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tv   RIK Rossiya 24  RUSSIA24  April 6, 2024 2:30pm-3:01pm MSK

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in that very apartment they are looking for the hiding place that the grandfather mentioned. we took it out from one hiding place between floors, the difference in ceiling heights. here, in this gap , paintings were placed, on twisted shafts. the canvases were not damaged. and... a famous moscow art critic, restorer, doctor of historical sciences, she is one of the few specialists who has seen the collection live, she was in the apartment on nikitsky boulevard twice, in the eighties and in 2007, she was completely crazy, because she was showing me before my eyes here rubin, here titian, vandyke here, leonardo dovinci there, but... since by this time i
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was already an educated art historian, in addition, i was involved in restoration, worked in the garbarev workshops, then i began to have doubts, this is the biggest problem of this . larisa apollonovna carefully studied the history of the family, the molev belyutins, and more than once drew attention to the fact that many facts from the biography cannot be documented. this.
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for example, they write that grinev is not on any lists, this theater is not one can still see the version that grenev’s grandfather, who stands at the origins of this collection, is a fictional character, does not seem convincing, especially since nina moleva’s stories contain so many details from the life of the legendary relative, for example, the story of how a simple peasant boy he ended up in the imperial theater, went to work as an errand boy in the workshop. which was in charge of the main artist, and he was fyodor waltz. from 16 to 30 years old he turned into a performing artist; he had no special education. let's say that the lists of those who served in the imperial theater simply were not preserved over the years, for example, on one of the trips to western europe. grenev was indeed
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lucky enough to buy a painting by davinci himself, which will become the pearl of the collection and it is absolutely clear that it is with leonardo, but it was not standing next to it, but this does not mean that it is a madonna with a book, with babies, that it is generally bullshit, maybe these are some - there are repetitions, or some kind of leonardo school, larisa apolonovna pays attention to the drawing of the landscape that can be seen in the window, well, if there, yes...
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it’s spelled out, you know, the art critic is convinced that a sketch for a canvas by vandyck actually does not produce the most talented copy. copies have always been made, at all times since antiquity, you see, they made repetitions, fakes, copies and so on all the time, then this material circulated, when some collectors bought it, they might not know that it was a fake.
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kone, yes, yes, she painted, she painted her own life, her billyutin, this is all, as if moleva was created, you know, by her invented, created by her, she’s a big mystifier, of course, why she never
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did the examination and didn’t allow it, because she didn’t need all this, you know, and she needed this created phantom, you know, this is a unique western european one. they do, they might return the wrong thing, i was afraid that they would find out about it, there could be a lot of reasons, for me she produced a very decent person, very smart, very professional, the highest professional. nikos safronov knew nina moleva, he invited her, as an art critic, to write
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several articles for his book. the artist watches the history from the collection with interest and admits that the results and examinations may turn out to be sensational. that this is leonardo, it immediately became, began to cost 450 million dollars, this is a discovery, donatel, velascos, titian, centaret, leonardo davinci, michelangelo, it’s just
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impossible to even list it, it’s so much, if it were sold, conditionally it all turned out to be true , then... if during her lifetime nina moleva
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had nevertheless given consent to the examination of the collection, then with a high degree of probability the paintings could end up in the workshops and laboratories of a state research institute. before restoration, we accept, look at the work, first visually determine its prospects, that is, even at the stage of inspection, consultation, you can understand whether it has a chance for further research, but it is necessary to conduct a chemical analysis here, yes, so that, as they say, comprehensively present the subject more objectively, this does not seem to confirm the authorship, it allows you to either write it in.
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therefore we do not cause any damage paintings. each picture can be represented as a list of chemical elements used in the work. for example, this is what a chemical analysis of falk’s work looks like: there was a fairly stable set of materials that were used from the early middle ages, right up to the 18th century; starting from the 18th century, the artists’ palette began to change, and it changed radically already in the 19th century. here’s an interesting fact: it turns out that in central europe, in northern europe, chalk was used as soil.
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to its own writing system. in kaliningrad museum of fine arts has one of the largest collections of works by elliy bilyutin, donated to the museum free of charge after the artist’s death by his widow. she immediately seemed to me like such a very, very good-natured person, and such a very good relationship took place between us, she immediately told me: here i am looking at you, you...
