how existing or designed objects interact with each other. experts emphasize that a digital twin should not be confused with a regular computer simulation. unlike simply simulating a virtual environment based on data pre-loaded into the machine, the twin constantly receives feedback from the sensors of a physical object. everything that happens to him happens in real time. this allows you to achieve maximum accuracy in reproducing processes. inside the simulation itself, a digital twin, often with using telemetry tools, or now it is fashionable to say there the industrial internet, the internet of things, receives large streaming data, this is continuous, which means some data about the product, how it feels, behavior, at the operation stage, in fact, we work with the product, because it already exists and we cannot change anything about it, but at the highest price. especially from

an economic point of view, from the point of view of the competitiveness of products, industries, companies, economies, is, if we come out with a digital twin, with this technologies at the development stage, that is, when all the key technical and consumer characteristics of the product are laid down. as technology develops, more and more real objects will receive digital twins, to the point that every process that is in one way or another important for human life can be worked out on computer copies. there is only one system that cannot yet be accurately reproduced in virtual space. this is the human body. but there are some successes here too. some systems are already being digitized. for example, in in russia, a digital twin of a patient’s cardiovascular renal system has been created and is being tested. experts are confident that thanks to revolutionary technology, the appearance of virtual copies is not far off. people,

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a real reason to meet , superbox with clips of hello kitty and her friends, hurry to buy it. and win a trip, the updated theater of roman viktyuk, which became the stage theater melnikov plans to change not only name, but also repertoire. what to expect in the new season and how does the theater on malaya bronnaya live? in an exclusive interview with our channel , the artistic director of both theaters, konstantin bogomolov, spoke. hello, konstantin yurievich, hello, i understand correctly that we are now in the rehearsal hall, and here, of course, in the theater on malaya bronnaya, yes, this is a rehearsal hall, this is a famous hall, it works as a small stage and worked like a small stage under efros, it was efros who made this small stage hall, they played here

wonderful performances, including the famous don joan with mironov, at the theater on malaya bronnaya, we’ll talk a little later, i propose to start the discussion with the most current news, not so long ago it became known that... the roman viktyuk theater, it will be renamed melnikov studio. tell us in more detail, what changes are yet to come? the new name is only part of a big plan to update this theater, the new name is part of updating the brand, visual image, we are already developing a logo and website for the theater is now closed for reconstruction, it has been transferred to a new domain scenamelnikov.ru, the previous address also continues to function, but it redirects users to the new address, in september we will hold a big press conference and... in particular, at it we will present a new website , it will work, and a new visual image of the theater, which

will affect the website, and logos, of course, posters, and programs of everything, this part is related to advertising and pr and reforms related to this area, at the same time administrative reforms are taking place, it has come my team is management and leadership. despite the fact that we do not carry out any purges, there are no layoffs, well , questions arise for some individual employees, we ask these questions, if there are adequate answers to these questions, then we continue to work, if we see inefficiency or the incomprehensibility of some actions, then naturally we have to part, but these partings are actually minimal, so no clean-up is happening, the only question is establishing efficiency.

to keep the performance of roman grigory alive with those performances that have not yet lost some of their living energy, are in good aesthetic shape, it is not easy when the director leaves to maintain the good shape of the performance, who will say, who will put their... quality mark on a new one input, new performance, yes, this is all a very complex thing, and

performances are never eternal, this mummification of performances does not lead to anything good, different directors will come to the theater, they will work in different styles, and russian there will be psychological theater, and format-creative theatres, musical, entertainment, different, and it is quite obvious that a... theater cannot turn into a museum, success, this is the most important criterion, perhaps, for the theater, yes, an important artistic component, and success can happen the cheapest enterprises, but still the theater must walk on such a thin blade between success, audience success and artistry, and not fall off.

financing, but with the money that the theater earns, this is a natural process, it normal, that’s how it should be, so changing the name, going back to the beginning... this part of our conversation and your question, changing the name is only a small part of larger reforms. but the media wrote about your statement or about a statement from the theater, when it first became known about your appointment to the theater, already the ex-theater of roman vehtyuk, that the name was not planned to be changed, why did they decide that? i never, and the theater never, and i

never said that there would be no name change.

