poland, hungary, they pump primarily from thermal power plants, so their supplies are stable, except for cases when individual power plants undergo repairs.

80% of electricity for their needs is not limited. at the beginning of may, ukrainian authorities began asking citizens not to turn on energy-intensive appliances during peak load hours. limits for industrial facilities, however, these measures were not enough, since then shutdown schedules have become the norm, as ukrenergo says, kiev will not be able to restore all damaged facilities before winter energy, you can get through, but simply by turning off some of the consumers, relatively speaking, you can lower the temperature of the coolant in houses so that they simply don’t freeze the batteries, but it’s not very comfortable in the apartment, some enterprises will have to be turned off, this is secondary, i don’t rule it out let's say shutdowns. electric transport, and

so on and so forth. according to experts, with the onset of cold weather the population will receive heating for only 4 hours a day. at times of peak load, the deficit in electricity production can reach 35%. and the first winter without shutdowns is possible no earlier than 2027.

it’s easy to get confused by the facts when you see only part of the big picture, the pursuit of views changes the whole.

hello, film industry is on the air, ivan kudryavtsev is with you, in this issue we will talk about new releases, the new zealand action at the ends of the earth, the animated film fairytale patrol, the show continues. but let's start with one of the brightest premieres of this summer. comedies naughty by vladimir kot. comedy naughty. the new picture, now part of vladimir kott’s box office trilogy, has collected rental over 100 million rubles. this time , four orphanage hooligans are sent to the monastery to father anatoly for re-education. and it’s not the novices from past films who help him. blogger-pranker demonster and repentant bandit sasha cherny. a new film

about the relationships between children and adults, and who is re-educating whom here is still a big question. the third film in the famous film series... rakota takes place several years after the events of the previous film. dima, formerly di monster, is now a successful manager in the automobile business, and former crime boss sasha cherny, now brother alexander. new disobedients are sent to the dimitrov monastery to father anatoly. four orphans caught shoplifting after another escape from an orphanage. it’s difficult for former bandits and hooligans to find a common language, but suddenly they each have to go on a journey to escape trouble . i came up with the idea for the third part during the filming of the second part for one reason, that i suddenly saw that the character played by gosha kutsenko, he is so self-sufficient, that you can have your own story about him, it all started with a phrase in the second

part, when gosha says, but i don’t have children, and i thought, wow, well, well, let’s invent children for you, that’s how it started, naughty people are exciting the mouth of a movie full of unexpected surprises, dangerous adventures that force little heroes to make serious adult decisions; adults understand children better. on the road from the monastery to teriberka, escaping from a gangster pursuit, the dedomovites and sasha cherny themselves do not notice how they are in a team of incompatible singles, a sense of cohesion is born, leading to the acquisition of a real loving family. the movie is about how to appeal to parents, as if these children do not have them in the film, but this is an appeal to parents that...

ekaterina novokreshchenova, nikita konkin, alisa klagish and fyodor skalsky. i didn’t really have to play anything at all this time. i said, gosh, you know, there are situations when you need to play something, but children don’t play, they are children, and i tried to correspond to them, not play anything, hear, see, simply, react, today this playful comedy about a family not by blood, but by spirit can be seen in all russian cinemas, i really like the whole series of these films, from the naughty one and the novice 2, and i watched it purposefully with pleasure.

a new animated film from the fairytale patrol universe has been released. the show's fairy patrol continues. the story of four sorceresses, director anton lonshakov, who worked on the first episodes of the animated series, added new characters, rock music and a twisted detective plot. the new work of the animation studio parovoz, the fabulous patrol of the show continues, lives up to its name. there really is a show on the screen. this time. the plot centers on the confrontation between gnomes and elves accompanied by infectious rock compositions. the main characters remain the four friends beloved by the audience: masha, alena, snezhka and varya, but now they are faced with new difficulties.

