novosibirs co-production with the opera bastille, and this is the first time, i remember, when the frenchade. opera theater and you are also a reformer. this spirit of reform, the fact that martier rebuilt the opera, in principle, musical theater. and at the end of the last century, with some amazing, prophetic intuition, he actually determined the path of development of opera for 25 years ahead. in relation to kmartie, quite often, when you read his interviews or some texts about him, you come across. some kind of fighting vocabulary, he fought, he fought, he defended, tell me who he fought with, he’s like donkey hot, himself. in the history of art of the 20th century. we'll see, what evolution happened in cinema, yes, not my cinema, they played with grimaces, they all looked like grimaces, then cinema became some kind of auteur art, i don’t know anymore, 60s, great about 50s, beliki opusi, draiger, thirties and twenties years already - a petrified ego, which they come out with, of course, i’m not saying that this is bad, pay attention, in this, in this there is also some kind of cultiva