and this is a brilliant work for the city, and we on our part, we try to preserve it very carefully - we take care of the building, every detail, every little thing, i constantly go around the building together with the director, we take every scratch into account, the theater has radically updated its repertoire, it has been almost completely updated, our fees have increased. two and a half times and our salaries have increased, we produce 6-7 premieres a year, our creative staff has almost all received fixed-term contracts, i think this is very important, i know that when i someday leave this theater, this will inevitably happen

nothing lasts forever, i know that i will leave the person who will come here, an effective, cool, smart, talented team, but this team will not be under permanent contracts, and if another director, artistic director needs some changes, he will easily implement them and will not be a hostage to any past decisions, this is very important, i think for the management of cultural institutions and for the management of theaters, i encourage everyone to strive for this. leaders, our troupe has stabilized, i recruited a lot new guys, and every year i watch a lot of courses, this is a very important part of the work, there are a lot of talented young artists, and every year we get new ones, uh, sometimes we part with someone, this year we parted

with only two actors , i remember, oleg palovich, the separation at the end of the season was always at least five to seven people. for me this is a sign of such stabilization of the corpse, this is very important, last year we produced summer residents, a very successful performance, i am very proud that the culture tv channel did the television version of this play, it has already been shown twice, we have released the glory of youth, the play, we have marina brusnikina, kalina krasnaya after shakshin, rehearsing there now, this will be the premiere of the new season, well, the performances are over, yes, which means yes you hear there

, with whom i once worked in lenkom, we are very friendly, some kind of comrade-in-arms, like-minded person, and i was happy to invite him to our theater, he plays this performance together with the actress of our theater vera vladimirna mayorova and his classmate, by the way, with the young artists of the theater, we are very proud of this performance, again the premiere of the big stage, next season we have a seagull in my production, a classic seagull, and my work on... we moved it next, kirill vytoptov will stage the cheslavia fair takire, wonderful material, terribly interesting,

very relevant, very always relevant, yes, yes, amazing, with excellent opportunities for actors, young actors as well. vlad nastavshevs, a wonderful director who works in russia, stayed in russia, works in russia and somehow took root in the russian theater, will stage with us. so as you can see, the plans are gigantic, so somehow the theater is alive, and i can say that it seems to me that the people who work here are happy, and they are happy,

you can see it in their faces, you can see it in their pleasure, with to whom they come to the theater, work in the theater, i am sure that we will be able to achieve the same success within one or two seasons on the melnikov stage. you have already noted that, of course, the budget of any theater is not the same only funds that... are allocated by the state, but also, of course, what the theater itself earns, and if you go to the theater’s website with little reservation, here i think, of course, you can congratulate you on this, often it’s a full house, you can’t buy tickets , and of course, there are resellers, somehow the theater fights with them, you know, it’s not us who should fight resellers, but the relevant authorities, we try to help by pointing to certain fake sites, and the activities of certain other dubious organizations and people. dubious chats somewhere and on social networks and therefore in instant messengers that offer tickets, this is such a universal problem, well, it seems to me that, uh, the more

interesting events there are, the more interesting premieres there are, the fewer opportunities there will be for - unclean benefits people, because city residents will have more...

that's why the statement, its depth, its complexity, its quality, is becoming cheaper, that's why it 's not going anywhere, it's not going anywhere,

and... one interview, now an exact quote i won’t give it, but the gist was the following: russian the culture is more likely to face the west than the east, given the recent changes, has something changed, your opinion or not? i believe that we are a culture that is actually oriented towards an interesting, russian culture is a very curious culture, so dostoevsky has this wonderful reflection, it seems to be a banality, but it’s still true, about universality,

it is itself incredibly rich, at the same time with some incredible greed, he takes into himself, and makes his own, someone else’s talented culture, in this regard, some kind of russian globalism, the globalism of russian culture, this is very cool, which is probably why we have such a talented, amazingly unique translation school, like

nothing else in the world.

tense inside america, outside its borders, what is the remaining intrigue, why now do we need to watch and watch? this is america, a program about a country that is difficult to understand. the state duma adopted a law on changes in taxation. today , the federation council will also take care of the law. what other documents are on the agenda? the fsb stopped the attempt the sbu carried out a terrorist attack on the heavy carrier cruiser admiral kuznetsov in murmansk. agent ur, who was preparing a terrorist attack against military personnel of the ministry of defense, was also detained. a billion in air defense is warlike rhetoric and not a word about peace. how

was the first day?