tv RIK Rossiya 24 RUSSIA24 April 21, 2024 7:30pm-7:58pm MSK
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it may go out, they will bring in 10 more wounded, for example, we need to switch to multitasking mode there, yes, that is, of course, there are peculiarities here, peculiarities of movement, that is, drones are constantly flying here, they are looking at us, they are watching us, the risks of dying are very high of course, it's always in my head she’s sitting there, you can’t get rid of it, and it’s beautifully done,
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well, credit card debts are hanging, interest is accruing, you need halva, you take out credit cards, transfer the debts to halva, i’ll become a driver, a friend called me, the schedule is free, there are orders, the money works out decently, at first i thought that i wouldn’t be here for long, i didn’t have time to look back , for the third year already. passengers thank me, i’m doing a good job, it turns out that if i hadn’t tried it then, i wouldn’t have realized that it was mine, just like that, dad, the journey of a taxi driver begins with yandex, a strong appetite, a snack won’t hurt, dad can have sausages, one of my friends decided to relax where there is no connection, where can i go from this connection, hello?
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two films at once: this is a russian-argentine drama nevada, a. tyurina and matyaas musa and comedy are the worst of all alexandra karmaeva. the international competition was opened by the film the king of the forest by serbian director goran rodovanovic, and the documentaries were presented by the films unloved and the fire fox. the russian premiere competition started on saturday with debuts. this is not the first time that vgik graduate alexandra karmaeva has participated in the miff. previously, i presented short films, a feature film for the first time. her teen comedy is the worst, huh. queen of kringe, schoolgirl ksyusha subbotina, trying to figure out her life, she starts a humorous but caustic blog, in which he literally trashes teachers, classmates, and parents, not forgetting to talk about his excess weight. one of the main advantages of the film is that it speaks to teenagers on
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topics that concern them in their own language. for me, they accepted themselves, this is probably the most important thing, because i worked a lot and discussed the topic of bullying, and i began to understand. that is, treat it positively, yes, that is, i hope, i hope that for many this film is actually psychologically very will help. another premiere of the national competition is a psychological drama of russian-argentine production nevada, its authors anna tyurina and the mother of the region under
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the vigilant control of her imperious mother-in-law. shura’s husband is mentally ill and potentially dangerous to society, and therefore is being treated in a special institution. the life of a young woman is constant. pressure, fear for yourself and your son, fear of your mother-in-law and a burning desire to break out of the vicious circle and become happy. there are subtle echoes of a thunderstorm in the picture ostrovsky, which grows not only thanks to the action, but also exactly trievsky, for her, a resident of nizhny novgorod, nevada became the first project in a big movie. everyone will bring out their own, some talk about feminism, some talk about some kind of darkness, but i have a completely different feeling.
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this is not the first time he has presented his works at the moscow film festival; in 2015, his film the enclave about the life of kosovo serbs received the audience award. in the forest king, radovanovic continues to reflect on the fate of the serbian people, historical memory and attempts to maintain their own identity. in general, in cinema, in documentaries, i deal with the national theme, the kosovo theme or a documentary film in anticipation, the theme of the change of the milosevic regime, that is, modern serbian history in general. the events of the film take place in 1999 during
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that i attracted other partners, and somehow vouched for this movie. in out-of-competition the documentary program "free thought" showed a film manifesting man's extraordinary love for nature. there are only two spouses in the film crew: anna and dmitry shpelinok. but two are only conditional, because together with people there are vast expanses of kamchatka, a harsh ocean, forbidden to grow. and many, many animals. the authors have three expeditions and 26 months in the kronotsky nature reserve, far from civilization. fire fox is a unique exploration of the connection between people and wildlife. not a single human character, redheads get the voice foxes. the main character of the film, fox named veter, is left alone with the outside world even in childhood. this picture is the story of the wind growing up. he meets his love, fights his fears. moreover, history is not fictional, and its authors were prompted by nature. it so happened that we were counting on other families and we were haunted
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by this failure, he appeared very small, scared, trembling, and the first season when he appeared, he was afraid of everything, if bears, wolves appeared, he abandoned his family, he ran away , he was afraid of little foxes, he was afraid of everything, and as we thought, how we could make a film about this, and such a miracle happened before our eyes, and the fox began to transform, the most important thing to say is that we... filmed one hero on throughout all three years, because failures also happened to us there, and we felt the same way as this little fox feels. the film is not like the usual documentary from the bbc, because animals are very close to us and speak the same language with us, in our culture it is not entirely customary to behave in a friendly manner with animals. equal, they are exactly the same creatures that inhabit our common planet, and our approach was to make a non-popular science film.
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sorokin. this is a reflection on the fate of the party player neleto and his group, traveling along the winding paths of their destinies in the midst of a creative crisis. together with the musicians , the filmmakers attended rehearsals, visited the places of their youth and their father’s house in order to discover new facets of a difficult creative life. this is the first one in a long time a documentary project of the sverdlovsk film studio included in the competition program of the moscow international film festival. director stanislav sorokin spoke about the details of the film's creation in an exclusive interview with ivan kudryavtsev for the diaries of the forty -sixth international film festival. congratulations on your participation in the competition at the moscow international film festival. how did you feel when you found out that you were invited to the competition? i rolled my eyes, looked up then, well, these 2 years of what seemed like a difficult time, well, working on the film, production, were rewarded. film, all its stages, now i exhaled,
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i called my colleagues who worked on the film, olga nikolaeva, the film’s producer, so, well , we somehow briefly rejoiced at each other, what was rewarded in 2 years, what was so difficult in these two years, don’t film about friends, and if they are still popular, doesn’t he film about the popular ones? it is clear that in documentaries, reality dictates how everything will be, but still there is a hero and there is a hero’s arc, in 2 years, what is the arc of this hero? i started filming them because andrey. popov, author of music and co-author of songs, my friend, i just started filming, here and then i just saw that they, well , a little bit, they were faced with this crisis, it’s like we don’t understand this, a lack of understanding of what to do next, yes, i’ll say this, of course, in an extreme way, such prisoners of one song, one image , so they needed
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to somehow move away from this, they watched the film, watched the film, i said, i will. try to fight for every frame, but in fact, we didn’t have any, any misunderstanding, because in this sense we trusted each other, that’s all cool, they i liked it, so they will come to see it at the iff. as part of the non-competition program multiverse, the premiere of a short animated film by matvey loshko, ruslan and lyudmila took place. in 15 minutes.
