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if we were at the navadevich monastery. we wouldn’t see any equipped embankments, a steep green slope, people walking, boats on the water. let's rewind another two centuries. the monastery is outside the city, twelve miles from the kremlin, there are apothecary gardens and vegetable gardens everywhere, cattle are grazed here and stagasen is collected. well, finally, let's move back five centuries, to the very moment the monastery was founded in 1524. then we will find ourselves in the middle of a huge flood samsonovo meadows in the radiation of the river, the very, very outskirts of the city. today, from the bridge tower you can see moscow and the ancient, modern, monastery is now almost in the center, at the beginning of the 15th century it was just a stone's throw from here to the borderland. the smolensk road was the highway along which moscow had connections with europe, with the west. the border passed through

mazhaisk, through our modern mozhaisk, which is now located 100 km from moscow. smolensk, then part of the grand duchy of lithuania, moscow prince vasily ii, father ivan the terrible, will recapture the city in 1514, it was such a strong stronghold, and only the third time it gave way, the grand duke of moscow vasily ii made a vow that in moscow behind the posad he would build a monastery in honor of the mother of god adigitria, this is the icon of the main shrine of smolensk. adigitri, translated from greek as a guidebook, the main image of novodevichy, has already been restored with other icons for storage in the historical museum, from here they will be returned to the smolensk cathedral. ivan vasilyevich the terrible, the first was a royal investor, icons associated with his name,

are kept in the large iconostasis of the cathedral, here is one of them, in particular the icon of the smalyanskaya mother of god hodegetria, you see now in front of you. shrine at all times. adigitria will be placed in the iconostasis under protective glass, and this is a rare opportunity to look at it so closely. the next time you come to a service, say, the smolyan cathedral, you can immediately recognize it by this huge painting frame made by the masters of the armory. until 1917 , an annual religious procession from the kremlin took place here, russian sovereigns always took part in it.

for a century and a half, from the founding of the monastery until the end of the 16th century, the history of the monasteries was closely connected with the destinies of the royal dynasties. representatives of both the royal family and noble boyar families were tonsured here, and there was no sign of hopelessness in this; it was a completely natural transition to prayer, especially for future monks. or the nun had doused herself before this. we come with you to the subletary honor of the basement of the smolensk cathedral on the oldest site above the tomb above graves where relatives of tsar ivan vasilyevich, daughter-in-law and daughter-in-law are buried. ulyana dmitrievna palitskaya, wife of grand duke yuri ivanovich, brother of ivan the terrible. and tsarevna elena sheremeteva, the wife of the widow

of tsarevich ivan ivanovich. the tomb of his firstborn, two-year-old princess anna, for the custody of representatives of the boyar families. zakharenykh, khitrovo, kubensky, sheremetyev. the zakharins are, in general, the ancestors of the first romanovs. on the main tier, the smolensk cathedral, we will find it there. relatives also of tsar ivan the terrible themselves the stones look like bars, they are so elongated,

yes, this is a feature of burials in general in the first half of the 15th century. after the restoration is completed, this part of the cathedral will become a museum, and pilgrims will be allowed here for the first time. this is the most large-scale scientific restoration of the monastery, it has been going on for 7 years, affecting all buildings, even underground communications.

explore, don’t make it beautiful, don’t finish it, go back to the very beginning of novodevichev’s history, this is the main image in the cathedral, naturally, the image of the mother of god. image saved almost entirely to the 16th century, which again was a big surprise for us. there are,

of course, late insertions, there are cracks, everything could have been much worse, given that for as long as the cathedral stood, and this is the last chance to see the earlier wooden structures, when the icons are returned to the gilded late iconostasis of the seventeenth century, these will be closed. these elements, the crested buruse, are called tyablo. this is an earlier version of the russian iconostasis, well, we can assume that they were godunov’s iconostasis, that is, well, most likely so was. through the efforts of boris gadunov, the cathedral was completely renovated; even in novodevichy , the wide chambers of irininsky, which he erected for his widowed sister, were preserved. irina godunova is the widow of ivan the terrible's son fyodor. she voluntarily retired here to the monastery and took monastic vows under the name of alexander on the ninth day after the death of her husband. it was she who

nominally headed the state for almost a whole month in 1598, but later gave way to the kingdom. boris gurunov, who accompanied her here. it is the people who come to him with a prayer to lead the russian throne. and wearing alexander’s cloak, irina lived until the end of her life in these keel chambers, with the st. ambrosievsky house church adjoining them. today people come to the one-domed temple to venerate the rarest images. the second most important iveron icon of the mother in the monastery, the relic returned from the historical museum in 2012, it was placed here by tsar alexei mikhailovich in gratitude for the victory over the poles at vyazma, he was the first image that came from athos to russia, which had not yet knew the iverskaya icons

our lady the ancient art of facial sewing was revived in the irininsky chambers, but was lost after the ruin of novodevich. "we are now in the chambers of tsarina irina feodorovna godunova, here, precisely in this place, there was a face sewing workshop, a court sewing workshop that actually belonged to tsarina irina feodorovna herself, where she came, supervised the work, embroidered herself, because it was very prestigious art. the nuns do not embroider to order; all the work remains in the monastery and for liturgical services. but this is rare. exception. our sisters are starting a new job. it is associated with the image of st. peter of moscow. this will be a covering for the tomb in the assumption cathedral of the kremlin. this is the project for the future shroud, approved by his holiness

the patriarch. we could not even expect that they would turn to us to sew for... for the shrine of st. peter in the kremlin. the work is so fine that it looks like painting, requiring three needle punctures for every square millimeter. before us is the shroud of st. helena, which was created specially for the 500th anniversary of our monastery. here we see a stitched image the life-size of st. helena is stamped with the life of st. helena. acquaintance with the great moscow prince vasily ii.

