aganasty tevasyan, born in yerevan, studied in teflis, lived in samarkandi, opened an art school there, taught in tashkent, designed the uzbekistan pavilion at vdnh. local painters, such as ural tansekbaev, needed to become familiar with the rhythm of successive paintings. an echo without extreme spaces, the crunch of desert sands, where the heat burns hotly, as the artist wrote in his poems. in 1920 to turkistan, in as commissioner for arts, alexander nikolaev, a student of the suprematist malevich, arrived, intending to protect ancient monuments. nikolaev is surprisingly thin. copied the mosaics of the gurus of the world of mavzaleyati murids, became close to local archaeologists , architects, experts in oriental miniatures, collectors of legends, wanting to get to the bottom of the very essence of the eastern world, he became seriously interested in islam and sufism and eventually took the new name ustomumin, which means a master who believed in the technique of painting threads it is impossible to obtain two pieces of fabric with the same pattern. each canvas can be compared to an