the sorceresses must resolve the conflict between gnomes and elves that has been brewing since ancient times, find the missing artifact on which the fate of the fairy-tale world depends, and overcome awakened evil. in dangerous... there are chases, a love story, and even a musical battle. the girls cope with difficult tasks without betraying themselves and with humor. alyonka, keep in mind that you have to behave carefully here, because, unicorns, yes, because unicorns, cook, please, please, i always dreamed of riding a real unicorn, at least touching it, at least... standing next to me, will you listen to me , if i say no, they even have a mane with sparkles, the first 4 seasons of the animated series attracted a huge audience to the story of magical friends, more than 65 million people, this is almost half of the population of our country, watched the series on

federal channels, and this is only in 2023, the numbers on the internet are even more impressive, about one and a half billion views, in 2021 there were significant collections, despite the lockdown the cartoon based on the universe of the fairy-tale patrol koschei has just begun, so the decision of the producers to release this special cartoon is logical, especially since in the new... the animated film retains everything that attracted the viewer's attention: magic, colorful graphics, recognizable fairy-tale characters. in veliky novgorod, the results of the first festival of young cinema, a new movement, were summed up. its organizers, director artyom mikhalkov and producer maxim korolev, do not make a formal bet on the debut, as they did on the first film. they are interested, among other things, in names that announce the second and even third films in a career to the market. main. so that cinema is young not in terms of the age of the creator, but in spirit, in terms of trends, in terms of film language. the winner of the grand prix

of the new movement was the drama of veniamin ilyasov era, a picturesque picture about a woman named era, who moves to the black sea town with her disabled son in search of happiness and love, in a search that seems futile at first, but who knows, the main character in the eyes of ilyasov is the embodiment of motherhood, femininity and fatness. the film also received an award for the best visual solution on the sidelines about the director, even before the announcement of the jury's decision, someone said that he was a russian fillini. this is such a nugget, one might say, a prodigy, who is now coming into this cinematic world, he is absolute painters, if you can tell from the frame, this is painting, then his script too, you understand, he wrote the script, well , that is, this is a multifaceted, well... unique, unique boy. the prize for best director's work went to nikita

meklushov's film moss, about a young man, an ascetic, living near the forest. his father does not like his path of unity with nature, creativity and rejection of the progress offered by civilization, and he decides to sell the plot. the director himself admits that he is still searching for his own style and method. i think i need to try this you can do more different things, throw yourself into everything you can, only then can it lead to some kind of full-fledged one. it seems to me that the film, the film of the director, will speak about his various methods of interaction with reality. the prize for best actress was awarded to valentina gracheva by the jury chaired by ivan and tverdovsky. for the eighty-three-year-old actress of the volzhsky drama theater, who devoted more than 60 years to theatrical art, the main role in ilya lyutin’s film “we lived happily” became her film debut. according to the plot, her heroine is alone raises her grandson, one day he is taken away on charges that she does not understand at all. in an attempt to save her grandson from an unfair trial, the heroine commits a crime herself.

during the festival, gracheva became a favorite not only of experts, but also of participants and guests of the new movement. hearing about the jury's decision, the audience gave a standing ovation: the award for best actor went to the ensemble cast of the film fatality, about two provincial friends who come to moscow and try to fit in. an underground graffiti scene, a team of young filmmakers shot a film own funds, some of them gathered interested spectators through a crowdfunding platform, there was our kind of rebellious spirit, which we were able to throw out through this movie and also make this film according to the laws of these, well, this rebellious spirit, then eat without looking back at anyone , without depending on anyone, it’s all on their own, as it were, along their own thorny path, but with this feeling . in total , eight feature films were shown in the festival’s competition program, among them

lisbon by svetlana filippova, which was presented last year at the window to europe festival in vyborg. the story of parents' divorce through the eyes of a teenage son. fly dragon is the second directorial work of actress tatyana kolganova. the plot of the film, shot in veliky novgorod, tells the story of a schoolboy who commits a crime to help his classmate. girl-baba is the feature-length debut of vgik graduate agla ibatnikova. and teenage girls who find vital support in the ancient tradition of matting dolls. in the non-competition program of the festival, viewers saw 25 films. cinema different, time is constantly changing, through our festival we are trying to track the thoughts of young authors, their ideas. every festival, every year, he dictates his own feelings, his films, his views, that’s it. we are starting to try to figure this out. briefly about the results

of other shows and competitions. the trans-baikal international film festival ended in chita, and the winners of the russian detective and association of film and television producers awards were announced in the capital. main prize of the eleventh trans-baikal international film festival went to the drama achilles of the iranian farhad. the best actor is a joke. angelus, best actress maria rodriguez satoa, performer of the leading role of the tragicomedy mommy, spanish director. liliana toros. the award for best director was given to debutant from yakutia nikolai koryakin. his dramedy temir tells the story of the friendship of a boy facing misunderstanding at home at school and a ghost stuck between two worlds. thanks to our viewers, those who watched the film "timir". i felt you there in the hall, and it was very

