idleness in the fields, i devoted to you with my soul, i am always glad to notice the difference between aneginhis, i read it several times and at some point i realized that it was easier for me to learn it, i learned it now, since i haven’t re-read it for a long time, for about three years now, probably, because for me, reading it is not reading on the subway, i can’t read, it’s also an absolute text, yes, just absolute, you don’t need anything else either. this is a perfect text, quite interesting, i read an interview with chirac, who translated it into french, yeah, yeah he told me how difficult it was for him to follow the aneguen language when translating into french - the verse, yes, this one. this was difficult , the second story, i actually recommend doing this, a few years ago a new translation of evgeny anegin into english was published, and stephen fry read it, even if you don’t speak english, but know the russian text, listen to how read by stephen fry and evgenia anegina, this is just another recommendation. i in no way want to beg the merits of the translators, i must say that tra

in the fields, i am devoted to you with my soul, i am always glad to notice the difference between anegin and me, this, i read it several times and at some point i realized that it was easier for me to learn it, i i learned it now, since i haven’t re-read it for a long time, for three years now, maybe. because for me reading it is not reading on the subway, i can’t read, it ’s absolutely the same text, yes, just absolutely, nothing else is needed either, it’s absolutely a text, quite curious, i read an interview with chirac, who translated it into french , uh-huh, and he told me how difficult it was for him to keep the aneguen verse when translating into french, but this size is the size or size, and the strafu and the size of the strafu are 14 lines abba, but that’s all. it was difficult, second story, i actually recommend doing it, a few years ago a new translation by evgeny anegin into english was published, and stephen fry read it. even if you don’t speak english, you know the russian text, listening to how stephen fry and evgenia anegina read, it’s just another recommendation to you,

has an open ending, but there are wonderful words from anna akhmatova, evgeny anegin ends with pushkinng married, in fact, pushkin’s marriage is another such amazing one. and never ceases to attract our attention, our interest, our disputes, a moment in his biography, because many people... don’t like natalya nikolaevna, many people believe that pushkin’s marriage was unsuccessful, and he should have married some other woman, and these and such zealous attacks against natalya nikolaevna come from people of the highest degree of respect, because both akhmatova and tsvitaeva, or for example, faina ranevskaya, in faina ranevskaya’s diary entries, spoke ill of her, you can simply see how she is seething with indignation, it would seem.. what does natalya nikolaevna say to her, who lived for 100 years ? ago, but nevertheless, faina georgievna is simply filled with hatred for this woman, but let’s assume, okay, this is the female half, but let’s take the male half, vikenty vikkendivich verisaev, a wonderful russian soviet writer of the first half of the 20th century, the author of such a won

oh, anegin, great, hello! hello, valer, what do you think is so funny?tasks for us, to decorate everyday life with ordinary music, how can such words be combined together, i need song, interesting, have you heard that i left lunsterm, yes, of course, i’m a singer, you ’re a poet, we need a composer, i think i know who we need, valera, hello, hello, my wife tatyana, i i thought, please come in, david tukhmanov, a wonderful composer, it’s nice, david, i already told you, valera is inviting us to start making hits, to satisfy the growing demand among citizens for light... music, well, as a result of which we will become famous and happy, this very good idea, valer, i’ve been watching you for a long time, i your style of performance seems very interesting and modern, yeah, no one works like that in our country. david, a very good melody , very good, a little naive, simple, danceable , rather even lyrical with oriental motifs, well, let’s say the story could be like this, a guy loves a girl, waits for her to arrive, she doesn’t appear, she’s all right , he su

