fulfill my dream and to literally must be that i went out on my own toes an interesting things skills i again have to working on the slight changes to find the right product and came up with something i enjoy and continue it. so the positive important thing in years and years and years of trying to get it where i like it is for the sauce i use a unique sauce to bring out the flavors have to mats and capital improvement plan any and using use a high quality of cheese the products work together more important to me have a high quality of pizza and made with love and what i try to keep it

to be a comfortable foods or food and that's what i try to over and offers so having a really bus illegal day in the community and rile appeal to me and that's what i was trying to accomplish i have thought when i got into pizza the main thing if i can, make a great cheese pizza he can do anything like growing up that's what i brought to to and now called san francisco te

>> (music). >> my name is vet at a original artist based in san francisco. >> i love it i love it i've never seen something else and we see how the people see which is happening and what is going on. kind of cool i wanted to be part of that. >> i saw it 2, 3, 4, 5 minutes you yeah. >> so we have you - yeah. i started going when i was young

but not the type of kid would get food but this is something i really have been progressing on a talent from like other artists. >> this is amazing. >> this is so good yeah, it is so good like the artists. >> i love it. >> what a great project. >> part of the part for have i grants. >> yeah. i love it. >> i serve in for 2 two years now and i really am fortunate to live in a place for art. >> an effort creating places it serve san francisco soul and that makes them want to see this place; right? with the

experience of art in san jose experience in from the get-go sometimes our environmentalist has created tests but we have an opportunity for that and have artists in the storefront part of project you can walk in and experience and hoping we'll be there for a long time. >> this is the first farther easy way of going to spaces i didn't know how it is really cool it would be and we're forced to be in the moment when we're test and creating something really cool. >> makes us feel good. >> as far (unintelligible) done all temporary and took them

down i like the temporary aspect base (unintelligible) (microphone distorted) not permanent can enjoy it. >>

>> our market street program started in 1992. the goal was to bring arts to an audience who may not be normally be exposed to contemporary art. for 2023, we chose comics as the median to highlight san francisco. it could be fix al, science fiction. history. >> i'm fan, i'm illustrator and writer, i grew up all over the bay area. and is post history no history no south. i've been drawing since i was probably four or five. it's just a cool memory, i just remember painting my apron in kindergarten and i would

suddenly start painting myself. it was cartoon, it got me excited. in my home life, it was not consistent but what was on tv is always consistent. there is always xy z- channel, cartoon, i would wait for the cartoons to freeze and chase really fast. i remember getting into anemai as a kid, as a young person because it was one of the avenues of asian-american expression that i can relate to. my project is i'm highlighting 6 trailblazers who's family was tied to san francisco. they all have different forms of art expression. but i noticed through the research that there is a common that connects them all, which is this desire to live life authentically, organickly, speak of the love that they believe in.

i made it art students and learning about art history and the place in art with the context of learning about their predecessors. >> sinsawa is synonymous of san francisco. there is a school named after her. >> wasn't she also in stamp? her art was in 2020. >> do you think she would become a artist? >> hmm, i think she was like 100s of other in the city that love the art. when there is no audience or income, why do we still make art? >> well because we seek to know ourselves and one has to believe like alela, we make art for a lifetime not just a career. i think for some, artist like breathing, it's how we know we're alive. >> it's so incredible to do

this project and do the experience that connects generation, the full experience of being artist. >> comics have a rich history in san francisco even from early 20th century. we also wanted to open up public art opportunities for artist that don't normally apply to public art. >> i hope it stays with them and lingers and they chew on it and think about it. and it may not make a big impact but it's something that opens up the door or starts the conversation or the beginning of something. i would like for it to be a start, whether it's a start of research or start of pondering, yeah, what does it mean to be an artist? and how do i decolonize my mind?

[music] right here. then put it and pull it. [music] it is an important part of the work that mission

cultural center for well tino arts does. steb in the 1977. as part of the graphic's department. >> mission graphica created block print. cut, screen printing, t-shirts to support social causes. and also the studio inhabited emerging and established artists from all over the world. [music] so the name of this exhibit this is installed at the hall is public voice. and the exhibition is in partnership with mission cultural center and archives. [music] this installation is 5 decades of the work that they have been doing since the upon upon 70s. it is a chronicle of san francisco's history.

