, yes bleiman, mikhalen bleiman, who spoke, who criticized this myth of poetic cinema, how poetic cinema was dangerous for the soviet authorities, or why... it was under such, under such a ban, why was everything put on the shelf in the end? once a moscow film expert explained to me, he said, everything that the soviet official did not understand, he was terrified of it and tried to ban it, well, since he did not read it, he cannot decode this text, so it is better to hide it somewhere, and mythopoetic cinema, why a myth, because it was based on a myth, on myths. what are the shadows of forgotten ancestors, these are folk, folk rituals, that’s all there is to it, now we ’re showing it, it’s babylon 20, we’re showing excerpts from ivan mykolaichuk’s film babylon 20, well, it’s also the same mythopoetic movie, and by the way, it is based on the novel by vasyl zemlyak, a brilliant, well, philosopher of the people, this ivan played the role of this fabian there. such a philosopher, in which the features of grigory skovoroda and vasyl zemlyak, he also walked all the hills of kiev,