has actually become a reference face of the stalinist period, absolutely gorgeous having performed in chukimargarita she would be booked for absolutely everything, thank god she was wrong, there was not a single critic who said at least one bad word about her performance and about the casting directors’ decision to choose... in general, vulgar self-presentations, like muse and witch, which bulgakov did not have, they were invented by screenwriter roman kanter, even this sounded wonderful in her mouth, they have long said that a great artist can turn even any script nonsense in his own mouth to his advantage, and as for tsyganov, he - space it’s just that his almost innate, condescending indifference is ideal for a masterful role, he looks a little down and distantly at the dances of all the massalitov and demonic evil spirits, which, in fact , is required of him by passwords, and as for the couple, snegiri tsyganol developed it long before the casting insights film crew, everything worked out perfectly here, unfortunately, the novel master margarita is not limited to the appointment of the