very important , you have to train the artists, so we know the belarusian actor of the gorkovo theater antonba in your first cast of the play, now he ’s not there, that he couldn’t stand it with his husband, i’m just curious to know why he left the play, the team, well, you know, why are you doing this if you ’re worried about the method? it can’t be here, this is what we are for have been fighting all this time , there can’t be any expectation of one’s entry, the man says , i work at the cemetery as a director, you don’t know this like everyone else, so looking in front of you indifferently doesn’t work here in this performance, if you see that... you play in your own way, let’s say, you have to prove to me that you are right, and if you haven’t proven it to me, be so kind as to do what i need, it’s natural, i can’t build a house, give opportunity as one of the workers, so to speak, on his own the discretion to make frames, well, really, to improvise, despite the fact that improvisation is a very lively thing in a performance, it is very lively. it is there all the time, this is very, this is