dmitrievich, get better, we still need to go to the river with you while the weather lasts , well, since them here twice a day so you don't forget, these , put everything in the locker, thank you, slavushka, it's good that you're back, i feel calmer, you know, when i got to hospital, you saw me there even in a dream, i immediately started to recover, you’re just my guardian angel, out of nowhere, oh, why am i sitting here, and there’s on tv, now local news? they start showing it, i can’t miss it, they’re talking about a gang, can you imagine, the bastards were carrying drugs through the whole region, and the leader turned out to be head of the motor depot, perhaps the trial of the century will take place, finally some bastard will be imprisoned, boris dmetich, take care of yourself, i beg you, i’ll stop by tomorrow, thank you, thank you, oh, me. to the telly, ah, what! “slava, everything is fine with you, otherwise since the lecionette returned, maybe i can help in some way, but no, i just can’t get over that story, but at home, like senya, at home there’s nothing too, senya almost fine,

dmitrievich ogeshin was a classic of soviet pantami, he worked in the moscow music hall and line concert, i lived happy 45 years, it ’s been 5 years since he’s been gone, i still can’t. into myself, i’m alone, and this is very bad, only the theater, when i come to the theater, i come to life, if i hadn’t gone to the theater, i don’t know how my biography would have turned out, but... tanya, i’m starting serano’s play deberzhirak, i offer you the role of raksana, on this one he taught me the role of walking on our stage , speaking, not how to speak now , you won’t understand, but how to speak, there were no microphones, you need to be heard there, and we have 1,700 seats, there was a balcony back then, literally he took me step by step, we played this spitak for 16 years, i played it 604 times this year for 60 years, as i have been on stage, at 95, tatyana lvovna is not going to say goodbye to her profession in her native theater named after leninsky komsomol, now the baltic theater house, she played almost all the classics from the last benefit performance, lyrical comedy rock and roll a

dmitrievich, don’t scare me.tely? yes, of course, i’ll run, i need to go to the office, milka and i will be there in the evening, yes, okay. it’s just in time, that’s all for today , listen, help, otherwise i ’ll soon go completely crazy with these instructions and contracts, they change every month, love, come on... today is vanka’s birthday, please, well i can’t cope without you at all, okay, come on, just quickly, thank you, i would like to finish my law school, work for us as a lawyer, for me if there were fewer problems, well, you’ll like our gifts, guys, thank you, what did your parents give you? so far, nothing, now my dad will come and give me something, but they have a loan for the truck, so they are unlikely to give me what i dreamed of. hello, darling, hello. birthday boy , thank you, listen, kostya got stuck unloading, so i flew to you on my own two feet, and so, where is the birthday boy, the nursery with the guys, well , just pass by, oh, seniya, not back yet, no, not yet, lately he’s practically ne

i can’t help but mention two artists, production designer boris dmitrievich dulenkov and costume designerticity to the picture. it was especially not easy for the costume designer; it was necessary to sew a huge number of german uniforms and other military uniforms, and they had to look the same as and during the war. my father told me that a letter came from the def film studio to the studio, where did you get such precision in details, in micro-details, the costume was meant, it was in the picture. several consultants, and there was one consultant, he was approached by braun, von kerstein, please, heinz adolfovich braun, who was an ss man, then became our prisoner of war, then became a visiting director, an artist, sometimes played ss men, and he really helped miriam bykhovskaya, the costume designer and not a single costume was allowed into the frame. bar alpine skiers, daily at 22:00, form eustace alex, i’m in bern, i’m waiting for the same connection, a box of tobacco, a gold block, english matches with a label, i can only say that one of the main characters of our picture is, who fo