tv RIK Rossiya 24 RUSSIA24 March 16, 2024 1:30am-2:00am MSK
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dreams is the premiere from the famous a24 studio, call sign passenger, a new attempt to look at the events in donbass through the lens of a full-length feature film. the premiere of the drama, based on the novel murder of cities by alexander prokhanov, took place at the international exhibition forum russia at vdnkh. successful writer nikolai rebini. leads an idle life, travels to fashionable establishments and is not at all interested in some foreign war in the news, but everything changes when he finds out that he is a volunteer in donbass went and his brother disappeared there, the search will lead him to the militia detachment, aurora, defending the coal
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mines. do you have a fighter? i'm not a fighter, i came for my brother. the call sign passenger is based on the novel by alexander prokhanov, murder of cities. who had the real experience of a writer who passed through 18 hot spots on the planet. he ended up in donbass shortly after the maidan and the coup in kiev, when the new regime had already launched a punitive operation against the population who disagreed with it. the film adopted this prokhanovsky directness, clarity and tenacity images the first film that tells how a russian person has developed in an atmosphere of hedonism, pleasure, and absent-mindedness. and concentrated on a lifestyle that is largely frivolous and frivolous, how this russian man suddenly becomes imbued with a feeling of pain, war, misfortune, goes to this war, this pain, this misfortune, in order to check
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whether he is a russian person, whether he is a patriot your country? ilya kazankov's film is a bright metaphorical work, balancing on the brink of documentary frankness and artistic courage. it is no coincidence that prokhanov draws parallels with botanical studies. get along with high ideological allegories, thanks to this mixture the effect of participation is achieved, everyone, even the most distant person from military events , can try on the reality in which the main character finds himself. we approached the filming of the film extremely responsibly, because we understood perfectly well that this film would be watched in the donbass, and also by our glorious defenders,
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the responsibility is great, and this is something that will remain for centuries, for generations. don’t shoot, don’t shoot, guys, i’m one of my own , i get up, i get out, i’ve arrived, i’m alive, my call sign is a passenger, the first attempt to comprehend the events in the donbass using the means of a large
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commander-in-chief of the german navy erich roeder. the outcome of many battles depends on kuznetsov’s decisions, and the difficult situation in front forces him to take risks and make the most extraordinary decisions. complicating the storyline are disagreements with the commanders. and, of course, a love story, which is revealed by the heroines daria ursulyak and anastasia mikulchina. nikolai kuznetsov devoted his entire life to the fleet. from the very beginning of his service, he showed himself to be an innovator. managed to implement changes of a strategic nature, including the development of a naval education system and the creation of instructions for bringing the fleet to combat readiness. thanks to the latter ability to assess the military-political situation, at the beginning of the great patriotic war, for military operations, it was the fleet that was most ready. this was his time, the time of making dangerous decisions, despite the fact that he was a young man, it was enough and... at this moment to show his personal initiative,
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his personal will, and take responsibility for himself in difficult times, this speaks of the scale of the individual , of course, the series does not retell the entire biography of the admiral; it covers only a few days of his life, eight episodes, eight fragments of fate, reflecting the very beginning of his career in office people's commissar. in addition to kuznetsov, others appear in the plot. historical figures: stalin, voroshilov, zhukov. to complete the plot, as well as to focus attention on certain historical events, the authors added real military chronicles of that time to each episode. i am deeply convinced that our profession is a way of understanding the world, a way of our interaction with the world. and the forties offer us completely different interactions with people, with our loved ones, with our homeland, i’m not afraid of this big word, with with a sense of duty, with responsibility. director. admiral kuznetsov became sergei vinogradov, known to viewers for his work on
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martial law and the crime formula. the project, filmed with the support of the internet development institute, is already available for viewing by subscribers of the media platform , and the television premiere of the series will take place on the russia-1 tv channel. another fashionable novelty from studio a24, which in 12 years has managed to write itself into the history of horror, creating films at the intersection of completely... sometimes incompatible genres, the hero of our dreams by norwegian director christopher borgli, a comedic fantasy with thriller elements, exposes the evils of modern society through the story of a university professor, played by nicolas cage. the main character of the film, the freaky university professor paul matthews, is a typical little man who dreams of releasing his scientific work, the idea of which has not even... begun to be put on paper. mathews' lectures are boring, and