pleasant and unexpected. in moscow within book festival red square, a ceremony took place. the annual russian detective award, which recognizes the best genre works in literature and cinema. the decision to leave pakchan-uka was recognized as the best film of the past year. previously, the film was awarded the kan prize at the closing of the forty-fourth miff. the best domestic series in the genre was awarded to the artist, a historical detective story with andrei smolikov and daria ursulyak, awarded the golden eagle, and the best foreign series was the turkish action thriller alif. according to the plot, two people are different in nature... with a difficult past are forced to unite to catch the maniac who always leaves the first letter of the arabic alphabet at the crime scene. the winner of the association of film and television producers award is zhora kryzhovnikov’s series, the boy’s word blood on the asphalt, about the youth gangs of kazan in the late eighties. winning in nine categories, including best online series,

best director and best actor in a series. the best actress of the series is marietta tsigal polishchuk, who embodied. award for best feature film divided at the pike behest of alexander vaitinsky, a fairy tale that collected almost 2.5 billion rubles and the challenge of klim shipenok, the first film shot on the iss, which also received the abkit special prize for this. go! slovodsky completed the new vector regional cinema forum. more than 100 experts from 14 regions of russia discussed the development of cinema in the caucasus. one of the key events was the presentation of film studios of the north caucasus federal district. among them is the dombay film, which released the family comedy test of aul, earned more than 40 million rubles at the box office. following

the results of the business program, the general producer of the forum and member of the board of the regional cinema support fund, dmitry yakunin. noted the need to create a permanent working group in the north caucasus to develop the industry in the region, as well as a screenwriting and producing laboratory and a film school for documentary filmmakers. in russian box office is a historical action film at the ends of the earth. the story is about a preacher who travels to new zealand to reconcile the warring maori tribes and prevent bloodshed. director, venice film festival laureate lee tamahori, who worked on fantastic films. the action movie prophet with nicolas cage and the bandian series die another day. in an attempt to escape from himself and find redemption from his dark past, former british military man and now preacher thomas munro ends up on an island inhabited by warring maori tribes. the owners of the british ship, who delivered it to the island, have a different goal,

profitable barter, muskets, gunpowder in exchange for wood and food. suddenly for mao themselves. the emergence of firearms upsets the balance of power and calls into question the existence of their culture in principle. he was used to terrible situations when he served in the british army, but he thought things would be different here. but then, of course, he came to convert mauri to christianity. instead, they converted it into their way of life, which of course is love. this is one way to show the story of how he admires the mauri culture more than his own people. balance brutal and realistic fight scenes between two maorian tribes with striking beauty of location shooting, showing new zealand as a gigantic untouched reserve of birds, forests and landscapes, but the core of the author’s statement is political, it is about how the relations of the colony and metropolis of the conquerors with the indigenous population of the new mysterious land were built.

this trend is called colonial cinema. the western film community is now actively reflecting on the traumas that its civilization inflicted in different parts of the world in the distant and not so distant past, the film opens with beautiful landscapes, but in this beautiful the landscape has a savagery of violence, it can be beautiful, but at the same time dangerous. at the beginning of the film, a bird flies, it is a falcon that kills a rare bird that no longer exists, and this was to introduce people to beauty and wildness at the same time, which is actually a metaphor for the entire film. new zealand is a bright spot on the map of the global film industry. kolets rediscovered this country for the whole world, does not forget his homeland and taika in aititi, from time to time, filming stories in a modern setting, including about mauri. his 2010 drama boy won a prize at the berlin film festival. tamahori told a story about history. where there is a place for the nature of ethnic conflicts, ode to strength,

spirit and freedom. the director is almost 74, but he has no plans to retire; he is already working on a television series about new zealand in the eighties. you're watching the film industry. let's briefly talk about other new rental products. this year has already been marked by several adaptations of the novel eugene onegin, and now a story about the writer himself. the cartoon pushkin and the michaelmas element tells in a fairy-tale manner the adventures of twenty-five-year-old pushkin in his poetic homeland. the collection includes several short short stories, in each of which pushkin meets new characters, falls in love and sees magical dreams. it has everything, melodramatic plots. references to the movie, mermaids and, of course, poetry. deep graphics and translucent tones on a visual level echo the famous soviet cartoon "the magic ring". premiere