>> mission graphica part of latino image makers, educators. activists and memory keepers through the art this body is important it preserves the people's history. >> these are our new historical arsigh files >> every artist donated a piece of art work and so that collection is over 8,000 piece of latino created art work. >> it was exciting to see their incredible archives and what has been great to see for us is how they work in community. in the ways this community has been in partnership with other communities throughout the last 6-7 dkdzs and longer in the bay area and the nation. political, we grapple with today has been part of our history and

part of the print making history of mission graphica. this was the place everybody would come and get their prints med for free or at low cost. >> it will be successful for the area:may be work >> mission graphica is still the most accessible, low cost studios for emerging and established artists. people can come here to clean screens, expose them, learn the art form at a low cost. we offer studio rental space as well as classes, low cost classes and free workshops and collectives. >> this is like history and contemporary coming together for us. and thinking about how the things that have changed and the things we still need to work on

and support. >> i hope the people will recognize the transformtive power of art. and the impact that posters have in a community. posters are accessible they other people's art. anyone can do it. it is a strong tool of communication and social change. the posters have not only mobilized community they have also raised money for communities. and they have raised social consciousness. which is something this goes well beyond any art exhibit. [latino music] ♪♪♪♪

>> [music] art withelders exhibiting senior art work across the bay for 30 years as part of our traveling exhibit's program. for this exhibits we partnered with the san francisco art's commission galleries and excited show case the array of artist in historic san francisco city

hall. >> [inaudible]. call me temperature is unique when we get to do we, meaning myself and the 20 other professional instructors we are working with elders we create long-term reps i can't think of another situation academically where we learn about each other. and the art part i believe is a launching pad for the relationship building:see myself well. and if i don't try when my mom

again. she may beat the hell out of mow if i don't try >> seniors, the population encounters the problem of loneliness and isolation even in a residential community there hen a loss of a spouse. leaving their original home. may be not driving anymore and so for us to be ail to bring the classes and art to those people where hay are and we work with people in all walks of life and circumstances but want to finds the people that are isolated and you know bring the warmth there as much as art skill its personal connection. men their family can't be well for them. i can be their fell and feel it. >> i don't have nobody. people say, hi, hi. hello but i don't know who they are. but i come here like on a

wednesday, thursday and friday. and i enjoy. >> we do annual surveys asking students what our program does for them. 90 plus % say they feel less alone, they feel more engaged. they feel more socially connected the things you hope for in general as we age. right? >> and see when i do this. i am very quiet. i don't have anybody here talking to me or telling me something because i'm concentrating on had i'm doing and i'm not talking to them. >> not just one, many students were saying the program had absolutely transformational for them. in said it had saved their

lives. >> i think it is person to support the program. because i think ida elder communities don't get a lot of space in disability. we want to support this program that is doing incredible work and giving disability and making this program what supports the art and health in different way bunkham art as a way of expression. a way of like socializing and giving artists the opportunity also to make art for the first time, sometimes and we are excited that we can support this stories and honor their stories through art. we hope the people will feel inspired by the variety and the quality of the creative expressions here and that viewers come, way with a greater appreciation of the richness what elders have to share with

us. [music] [♪♪♪]

>> my family's starts in mexico in a small town. my parents are from a very, very small town. so small, that my dad's brother is married to one of my mom's sisters. it's that small. a lot of folks from that town

are here in the city. like most immigrant families, my parents wanted a better life for us. my dad came out here first. i think i was almost two-years-old when he sent for us. my mom and myself came out here. we moved to san francisco early on. in the mission district and moved out to daily city and bounced back to san francisco. we lived across the street from the ups building. for me, when my earliest memories were the big brown trucks driving up and down the street keeping us awake at night. when i was seven-years-old and i'm in charge of making sure we get on the bus on time to get to school. i have to make sure that we do our homework. it's a lot of responsibility for a kid. the weekends were always for family. we used to get together and whether we used to go watch a movie at the new mission theater and then afterwards going to kentucky fried chicken. that was big for us.