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his ideas are misappropriated by his colleagues. paul's life is doing fantastic turn when other people start dreaming about him. in a few days, thanks to social networks and the press, an ordinary professor becomes a celebrity. there is a stir in his classes, he is invited to closed parties, and global corporations offer him cooperation. why me? eh, i don’t know, apparently i’m the chosen one. an ordinary man finds himself at the epicenter of a strange sleep epidemic, the cause of which is unknown to scientists. having gained worldwide fame, mathews faces the downside of fame when the dreams of the planet's inhabitants turn
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into nightmares, his life becomes unbearable. the main locomotive of the whole action is nicholas cache, an actor who has experienced all the zigzags of luck in his career, he masterfully demonstrates the entire scale of transformations of his character, from a clumsy scientist somewhat reminiscent of woody allin’s characters, to a maniac, whom he later appears in dreams. this film, firstly, is about our dreams, about what jung called the collective unconscious, about how the connection between our consciousnesses becomes stronger and stronger over time, thanks to phones, so much so that the collective unconscious is already a reality. the hero of our dreams is a product of the a-24 studio, which discovered ari aster, robert egers and greta gervik. and one of the main hits of the company was the comedy action film, all at once, which received seven oscar statuettes last year, including best. film, one of the producers, the hero of our dreams,
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along with cage, was the master of anxiety ari aster, the author of the film reincarnation, sancestation all the fears of bo, and invited christopher borgli, whose debut the full-length film is sick of itself and was included in the “special look ” program at the cannes film festival in 2022. one of the themes of the film, what i liked so much about it, is its relevance, it explores how information is presented to us today, at what speed, everything is available in seconds. astaire and bogli work at the intersection of genres, the heroes of our dreams, which begins as a light comedy, are transformed into a sharp satire, and by the end it turns into a thriller. the authors subtly
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touch on vices. a fitting message to the city and the world. this is interesting decipher the message? if recently the future was seen in streaming projects, netflix had five statuettes, apple had three in the last 2 years, but this time they advocated for a traditional film for the big screen and the return of classic hollywood.
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the triumphant of the evening, open gamer, shot on film that christopher nolon adored, practically served as a call to watch films. specifically in cinema, especially in the imax format. standing on stage receiving the award for best cinematography, khoyteva and khoytoma invited young filmmakers to pay attention to attention to the new hit called celluloid. it is a matter of life and death. but i can perform a miracle. the second world war will end. our guys will return home. an interesting trend: the oscars had no effect on box office receipts. none of the laureates. 5 years ago, peter forelli's green book doubled its box office after winning, and leonard abrahamson's room, having received a statuette for best actress in 2015, added another 65% to its modest box office. in the same year, audience interest in the award winners did not increase. poor the unfortunates are shown on seven hundred screens, but
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collect $77 per audience. the leftovers earns $12 per screen despite playing on 617 sites. the lowest growth is shown by killers of the flower moon, collecting only four dollars per screen. “proc,” said the great white father. there are so many of them, so many hungry wolves. having learned the lessons of public demonstrations under the slogan “oscar is too white,” the film academy has significantly expanded its membership. with the help of the media power of the awards, hollywood is working along... the main fault lines in society, first and foremost national and racial, and although the trend towards representation is gradually leaving the big screens for series on streaming platforms, it is quite visible at the oscars this year. a striking example is the representative of the indigenous population of the united states , lilly gledstown, who played martin scarcez in killers of the flower moon. her work in
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the film about the massacres of indians after the first world war brought her a nomination for best actress, but emma stone was awarded. at the same time, the presence of indigenous peoples of america in films and tv series still remains extremely low. recent studies show it increased by only 0.2% and amounted to 1.7%. but the leaders of representation can be considered african americans and asians, whose presence in films and tv series increased from 11 to 17.5 from 7 to 18.5%, respectively. they played significant roles in the abandoned
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american literature. clearly tired of superhero action films, once upon a time films of this genre appeared in the acting, and even in the main category, this year the standard nomination for guardians of the galaxy in special effects and the cartoon spider-man a web of universes in animation, and here and there hollywood projects lost to japanese ones, and this is, if not a trend, then a cultural and political sign. briefly about the new releases, the second directorial work of lyubov mulmenko, the film fraa, drama. according to the director lyubov mulmenko fraum. this is a mixture of different genres, but when choosing a definition for distribution , it was decided to go with drama-comedy; it was important to reflect
