konstantin postushenkov graduated from the academy of sculpture painting from the patronymic named afteral. and now it’s been 17 years. is engaged in ice sculpture , that is, this is the task here, you need to make the ice , firstly, sparkle, be a holiday, and secondly, your ambition, yes, artistic, still manage to squeeze it in somehow , but there is luck, it just turned out delicious, at the stage of thawing at the stage of evaporation, the ice also evaporates, it sometimes takes on shapes that you can’t make with your hands in life, i don’t know with what compare this, here is a good majolica of very high quality, when there is some kind of swan with such a neck, and it is smooth... it’s like glazed, as soon as i touched the ice, touched it, this is already an irreversible process, they will understand me those who work with ice in general, cut ice , understand what kind of material this is, because it ’s some kind of incredible feeling, ice is attracted all the time, you want to touch it, cut it, create something from it. maria borisova graduated from a trade college, worked in an in

glazunov, rector of the russian academy of paintings, sculptures from the patronymic ilya glazunova, i am vladimir ligoida, happy holiday, dear friends. happy holiday, hello. and the first question. i have this: do you remember some, perhaps the most unusual, brightest, most memorable christmas of yours? well, of course, the first one was unusual, well, simply because it was the first, it was 1980, i was baptized there a little over six months before, i was still a schoolboy, in soviet times, we tell our young people, i had such an older friend, or so, with my mother’s blessing, he took me to churches, well, when i was still 7-8 years old, and they came to the catholics, it was christmas, well, for general information, no, he was orthodox, he took me to the lavra, but so yes for development, so i remember this service they had - in my opinion in the cathedral of louis. well, yes, it was new year’s moscow, not christmas, but it had its own world, which i always remembered, these ancient, gold-embroidered vestments, this is important, as - apparently it was for such an aesthetic experi

artist, sculptor, monumentalist, president of the russian academy of arts dzurap tseriteli celebratesyou believe reference books, he has more than 5,000 works, paintings, sculptures, panels, mosaics. and even at this age he continues to create every day. snow area. that's all for now, see you later. you're completely stunned, we have a serious matter coming up, and you're aiming for candy? i’ve been without sweets for 2 years, i have sausage, i have sleeping pills, that’s all, that’s all, i need a package. free, yes, then two.

the synthesis of graphics and painting, sculpture and decorative and applied art is seen in this way., with whom we live at the same time. only in reda can you get into the studio of an honorary and at the same time honored artist of belarus, even in his absence. workshop vladimir murakhver's studio moved from berezovka to the building of the livsky museum, along with the atmosphere. so it seems that a member of the union of artists of the ussr will now come here and sit down with malbert. after all, the work is far from finished, and this is an unfinished portrait of the mother and paint, which are just waiting for the touch of the brush, it is here that you can see how the plans of a great man, painter and glass master are embodied in sketches of the canvas, and this is worth a lot. by the way, when the museum workshop studio was just opening, zurabtsariteli, president of the russian academy arts, specially telegraphed his good wishes to lida. next to the material fire and opposite the square to the most popular person of the soviet union, in ledida there is a regional center of cra

the sovitsky workshops, well, that’s what they call the workshops of painting, graphics and sculpturestry of culture, in my opinion, but everyone always called it sovietsky’s workshops, because because he organized it all, he held it all in his iron fist, thanks to him. they give out some artistic materials, for free, they pay a stipend, it’s just a dream, and at the same time, every six months there is such a viewing, but this viewing, you know, is not the same as in schools or in an art school or in a college, where they gather and they can scold you and so on, this was such a more creative meeting , that is, a commission headed by mikhail sovitsky came. poplavsky georgy georgievich, yes, and many other interesting artists, wonderful masters, there was a discussion about where you were going, what you want, and what to do next, that is, some kind of creative conversation that didn’t trample the artist, well, well, as it seemed to me, she was inspired, that is, this is, in my opinion, a very good springboard. i also want to remember about my wonderful teacher tyurin, vyacheslav petro