advice, you reminded me, you know how a jew sits at the ballet, evgeny anegin. us completely by accident, igor igorevich matvienko came up and said, he says, i have a song similar to you, we have never sung matvienko’s songs, we listened to ours, and most importantly , the meaning is the same that i wanted for all of you, especially today to convey, here now. just stay with me, just kiss, fatigue, quietly, wave after wave, a few days left on the horizon. look, feel this wind, just, please answer, just please answer me, here, now, there will be no more of us, there will be no more words, i am here now, there will be no more of us, only love will remain. do you feel this, we are now atoms, in the sea, in space years, we are leaving the light. light, and take me away, well, just kiss i’m tired, time, start everything from scratch, just a little remained here, now, because there will be no more of us, there will be no more tears, for the next song, of course, you need to invite royals from the audience, you will speak or i will speak, i saw familiar eyes in the hall

like a little kid, huh, but you better not mess with me now, you know , what are you talking about, aneginrgive me, bye, these eyes are opposite the colleidoscope lights. these eyes opposite are brighter and warmer, these eyes, yes, i’ve already assembled a team in saratov, i’m working, well, you listened song, when i sing it, i think only about you, i see your eyes, i just love you and wait. look, it's going uphill again. here fate brought us together, here fate brought us together, here fate brought us together, just don’t let us down, just don’t let us down , just don’t take your eyes off, well, remember how you panicked, what’s what, what’s what, the ballers are squeezing us, valera is closing us down , we need to look for new authors, valera, well , it was, it was like that, it was, well, in the end, look, people are coming at us, records are in high demand, well, good , god grant that i make such mistakes more often, oh, this, probably behind us, hello, how did you get there, huh? everything is fine, igor nikolaevich asked you right away, so if you have things with you, then please,

we are planning a new production of evgeniy anegin chikovsky's opera in december for the christmas forumhe forumelanta. now there are modern composers who continue to write our contemporaries, because everyone says: they used to write such music, now where we have wonderful composers in belarus, who have a lot of belarusian music, in our theater, except such a big opera on a big stage, we also do chamber music, we also have the alexandrovskaya chamber hall, a lot of projects, concerts around belarus, where we present to our audience not only opera. classics, but also romance songs of our modern belarusian authors , which we discover both for ourselves and for our viewers, and we, we have such a friendship with the belarusian union of composers, with elena viktorovna otroshkevich, they kindly provide us for free, without fees, without copyright, their works, they say, just sing, just play, we have composed wonderful works by our modern composers and poets. fortunately, we started with you about those wonderful awards that i have been awarded, there are also presidential grants that severa

idleness of fields, i am devoted to you with my soul i am always glad to notice the difference between aneginng time, probably three years, because for me reading it is not reading on the subway, i can’t read, this is also an absolute text, yes, just absolute. no more needed, this is completely a text, quite interesting, i read an interview with chirac, who translated it into french, yeah, and he told me how difficult it was for him to maintain the aneguen language when translating into french verse, yes, this size, or size, and the strafu and the size of the strafu are 14 lines of aba, but that’s all.

haven’t come to you yet it’s so easy to get in, you invite millions, the whole russian opera, this is aneginsoloist, we have now invited mikhail pirogov, russian theater. our amazing history, great theater russia, moscow, met us with great interest from applause, last year, on tour in moscow, we took wild hunting, these were exchange tours, this year they came to us this season, they also brought the royal bride and ivan the terrible to us ballet , so this is the friendship between theaters and specifically the belarusian opera, because all musicians like it, this is our way of life, we do not sacrifice anything, this is our image, lifestyle, this is our life, theater is not a job for a musician , that is, you are nothing you expect from the theater in return, we get a lot in return, we get enormous colossal energy from the audience, we enjoy the music that we perform ourselves, we come into contact with the greatest composers every day. we can sing it, we can listen to the orchestra, create these performances together, it’s such happiness, it’s amazing music, amazing stories, not only that,

we are planning a new production of evgeniy anegin chikovsky's opera in december at the christmas forum forum tchaikovsky if. to talk about the repertoire , i would like to invite everyone to the opera prince igor borodin in february, the most beautiful russian classic that can be belarusian. they kindly provide us with their works for free, without fees, without copyright , they say: just sing, just play, we have composed wonderful works - our modern and composer songwriters, and to great happiness, uh, here we started with you about those wonderful awards that i have received, there are also grants president, who... several of our artists received this year, last year and already in the twenty-fourth year were also awarded a presidential grant for the development of belarusian music. if we talk about the opera soloists, this is dmitry shabetya, who received a presidential grant, tatyana tretyak, honored artist of the republic of belarus, this is the twenty-third year, now the twenty-fourth year, dmitry gorbaychuk, this is the director of our orchestra, also received a presidential gra