we get kentucky fried chicken on sunday. whoa! go crazy! so for me, home is having something where you are all together. whether it's just together for dinner or whether it's together for breakfast or sharing a special moment at the holidays. whether it's thanksgiving or christmas or birthdays. that is home. being so close to berkley and oakland and san francisco, there's a line. here you don't see a line. even though you see someone that's different from you, they're equal. you've always seen that. a rainbow of colors, a ryan bow of personalities. when you think about it you are supposed to be protecting the kids. they have dreams. they have aspirations. they have goals. and you are take that away from them. right now, the price is a hard

fight. they're determined. i mean, these kids, you have to applaud them. their heart is in the right place. there's hope. i mean, out here with the things changing everyday, you just hope the next administration makes a change that makes things right. right now there's a lot of changes on a lot of different levels. the only thing you hope for is for the future of these young kids and young folks that are getting into politics to make the right move and for the folks who can't speak. >> dy mind motion. >> even though we have a lot of fighters, there's a lot of voice less folks and their voiceless because they're scared. >> when i first started painting it was difficult to get my foot in the door and contractors and mostly men would have a bad attitude towards me or not want

to answer my questions or not include me and after you prove yourself, which i have done, i don't face that obstacle as much anymore. ♪♪♪ my name is nita riccardi, i'm a painter for the city of san francisco and i have my own business as a painting contractor since 1994 called winning colors. my mother was kind of resistant. none of my brothers were painter. i went to college to be a chiropractor and i couldn't imagine being in an office all day. i dropped out of college to become a painter. >> we have been friends for about 15-20 years. we both decided that maybe i could work for her and so she hired me as a painter.

she was always very kind. i wasn't actually a painter when she hired me and that was pretty cool but gave me an opportunity to learn the trade with her company. i went on to different job opportunities but we stayed friends. the division that i work for with san francisco was looking for a painter and so i suggested to my supervisor maybe we can give nita a shot. >> the painting i do for the city is primarily maintenance painting and i take care of anything from pipes on the roof to maintaining the walls and beautifying the bathrooms and graffiti removal. the work i do for myself is different because i'm not actually a painter. i'm a painting contractor which is a little different. during the construction boom in the late 80s i started doing new construction and then when i moved to san francisco, i went

to san francisco state and became fascinated with the architecture and got my contractor's licence and started painting victorians and kind of gravitated towards them. my first project that i did was a 92 room here in the mission. it was the first sro. i'm proud of that and it was challenging because it was occupied and i got interior and exterior and i thought it would take about six weeks to do it and it took me a whole year. >> nita makes the city more beautiful and one of the things that makes her such a great contractor, she has a magical touch around looking at a project and bringing it to its fullest fruition. sometimes her ideas to me might seem a little whacky. i might be like that is a little crazy. but if you just let her do her thing, she is going to do

something incredible, something amazing and that will have a lot of pop in it. and she's really talented at that. >> ultimately it depends on what the customer wants. sometimes they just want to be understated or blend in and other times they let me decide and then all the doors are open and they want me to create. they hire me to do something beautiful and i do. and that's when work is really fun. i get to be creative and express what i want. paint a really happy house or something elegant or dignified. >> it's really cool to watch what she does. not only that, coming up as a woman, you know what i mean, and we're going back to the 80s with it. where the world wasn't so liberal. it was tough, especially being lgbtq, right, she had a lot of friction amongst trades and a

lot of people weren't nice to her, a lot of people didn't give her her due respect. and one of the things amazing about nita, she would never quit. >> after you prove yourself, which i have done, i don't face that obstacle as much anymore. i'd like to be a mentor to other women also. i have always wanted to do that. they may not want to go to school but there's other options. there's trades. i encourage women to apply for my company, i'd be willing to train and happy to do that. there's a shortage of other women painters. for any women who want to get into a trade or painting career, just start with an apprenticeship or if you want to do your own business, you have to get involved and find a mentor and surround yourself with other people that are going to encourage you to move forward

and inspire you and support you an >> good afternoon, everyone. >> welcome to the san francisco mayor's disability council (mdc) meeting this afternoon at 1:00 pm., friday, may 17, 2024. and we are glad you are here today, is a in-person and hybrid meeting. um, this meeting is broadcast to the public on sfgovtv. it is open caption and sign language interpreted if you need any other accommodations or have difficulty attending please at the end sends an e-mail