efimova told about their film. we perfectly feel the hunger for content, we understand the level of competition between online cinemas that are forced. launching premieres almost weekly and fighting on the field of creativity, so the demand is large, there are few authors and the volume of literature of course gives a huge choice. for filmmakers. according to the results of the competitive program of the film forum, prizes were received by the publishing house likebook in the selection of literary rights, among those being developed projects, the most promising last day

of summer, about teenagers who accidentally unleash their inner demons, the films masters margartha and dance the herring, an adaptation of tatiana zagdai’s play, the man in a closed room, won in the category of projects in production. this week's magazine is a film reporter. presented its annual event of the year award. the largest print and digital publication for viewers and professionals names the brightest names in the world of cinema, theater and television. many artists do not perceive the award as something competitive. the event of the year is a reason to be happy for the industry. it seems to me that after all, our profession is not as competitive as sports, there are still no winners or losers, it’s just this year, one gets it next year, another, another. receives yulia peresilt was able not only to rejoice for her colleagues in the film challenge, which became the project of the year, the actress herself received a statuette in the category actress of the year for her role in

the space drama by klim shipenko. the acting award also went to ivan yankovsky, who this year starred in the tv series playlist volunteer, fischer, the boy's word is blood on the asphalt. i am always grateful for the attention in my direction and try to immediately forget about it and move on. the series ballet was also awarded. it’s not for nothing that critics call it. one of the best this year was chosen as the director of the year, alexander veledinsky for his 1993 film, based on the novel of the same name by sergei shargunov. daniil vorobyov from lada gold, the cat of the lord of the wind, was recognized as the breakthrough of the year. this year there is a new nomination for hero of the year. the choice of the winner surprised few people; it was cheburashka, which grossed almost 7 billion rubles at the box office. the laureates are presented with a crystal symbol of the award, a half star. we give it to the stars. these are stars, and of course, such a symbol, that ’s what this year’s real star is, a beautiful crystal star, but the most interesting thing is that we have such a half of a star, they asked why a half, in fact, we really

like it when - our laureates apply well, they keep it with them and it turns out, here is their face, here is the star, that is, just such a complete personification of the star winner, in this year, the halves of the star united, together with their statues , yulia peresilt and the producer of cheburashka and the challenge eduard ilai appeared on stage. yes, you can connect the stars, this is such a bonus when you get two halves, the russian winter auteur film festival has started in the capital, the show is young, it’s only being held for the second time, but the audience and professionals loved it, and the task is to convert them attention to those films, the distribution of which is the most difficult and delicate matter, the opening film was the documentary project of the architect history alexey german and his films. created by herman the younger and elena okopnaya, the film is dedicated to the creative path of the master of world cinema, his unique creative method. in

the competition program black comedy dance-herring for debutant alexandra lupashko, about a girl’s attempt to improve relations with her father who returned from the other world. crime drama 110 by ilya mikhev, in which schoolchildren try to hide the reasons for the suicide of a classmate and the victim’s mother, find the culprit, and domestic drama by ira volkova vera based on the story by galina shcherbakova you and i never dreamed of two films from the regions in the competition: the mystical drama of the white road from the titled author from kalmykia ella manzheeva about the search for a woman missing in the steppe and the yakut comedy temir nikolai koryakin about an orphan boy who meets a mysterious spirit. laureate of the karlovy vary film festival ivan and tverdovsky participate in the winter film with the film . the main character suffers panic attacks from them, who decides to flee from her home village to norway, but there she commits a real crime, winner of the guild of film critics and film critics evgeniy

grigoriev will show his second full-length film after the counterfeiters, a head-scratching crime comedy about a modest teacher whose life changes dramatically after he witnesses a bank robbery. the audience will also see the new work of scientist and director roman mikhailov, let's go with you to macau, and dad. depending on gambling. the work of the participants will be assessed by director dmitry davidov, theater and film artist sergei fevralev, actress daria moroz and actor daniil vorobyov. head of the competition jury, film producer and media manager sofia mitrofanova. the festival will be held from december 1st to december 7th in the cinemas of the art and moskino chains. days of serbian cinema, organized by rossino, are held in moscow and st. petersburg. support of the ministry of culture. the program includes five films, participants and winners of international film festivals. among them are the family film the summer, when i learned to fly , directed by radivoja andrić, and twelve-year-old

sofia, who became the unwitting owner of family secrets, and the orthodox drama saint proskeva, the cross in the desert of alexandra djurovic's plot centers on a 21st- century hermit who lived for 40 years in the jordanian desert. admission to all shows is free, upon registration on the website roskinono.org. john woo's first american project in 20 years, the action film silent fury and two comedies: a french whisperaholic from the director. +1 and the russian mother-in-law, with larisa guzeeva in the title role, at the end of the release, our short review of new products of the week. the plot of not my fury by hong kong director john woo is not very original, a gangster's bullet kills a little boy, the father decides to take revenge to everyone involved. the nuances are in the details: the main character, after a tragedy, loses his voice ; there is almost no dialogue in the film.

it's stylistic. director, all the meanings are conveyed to the viewer by the picture and sound. critics received the film ambiguously; some believe that the film borrows too much from popular action films, while others note the highest quality of the action. another new release of shapoholics from the directors of the film 1.1, olivier nakache and eric toledano. the slogan of the film was the phrase: “take everything, pay nothing.” this is exactly how two hataholics live, alberta and. men accumulate huge debts and one day creditors come to them. by chance , the heroes meet a group of environmental activists, from whom they can make money to pay off their debts. the film 1.1 collected 51 million at the russian box office, and special ones from the same team of creators received almost 27 million in 100 days of release. at the global box office , chapaholics has almost exceeded the $7 million mark. in the russian box office

the film... should work well, the domestic comedy film mother-in-law in the center will make the viewer laugh, a successful woman olga nikolaevna, she controls everything at work and at home; olga’s travel son-in-law viktor does not fit into the correct picture of olga’s ideal world, her complaints against whom reach their peak at a family holiday. the mother-in-law is played by larisa guzeeva, and garik kharlamov plays her son-in-law. the uniqueness of mother-in-law lies in his humor. it is built on cultural phenomena and unites different generations. this new folk comedy, judging by its early release numbers, could become a big hit. it was a film industry program, december came the month when we sum up the results and make plans, followed by the new year holidays and distributors, this is the time they reserve for big premieres. we'll talk about all this in the next issues of our program, we'll say goodbye for today and see you at the cinema. on any

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that's all i am. life has come to this, we count on to do it in 10 days, it will be a record, cut, on the verge of possibilities, we are all with him, because he is the only one, at the maximum height, higher, don’t rise, you will just fall like a stone , with the speed of the wind, this is a super cyclone, a killer cyclone , he's like he's chasing you.