the monastery was closed, only a few dozen tombstones remained, those of general brusilov, the historian solovyov, the family tomb, and the merchants prokhrovs. preserved largely due to the fact that a branch of the historical museum operated here since 1934. the historical museum was involved in almost

everything that happened at the valadevichi monastery. all restorations of frescoes, all restorations of architectural volumes monastery, this is hard, arduous work. all this work was carried out on orders from the state historical museum. and they, in particular, led to the creation of the navadechi monastery. remained a historically and architecturally preserved ensemble. the iconostasis will feature the contribution of tsar alexei mikhailovich on the icon of the saints in whose honor he, his first wife and numerous children were named at baptism. among them, one of the most famous and politically important for russia was tsarevna sofya alekseevna, who eventually spent the rest of her life navazivich monasteries icon. was written in 1665, that is, the princess was a little girl, no one knew that she would have such an amazingly complex fate. she is one

of the most famous carriers and prisoners of the monastery. and forever the gates will be closed behind princess sophia, regent of the moscow state under the younger brothers ivan and peter, the future peter i. sofia alekseevna always loved this monastery very much, and thanks to her we know novodevich exactly like that, with his boroch style, ironically. she will spend the last 16 years in captivity in monasteries own life. peter will close her in the monastery after the second streltsy riot she organized. repin will portray such a prisoner imprisoned in cells. this is 1698. the bund was brutally suppressed. peter accuses sophia of incitement. so, after the suppression of the streltsy revolt, when more than one and a half thousand streltsy were executed in moscow. 100 archers were executed on red square, and 240 archers on the maiden field, and sophia from these chambers could see the executed archers for

several months. during sophia's regency, the vaudeville acquires baroque splendor. thanks to her, this ensemble still has amazing harmony of proportions. keli named after palaces, the gate church of pokrovsk, an elegant seventy-two-meter bell tower. on the first tier is the temple for which sofia ordered an iconostasis, and she really wanted her beloved master karpa zolotarev to convey her portrait features in some icons. using this icon as an example, we see thin eyebrows, large, slightly bulging eyes, it seems, a large nose, a puffy face, a small chin. church lost the conostasis has been completely recreated; when the scaffolding is removed, it will be opened for the first time in the form in which it was intended. the fact is that the monastery has ceased to be just a museum,

has ceased to be just a complex of objects that are either locked or operate as a museum exhibition; it is a functioning monastery. it was necessary to restore the interiors of those churches that were, well, one cannot say plundered, but which were devastated under soviet rule. the main task that was set is, in its own way, significance surpasses all technical ones, this is the restoration of liturgical life in the churches of the monastery. over the course of 7 years, the team of the interregional scientific restoration department became like one family; in the summer they worked in the cathedral in workshops, continuously restoring icons; they had to be rid of layers, strengthened, and corrected the flaws of previous restorations. of course, the monument was restored a lot; it began to be restored. already from the 18th century, at the end of the 16th it was built, in the 17th we already see the stratification of the 16th century, the eighteenth, nineteenth, the beginning

twentieth, the last major restoration was in 195, one of the central icons is almost ready, like the others, it was restored to the author's coloring of the late 16th century, all that remains is to varnish it and add small frames with images of saints, of course, such work ... dictates the exposition the solution is the same for all these objects, tinting so that they all look uniform, while maintaining all the museum principles by which they should be preserved, this is a very big job that our team has managed, we understand that this is really the result was an ensemble, it turned out uniform, dignified, beautiful, the tinting is done with watercolors, they are easier to wash off if. and this way the degree of preservation of the monument is better visible. this restoration of the cathedral will definitely go down in history. frescoes from the 16th century

that no one had seen for centuries have been uncovered.

observe all the sacraments, when exactly the monastery was founded, the chronicles differ on this, earlier they talk about 1525, later they even name a specific date, may 13 , 1524, but thanks to the careful work of archaeologists and restorers, it has been clarified the original layout, it has long been clear that the cathedral was built under ivan iv, so there are fewer and fewer blank spots in the history of the monastery. introducing the new, perfect taste of baltika 7 non-alcoholic, brewed from 100% malt and hops grown in altai. new baltika 7 non-alcoholic. experience the perfection of taste. house click. find

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to fight, we had an order to the locals. to help, we strictly adhered to this order, we were storming, we came, for the first time there they destroyed me, they wounded me, all the bullets were fired, one was rooting, i had no more strength in fasting, i thought that was it, at that moment a local came up to me guy, where did he come from, i didn’t even notice, i’ll still be grateful to the stranger. this is russia 24, right now the main facts of this day, in the studio georgy podgorny and natalya.