he did everything so that already on the second denis danced siegfred in swan lake for a year at theeographer yuri nikolaevich grigorovich also paid attention to me. at first he swore at me, but i understood that if he swore at me, it meant that perhaps he would see something in me, he just basically ignored others, and there was a moment when he needed, let’s say, a dancer for him ballets like ivan the terrible, so spartak, but as if his original plan was spartak, but at the beginning i danced the prince of kurpsky bolete ivan the terrible, then yuri nikolaevich already paid so much attention to me and said: prepare spartak, i must say that, let’s say , you know, there was such a casting, there were a lot of artists who wanted to dance this role, when yuri nikolaevich saw me, he said that i wouldn’t watch others, he would dance, of course, for... for me it was like well, this is such a turning point in career, he slowly began to trust me with his performances and somehow, with his also such a light hand, i began to gain further repertoire in his performances and i hope that i was hi