yakolevich eifman with his author’s theater, we have the amazing yuri posokhov, such bright ones...t is, i understand what you’re saying that this needs to be done, i think that this needs to be done so that it’s a big risk, it’s a risk, you know, here are young choreographers who don’t yet have a big name, who don’t have a big, big repertoire sheet for theaters, for pipes, entrust artists, trusting time is a risk, because you can get a little death, or you can get... yes, well, that is, you have to take risks, yes, i think you have to take risks, and where does a choreographer come from if he doesn’t have practice. do you argue with choreographers who do things for you? no, i don’t argue, sometimes i, yura posokhov, our amazing choreographer, who has staged a lot of performances in the big theater, every time he, and he, here, he can stage so many movements in just a few bars of music, why are you standing there and thinking, it’s me to him. i tell him that: it’s impossible to do, and he says: you always say that, and then you do it, well, that’s about the maximum of my arguments w