mamonov, contemporary artist, curator, critic, author of installations, performances and paintings,2, his works are in the third edition, in museums in private collections, in russia, in the usa, in germany , all over the world, he represented russia at the venice biennale, well, not only were you not afraid to create so many children, but you actually also rushed from moscow, what is the reason for this? well, why weren’t you afraid, in general it was quite scary, to be honest. you are scary, yes i am i remember that when masha was pregnant with her third child, i found out about it, maybe - this is certainly nothing to be proud of, but somehow i felt a little uneasy, i thought that three was probably too much, although there were us in the family three in principle, well, that is, in your family you were the second there, well, in general, yes, yes, the mood was there, the mood was in the family, well, somehow yes, it was not easy, and then nothing, got used to it, got used to it . somehow here, you know, here, probably, there was a primary consciousness that it was right, it had