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the peculiarity of the cartoon is its bright visual style. the project grew out of sketches by artist armam kochitkov; novice animators skillfully adapted the images of the characters, filled the literary source with humor and references to world animation. we applied for several different grants, but in the end we were lucky, first of all, with the ministry culture. we received our funding , and it was thanks to this that we were able to get so big. from talented employees. on saturday, as part of the forty-sixth moscow international film festival, kinoreporter magazine presented the annual advance award. it celebrates the most promising representatives of russian cinema, who are already making a contribution to the development of the country’s culture. the film reporter magazine advance award is an integral part of the moscow
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international film festival. it is awarded to the most promising young russian an actor whose journey into the world of cinema is just beginning. leaders of russian cinema and television, members of the miff jury, and program participants came to the ceremony to support the young stars. this year's crystal star winners were anna peresilt and mark eidelstein. the first words of gratitude from anna are to andrey pershin, aka zhora kryzhovnikov, the director of the series the boy’s word blood on the asphalt. i want to say a big thank you
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to our director andrei nikolaevich for giving me the opportunity. to play such a complex and interesting role of aigul, i am very i'm glad to continue our family cinematic dynasty. marco eidelstein, who has roles in the films country of sasha, the righteous one, one of the last major projects, the role of kolya gerasimov in the science fiction film 100 years ago, began his speech with a monologue from a new, never-before-seen film by roman mikhailov , firebird.
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of the postmodern film by viktor tikhomirov, evgeny telegin. as part of the international competition, the festival is watching the german drama schlimazzle on sunday. events take place in east germany in the mid-nineties. johanna, a photographer for a local newspaper, has no personal life and conflicts with her relatives. the latter, right at the funeral of her beloved grandmother, where family members are exclusively concerned with the inheritance, in order to escape from grief, she plunges headlong into work and begins a journalistic investigation about the events of the second world war. yohani manages to persuade her to give an interview former concentration camp guard. revealing a difficult, alien past, she will have to realize and accept her own grief and put things in order in her life. the author of the film, writer and director silkie enders, wrote the script. the lack of dialogue and culture of communication within handers's works often focuses on the fact that families often lead to the search for their own book of the same name. the culprits of their own fears are outside. immediately
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after there will be a screening of the film survive in moa. damian dreams of becoming a doctor, but financial his family's situation prevents him from getting a good education. a friend offers the hero a job abroad in one of the moscow hospitals. damian happily agrees. now he can. not only earn money for training, but also gain practical knowledge. upon arrival, the young man realizes that he has become a victim of deception, because the capital hospital where his friend settled him turns out to be a morgue. damian has to choose whether to return home or try to realize his dream, adapting to new circumstances. the joint project of filmmakers from the republic of moldova, russia and romania was directed by debutant grigori becket. the script is based on real events... he wrote it while still studying at columbia university. surviving mo is a drama with dark comedy elements about human resilience, sincerity and perseverance. in the russian premieres competition,
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today the film evgeniy telegin with evgeniy tkachuk in the title role is presented. director, artist and writer viktor tikhomirov filmed his own poem in prose. the plot intertwines the author's memories of youth in the eighties, rehearsals of soviet rock musicians, russian fairy tales and a poetry novel. on monday, festival guests will be treated to two world premieres of the main competition: the main character of the film, martin, reads the koran and asks the professor of islamic studies to avert disaster by entering into a theological and ethical debate with him. author, debutant. yuri sauli asks the question: what is knowledge without faith? having no cinematic education, he founded a production company specifically for the filming
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of this film. director and cameraman from bangladesh, assiv islam, will present their work "nirvana". in the film, the author talks about internal essences that do not lend themselves to social attitudes, and sooner or later they inevitably break free, revealing a completely new side to a person’s inner world. a new film by vladimir kot, a man and a woman, will be shown in russian premieres. the director of the box office hit naughty in 2017 received the audience award at the moscow international film festival for the tragic comedy karpat ice cream with marina niyolova in the title role. 7 years later, vladimir kot returns to the festival in an unusual genre for itself. the plot of the romantic almanac about relationships between people of different ages and social status is based on seven stories written by the cat himself. the cyclical nature of history. give short interviews with real couples about love, family and mutual understanding, with a star cast in the frame: pavel derevyanka, irina pegova, kirill kyaro, stepan divonin and olga midynich.
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ivan kudryavtsev was with you, these are the diaries of the forty-sixth moscow international film festival, we turn a new page tomorrow, see you at the miff. the current ukrainian government acts exactly like the bolshevik government, which separated the church. the best thing, under these conditions, is to unite into one orthodox ukrainian church, to separate completely from moscow, created.
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