that’s the whole point, i think that the reader experiences the same thing, as a child i so wanted anegincause he wants to see her immediately profile and full face, and we see each other full face, but there are other sides, so any memoirist is firmly convinced that he is writing the truth, even if he wants to deliberately distort it, like zhorzhik ivanov in the st. petersburg lands, in a word, for me in memoirs are still the most valuable subjective, but in kotaev’s grass of oblivion, he describes there what he considers his friendship with bunin. that’s why bunin kept asking him something and was interested in him, well, mayakovsky also asked him, but in bunin ’s damned days, and his only phrase was absolutely devastating, i don’t want to repeat it, that he would sell everyone, including there , if they paid, here are the memoirs of two people... and about specific ones, they do not contradict each other, these are two truths, they are both true, and salomon’s court, here it’s as if it’s impossible to say what he sold or didn’t sell, that’s not the question. well, yes, but it’s just su

italian, no, i taught it in russian, in italian it would probably be even cooler, but unlike evgeny anegin dante begins to list his enemies, or there are these very ancient gods, and there it is directly loaded , loaded, and really at some point the hippocampus once again becomes more effective, but in fact, well, for me, if we talk about life hacks, of course the most the important thing is to reproduce what you know, here are the actors then, then the actors must be the smartest, i recently read torkovsky’s memoirs, he wrote so many nasty things about them, but in principle, an actor as a profession is memorizing a huge amount of information and reproducing it, but a very very specific university professor is even more noticeable you think i ’m speaking from a record, but that’s because in fact we have to not only attach emotions to this, but really keep in our heads a complete picture of sometimes very complex events and learn to reproduce it for others doing so. regularly and this is the most wonderful thing in my opinion for memory, that is, you are not only at the entrance, but also

anastasia igorevna, it’s not so easy to get to you, you invite millions, the whole russian opera, this is anegin, now invited mikhail pirogov, russian dramatic tenor hermann will perform, and belarusian. our opera is a hoary legend, they perform, the wild hunt took part in the last production, yanovskaya sang, amazing plot, i invite everyone, the wild hunt, it’s still impossible to get tickets from us, everyone, every performance, goes to their own classics in belarusian, very successful i think the production is amazing, the music is amazing, our history is amazing, the bolshoi theater of russia, moscow. we met with great interest and applause last year on tour in moscow, we took wild hunting, this there were exchange tours, this year they came to us this season, they also brought us the tsar’s bride and ivan the terrible ballet, so this is the kind of friendship between the theaters , namely the belarusian opera, because they have it, well, it’s unique in that it exists only here, of course. because they - you won’t surprise them with evgeniy manigin, but still, in december of 24, as we know,

petrachaikovsky's opera evgeniy anegin is given in the center of galina vishnevskaya's opera singing,adiokh group. the play the seagull, based on the first author's version of anton pavlovich chekhov's plays, is performed in the theater of the school of dramatic art, directed by pavel kartashov. the cinema museum invites you to see the universe of ilionin gaidai’s character. the exhibition our people united for the centenary of the director’s birth. in the exhibition space of the heroes of the diamond hand , operations and paintings, ivan vasilyevich is changing his profession and it cannot be, i propose to look at them in a new way. our exhibition, it represents such an imaginary house, according to which visitors pass through, pass through all these zones, apartments, they get some kind of impression of what the world as a whole, the cinematic universe, consists of, we have each zone has its own name, there is a zone there, conventionally, i’ve successfully entered, it’s dedicating... it’s dedicated precisely to the film 12 chairs by ostap bendru, first of all, everything that was a