disembodied the sculpture with the help, he removed everything, you know, dzhekomti worked, and he madess of material into an airy mass, and he does this not with the help of some kind of konstyuki, as, for example, berninius would have done, but he does this simply due to the fact that he clearly observes the volume, but color and proportion of the sculpture , understanding very well at what moment something needs to be removed, at what moment it needs to be added, you formulate it perfectly, i didn’t... think about it, indeed many things seem to be very massive, yes in appearance, but then that they are light, this is very precisely said, that is, all this sculpture of the 20th century, it owes a lot to moore, i remember this line, which means michelangelo, who, by the way, also removed the superfluous in another sense, of course, michelangelo, yes, with michelangelo michelangelo struggled with the material, but michelangelo is a fantastic artist, for michelangelo for me - i don’t know, like tchaikovsky’s music, probably, yes, something that can be endless. listen to some shakespeare,