say it’s glamor, because it seems to me that alena akhmadulina’s dress and costumes are already likehion show in it. in those times to which my imagination takes me, a suit meant a lot, and it most likely was the calling card of a person, his character, and i would like to bring out this function of the costume separately in the play so that the costume does not just complement the images of our characters, but so that it is also a reason for their communication. popolonina, someone says that this is a very , almost rebellious act. clothing is always a way of self-expression, one way or another, it should be part of your worldview. this is the costume of the rake, one of the main characters of the play: a young man who enters into a relationship with a rich lady. we used a rather special technique for this sculptural volumetric ornament, which is typical for a fashion house, but we wanted the scene to be complex. there were no prizes, in this performance we did not have so many technical alterations, it was a shock when we saw the costumes at the dress rehearsal, that is, all the mis