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here are late works written in the style of avant-garde, abstract expressionism, and paintings his associates, members of the new reality studio he created. what did bilyutin work with? he, he was not a fighter, by the way, here against socialist realism or against artists who profess a realistic method of expression, he defended the freedom, will of expression and freedom of creativity of every artist. yes, probably, in these difficult times and the dominance of official culture, people went there to liberate themselves, to
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discover some new reality for themselves, yes, to find new ways of self-defeat, they really found them, wangok is generally considered the father of expressionism, when they asked him why he writes like that and is deformed, the color is deformed, and the forms are deformed, that’s all, he wrote that it’s a scream. ripped open inside, you understand, this is what is gurgling inside you, you understand, you cannot give through real pictorial forms, because they do not express your state.
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the new reality, depicted in the paintings of belyutin and other avant-garde artists, who were presented at the anniversary exhibition of the moscow branch of the union of artists in the manege in the year sixty-two, did not like comrade khrushchev very much, a real scandal broke out, however, in the halls. they also saw such paintings. falk's nude work. such a masterpiece can only cause outrage. this is painting. comrades, but i don’t understand, comrades, so you are innovators. nikita sergeevich quickly moves through the exhibition from painting to painting. it's clear from the expression on his face that he's furious. the next moment, he literally starts screaming, what? what kind of disgrace is this, what kind of brainwashing is this, soviet people don’t need this, ban it,
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ban everything, and he has these deformed bodies and images, they have become him to bring into the speech, but because ens unknown still wrote in his memoirs, but he says, well , i simply have never met a more uneducated and uncultured person in my life.
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this exhibition, reacted favorably to it and so on, they were waiting for the opening, some kind of furor, you know, from there they were suddenly crushed, absolutely, he was an avant-garde artist, but he wanted to work with the authorities like malevich, and as it seemed to him, that with khrushchev a new revolutionary time had come, he believed that avant-garde art should to work together with... the authorities, the law. a campaign against formalism and abstractionism begins in the ussr. the work of eli belyutin is declared prohibited. he buys a dacha in abramtsevo and continues to teach painting there almost underground. he will be able to exhibit his paintings again to a large audience only in the early nineties, precisely at the kaliningrad museum of fine
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arts. and of course, this was a significant event for the family of nina mikhailovna eliya mikhailovich. the museum's history began, their collection, we we know that he is not just an artist, he is a teacher, he is a poet, he is the author of his own teaching method, he is a man of culture who contributed to the creation of collections in russian museums, a new reality, he
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preserved, as we now understand, for the state beautiful... we left this apartment on nikitsky boulevard, they were never presented at exhibitions, well, it seems to me that this is a very interesting class to study and our family collection, these things never have a lot of interesting things ahead. michael efremovich perchenko, director of the moscow auction house.
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severe, because from her kiss, there was poison in her lipstick in her lips, the last izvoi died, here is a collection of polychronic sculpture, in the largest repository of the world, katarina convention in gaga, of my time, i emphasize, of my time, there are only 300 works stored, but
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my time is 27, i have 126 of them. the collector has ambitions, names are in the collection of real collectors, and there are no more than 15 of them in the world, this is ambition, this is the quality of the collection, quality, four collectors have died in the last 2 years, and families, unfortunately, sell all this, but therefore i have the opportunity to buy great works one by one. great, significant. of course, mikhail efremovich knew about the collection of paintings by moleva and bilyutin. and back in 2005, he gave her his expert assessment. grenev was there. collector and he used his own money to go to germany and buy everything there, and four german workshops for making
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fakes worked only for him, but for russia in general, yes, so they made fakes, and there wasn’t a single famous name there, not a fake. therefore, it was easy to deceive her, but until the examination is carried out, those voiced by skeptics remain only a version, an assumption. in the kaliningrad museum,
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meanwhile, regardless of the results of this examination, they expect that their permanent exhibition will be replenished with specimens from the family collection, around which there are so many legends and secrets. she reminded her that our museum, the kaliningrad museum of fine arts, would be mentioned in her will in a special way, but she never deciphered what that means in a special way, no one knows what is written in the will, we can only guess, but she spoke about two things: the collection should be indivisible, she would like it to go somewhere, as it was stored and presented in that, in that unity , which was conceived by nina mikhailovna herself and...
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no one will repeat
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now regarding the situation in the orenburg region, the mayor of orenburg demanded the immediate evacuation of residents of part of the regional capital due to worsening flood situation. according to the latest data, the water level in the urals is 855 cm and, as predicted, the water will only remain at
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night and may reach critical levels.

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