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the humorous component of the film, but not to put it in the foreground. vania, a fan of the ussr who calls all women frau, played by vadim korolev, meets christina, a ballerina of the perm theater, played by elizaveta yankovskaya. two polar heroes begin to live together, because the main thing in the lives of both is creating a family. for mulmenko frao is a long story, the film is an adaptation of her own story, which the director wrote back in 2015. all the characters were also created for a reason, for example, the prototype of the main character is a real person with whom the director communicated in youth. the film is conditional, it does not try to imitate the real world, it creates its own. this technique was chosen for several reasons: firstly, today’s cinema loves fairy tales, and secondly, both directors and audiences. or feature films that try to be similar to documentaries and embody their reality on the screen - this was a kind of challenge for the director. the first duel takes
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viewers to paris at the end of the 19th century, when it was still fashionable to defend one’s honor through duels. to the main character clément lazas prohibited from taking part in fights because he is too good. ironically , clément meets maria rose asti devalser, the founder of a women's fencing school, who, being a woman. can defend his honor with a sword. two heroes, bound by prohibitions, become allies and then lovers. the film is based on real events. marie rose is a well-known feminist who has gained a reputation as a badass in france. she defended women's right to vote, wanted to repeal the law that prohibited women from wearing trousers, and also founded the first women's fencing league and challenged an american woman to a duel for insulting french doctors. palme d'or nominee vincent perez. he is familiar to viewers from his supporting roles in the films van hok on the threshold of eternity and officer and spy. the persian also managed to collaborate with russian
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cinema, appearing in the role of the head of protocol for the french president in the comedy film kitchen in paris. this time the actor took the chair of director and screenwriter, but he did not change his favorite work, playing one of supporting roles in his film. sleepless in siulei is a melodrama with social overtones. narcissistic influencer yong ho is enjoying himself. with his freedom, he is in no hurry to start a relationship. one of the publishing houses offers the hero to write a book about the fate of single people in different cities, which will promote the bachelor lifestyle. while working on this text, yongho's conviction will have to be tested for strength, because the editor-in-chief turns out to be his ex-girlfriend, their frequent meetings lead to the fact that the heart of an avid singles begins to melt. this film, as if the opposite of frau’s film, focuses attention not on those who... read the meaning of life as creating a family, on those who enjoy its absence.
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scientists have been monitoring the problem of loneliness in south korea for a long time. according to their estimates, more than 50% of the population between the ages of 20 and 40 are not consciously in a relationship. this decision is determined by economic difficulties and fear of physical and moral violence, especially when parting on a bad note. sleepless in siule trying to look at this the problem on the other hand, with the help of the film , to show people that not only a single life can bring pleasure and success. you've been watching the film industry, there are a lot of russian foreign releases at the box office. i hope we helped you with choosing a movie for the weekend.
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see you at the cinema. hello, international review is on air, in the studio fyodor lukyanov. today on the international review program. events of the week. chronicle, facts, comments. macron's napoleonic plans. france is gathering a new entente. from the scene of events. mom anarchy and the barbecue ultimatum. haiti celebrates the holiday of disobedience, the gangsters are winning so far. the secret secrets of the voodoo cult, how to rule with the help of intimidation and magic.
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materials of our program. vladimir vysotsky sang about paris, that. our spread across the planet is especially noticeable in the distance, meaning our compatriots, but where they are, there are friends of our program, to whom we are grateful for their interest in helping, for example, for this, i’m not afraid to say exclusive. mr. macron, please work for peace, not for warmongering. i'm russian with
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ukrainian roots. you need to not only talk, but also do. we prepared texts and so on, but he violated the minsk agreements. that's a moot point. madam, thank you for what you say. please, i'm glad i'm not the only one who thinks so. no, i was there, we were neutral on this issue, i spent so much time, i was so involved in it, and i was criticized then because i believed that i could involve russia in the peace process. wants peace, but who attacked ukraine, it was not france, who attacked donbass, who killed the people of donbass? who attacked donbass, is it president putin? no, it was the ukrainian authorities who bombed donbass, mr. president, you know this for 8 years. russia has violated borders recognized by the international community. thank you madam. i know that there are people who think like you,
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