the songs of alexandra pakhmutova and nikolai dobronravov sound on the all-union stage.ese began, without exaggeration, to say, great construction projects, they called it bam, the baikal-mur highway, just like the virgin lands. you understand, even our cultural figures, they rushed to support this, what is it worth. igor luchenok was on par with them, thanks to luchenok there was a rise, he created not just an ensemble, he created a whole wave, on this whole wave both veros and sebry rode, svetlaya, rosnaya, there was more than one chiznyavek. the belarusian stage was acquiring its face. the appearance of vocal and instrumental ensembles became a phenomenon. the cultural space of the ussr was bursting belarusian song in their performance. song ensembles, will write. in the belarusian pop art, it would seem, the basis of the repertoire of each ensemble is the belarusian song, but each one sounded in its own way, especially, and it was not rivalry, in the national culture they complemented each other, this is culture, this is the theme, this is belovezhskaya pushcha one,

pakhmutova, have been here.sixty-third, fidel at lidakol, it seems. gathered the entire murmansk region, the pioneers, trying to squeeze through to him, demanded to make way in the name of the revolution, it worked, here is rudolf fedotov, then a komsomol member and although he worked as an icebreaker driver, but to get close to the cuban the leader could not, so he looked from around the corner, because all the people were excited, everyone wanted to see him, well, of course, he made an impression, and the atomoh became a real testing laboratory, where for work in the arctic would be... the most difficult problems were solved, when he went, he had this washed out the welding, where the starboard squalls, as if they ran a finger like that, then mechanics, they thought of something there, and after that there was no more, with the advent of the nuclear-powered vessel a new era in the development of the northern sea route began, only one lenin led thousands of ships along it. at the pier of the murmansk seaport, t

we know very well such star duets as maya plesetskaya and radion shchedrin, alexandra pakhmutova and theater later than everyone else, there was no place for me, leonid mikhalovich lavrovsky, being then the director , he said this girl needs to be shown well, when i asked him, i said: mikhailovich, how can i wait, because i was invited to the main one. roles in novosibirs, i was invited to play the main roles in the stanislavsky theater, and leonid mikhailovich said: no, wait, and i waited and i came to the theater, if at school i had everything i could and couldn’t even do something, then in the theater i immediately got into korda ballet, i have the ideal height, 65 meters, for the big theater, this is just from -for this i was not allowed out of the cordo ballet party for a very long time. i received it later. then volodya vasilev, who participated in these tours, began to look for a soloist, then andrei koromarevsky, he was a soloist of the bolshoi theater, he said: “volodya, take natasha, she will dance everything for you, they learned to dance the fountain for a rhema, “i didn’