permission through an exchange to regain part of the living space that historically belonged to the family. naturally, the first thing they do when they find themselves in that very apartment is to look for the hiding place that their grandfather mentioned. we took it out from one hiding place between floors, the difference in ceiling heights. they were inserted into this gap.

as a peasant boy, he ended up in the imperial theater, went to work as an errand boy in the workshop, which was in charge of the chief artist, and he was fyodor waltz. and from 16 to 30 years old he turned into an artist performer. he did not have any special education. let’s say, the lists

of those who served in the imperial theater simply weren’t preserved over the years; let’s say, on one of his trips to western europe, grenev was actually lucky enough to buy a painting by davinci himself, which would become the pearl of the collection. and it is absolutely clear that this is with leonardo, but she was not standing next to her, but this does not mean that this is a madonna with a book and a child, that she is generally bullshit, perhaps these are some kind of repetitions. or some kind of leonardo school. larisa apolonovna draws attention to drawing the landscape that can be seen in the window. well, if there is an abstract landscape with distances, mountains, generalized there and so on, then here it is played out more specifically, here we have some trees, bushes, houses, there are all kinds of towers, there are castles and so on, this is unusual for yes, from the entire collection, larisa apolonovna herself, especially.

then this material circulated, when some collectors bought it, they might not know that it was a fake, you know, that it was a copy, they might sincerely believe that this...

will be faked, they might return the wrong thing, i was afraid that they would find out about it, there could be a lot of reasons, for me she produced a very decent person, very smart, very

professional, the highest professional. nikos safronov knew nina moleva, he invited her, as an art critic, to write several articles for his book. the artist watches with interest the history of the collection and admits that the results and examinations may turn out to be sensational, an unknown page in the history of world art, this is a turning point, we remember how we found leonardo davich christ, who was bought at a solby auction for 45 pounds, thinking that it was from the time of leonard or his student of some kind, and then she for...

then with a high degree of probability the paintings could have ended up in the workshops and laboratories of the state research institute of restoration. we accept, look at the work, first visually determine its prospects, that is, even at the stage of inspection, consultation, you can understand whether it has a chance for further research. yes, it is necessary to provide a chemical analysis here, yes, so that, as they say.

you practically won’t see it yourself; analytical instruments operate on minimal quantities of the substance being studied, so we in no way... do any damage to the paintings. each picture can be represented as a list of chemical elements used in the work. for example, this is what a chemical analysis of falk’s work looks like. there was a fairly stable set of materials that were used from the early middle ages until the 18th century, starting from the 18th century, the palette artists begins to change, and it changes radically already in the 19th century. here's an interesting fact. what it turns out is that in central europe, in northern europe,

chalk was used as a soil, in the painting schools of southern europe gypsum was used. confirmation of authorship is already a separate attribution issue, when we work, compare with standards, examine the manner of execution of the work, characteristic techniques, how he models certain tamination elements, how he applies a brushstroke. layered painting he builds like builds texture, that is, each artist has his own characteristic writing system. the kaliningrad museum of fine arts has one of the largest collections of works by elliy bilyutin, donated to the museum free of charge after the artist’s death by his widow. she immediately struck me as such a very, very good-natured person.

it deforms everything there, and the color deforms, and the shapes deform, everything, he wrote that this is the cry of the ripped open inside, you know, this is what is gurgling inside you internally, you understand, you cannot give through real pictorial... some forms, because they do not express your state.

the new reality depicted in the paintings of belyutin and other avant-garde artists, who were presented at the anniversary exhibition of the moscow branch of the union of artists. in the arena in 1962 , comrade khrushchev really didn’t like it , a real scandal broke out, but in the halls they saw such canvases, falk’s nude work, such a masterpiece can only cause indignation, this is painting, comrades, but i don’t understand, comrades, here you are , then this is most innovators, nikita sergeevich rapidly moves through the exhibition from... picture to picture, it’s clear from the expression on his face that he’s furious. the next moment he

literally starts screaming, what kind of disgrace is this, what kind of brainwash is this? the soviet people don’t need this, ban it, ban everything. and he, these deformed bodies and images, they began to bring him to perform, well, because... ans unknown wrote in his memoirs, but he says, well, a more uneducated person and uncultured, i i’ve just never seen it in my entire life, it was all completely incomprehensible and didn’t fit in at all.

a new revolutionary time had come, he believed that avant-garde art should work together with the authorities, with the law. a campaign against formalism and abstractionism begins in the ussr. the work of eli belyutin is declared prohibited. he buys a dacha in abramtsevo and continues to teach painting there almost underground.

he would be able to exhibit his paintings again to a large audience only in the early nineties, just in kaliningradskaya. freedom, freedom of creativity, freedom of communication with museum institutions, that is, our museum began its museum history, their collection. we know that he is not just an artist, but he is a teacher, he is a poet, he is the author of his own teaching method, he is

a man of culture who contributed to the creation of museums in russia. collections of a new reality, he preserved, as we now understand, an excellent family collection for the state, these things never left this apartment on nikitsky boulevard, they have never been presented at exhibitions, well, it seems to me that this is a very interesting class to study, a lot of interesting things await us ahead. mikhail efremovich perchenko, director of the moscow auction house, owner of a unique collection of western european paintings up to the 14th century, polychrome sculpture of antique furniture, his apartment is also a ready-made museum. the value, as assessed by the international confederation of collectors, antiquarians and

art dealers who are located in london, included it in... yeah, this is the daughter of henry iv, the famous infanta from zabyll, you see how stern her look is, because from her kiss there was poison in her lipstick, the last of volu died. here is a collection of polychrome sculpture, in

the largest repository in the world, katarina convention in the gaga of my time.

maybe, well, her biography is known to everyone, but the art critic is very weak, so it was easy to deceive her. but before

the examination is carried out, the voiced by skeptics remains only a version, an assumption. in the kaliningrad museum, meanwhile, regardless of the results of this examination, they expect that their permanent exhibition will be replenished with specimens from the family collection, around which there are so many legends and that.

the fact is that art is a very subjective phenomenon addressed to our inner, spiritual world, or it helps us become more humane, more meaningful, kinder, or numbers appear: 2 billion, my god! and what’s not worth it, you can print them on a machine, but this picture, no one will repeat it,

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look around, now it’s 200-124, 100 years from now, everything will be different, moscow, moscow, where are the flying machines, energetically unjustified, she brought a man from school, a young man, according to.

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the orenburg region is experiencing the most powerful flood in history. the head of the ministry of emergency situations, alexander kurenkov, arrived in the region and personally coordinates the work of rescuers.