the cartoon was timed to coincide with the double anniversary of the poet, the 225th anniversary of his birth and the bicentennial of his exile in mikhailovskoye. the authors of the project set themselves the goal of presenting pushkin not only as a great creator, but more as an ordinary person, an adventurer of an adult child. this kind of movie is not only entertaining. form will tell children about the creative path of alexander sergeevich, but will amuse adults. the ninth gate of pandemonium is a french horror film about the journey of lost souls to pandemonium, the capital of the underworld according to john milton. the picture is made in the best traditions of expressionism. the endless path through the space between reality and sleep is reminiscent of another horror film - silent hill. the cunning structure of the afterlife clearly refers to dante’s divine comedy with the image of the lost paradise of the same john milton. at the main domestic horror film festival, horror fest, the film received a special prize for the opportunity to see purgatory without dying. film critic evgeny tkachev noted that the film is definitely not for

the faint of heart. the french horror film was accompanied at the box office by an international hit from the south. korea "curse calls the grave", directed by jang-jae hyun. according to the plot, a wealthy family invites shamans, a finnish expert and an undertaker to get rid of a family curse, but everything does not go according to plan when... an angry spirit bursts out of the ground. the main roles were played by korean actor, known for the film oldboy, choi min-sik and star daram kingo-eun. call of the grave accurately reflects the history, culture and mythology of korea. the gloomy plot, filled with rituals and superstitions, continues the line of folk horror along with ari aster's sanity. also in the film has detective elements in the spirit of the american tv series supernatural. the premiere took place at the seventy-fourth berlinale. overall the picture worked. the film grossed over $95 million worldwide, surpassing the iconic train to busan to become the highest -grossing korean horror film in history. the documentary film by the owner of the altai mountains

is a journey through the altai mountains, during which the viewer observes the secret life of majestic animals, snow leopards. the action takes place in the saelugemsk national park, where the snow leopard cub was born. nickname tural. he was the only survivor of his family, so his name is translated from altai as “immortal. ” the operator’s deft camera and special camera traps allow us to find out what adventures await the baby in the wild. isoriya is accompanied by the familiar voices of tv presenter nikolai drozdov and actor konstantin khabensky. the owner of the altai mountains becomes on a par with other commercially successful documentaries: baikal, the amazing adventures of yuma and the fire fox, which tell about the most remote corners of russia and collect an impressive box office. you watched the cinema industry, ivan kudryavtsev was with you. films are eternal witnesses of time, they preserve the emotions and thoughts of entire generations, scarcese once said.

look at films like in a mirror, the main thing is to choose a larger mirror. see you at the cinema. it’s not the intelligence agencies that compete with each other, it’s the state that competes, intelligence and counterintelligence compete with each other, but in the end , the result of everything is determined by the quality of the state’s policy. here, if

it’s a sport, then with records, if it’s a holiday, then folk, we love traditions, we honor our history. strong relationships, we admire how the country is blossoming, there are even more achievements ahead, fall in love with the country more at the russia exhibition.

literally within a span of time, the godrons have radically changed the picture of the battle, they fly in, destroy everything they see. in parallel, along with means of attack, means of defense against them are being developed. it began, a little interference began, a critical, critical signal. yes, the bird is on the ground, these drones have already drunk a lot of blood, so fighting them is

priority now. it says alarm, that is, to be honest, i would hide somewhere right now, there is a chance that something could fly to us, today there are about a thousand devices operating along the entire length of the contact line, we will have unique developed information, theft in a store, robbery, you ran away from the orphanage five times, six, but we have all hope, completely wild guys, god forgive me, what did you want from me, miracle, naughty ones. russia, russia, russia, russia, russia, 24.

hello, international review is on air, fyodor lukyanov is in the studio. today the program includes international review, events of the week, chronicle, facts, comments, protest voting in europe, the european parliament has renewed its composition, the voter has given ratings, if he knew the buy-in, he would live in sochi, after his defeat in the european elections, emmanuel

macron goes to obank.