marinsky theater at the age of seventeen, i had already danced such a difficult role, if we talk about bagchesarai... a year, yes, again a change of school, again a change of city, again a change of team and again a change of teacher, but still you are already an accomplished ballerina, still- after all, you are already a big, serious ballerina, you are already a star, so the transition to the pipes of a big theater with other traditions, with a different school, with different relationships, with different internal rules, it was psychologically difficult, no, it was not difficult, i was to ready for this, but... the only thing i really cared about was it’s hard to say goodbye to my beloved teacher, olga nikolaevna moiseeva. she had already passed away, but at that moment she was such a close relative to me , that is, she was the teacher who made me a ballerina, all the ballerina parts, she passed everything on to me, she was vaganova’s student, that is, she gave me so much she told me, she showed me everything so well, just on... probably, at that moment i was ready to move to the big theater, th