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each the drawn number of the efimov family will bring 10,000 rubles into the safe program.this way , natalya and yana will be able to top up the safe program during the first three golden ambassador lotteries and maximize its amount by 90,000 rubles. it is important that before the start of each round , our participants should always have three lucky numbers. natalia, yana, are you ready to name your lucky numbers? ready, let's talk about the number 23, 23, yes, there is, the number 7, 7, wonderful, 85, 85, and why exactly these numbers, natalya, well, in the twenty-third year, because we were lucky and we received this winning, and also this winning was drawn on february 23, and in general the twenty-third year was very happy for me, i bought an apartment that i had long dreamed of, well , something else happened in my personal life, i wish you good luck, thank you, so, the lucky numbers are determined, they are 237 and 85, and we move on to circle 3: the golden horseshoe! we are starting a draw for the 440th edition of the lutrey golden horseshoe. the prize fund for today
each the drawn number of the efimov family will bring 10,000 rubles into the safe program.this way , natalya and yana will be able to top up the safe program during the first three golden ambassador lotteries and maximize its amount by 90,000 rubles. it is important that before the start of each round , our participants should always have three lucky numbers. natalia, yana, are you ready to name your lucky numbers? ready, let's talk about the number 23, 23, yes, there is, the number 7, 7,...
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Feb 10, 2024
02/24
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NTV
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yes, master cars nikolai efimov, he is also the owner of an antiques shop. so, yeah.w about i work? olya, it needs to work. car alarm old man, come up to it, kick it, what are you planning? eh, i love cars with stuffed electronics. mikhail ilyich, i picked up a radio signal. so what now? while we wait. pasha, from the video. any news? see for yourself. this is a cctv footage of the entrance to the store on the day vlad disappeared. it seems to be working to this office. so, vlad took dina home. he himself drove somewhere, on the way he felt bad, he parked and got out of the car. already lost consciousness on the street, adina lost consciousness in her apartment, we need to install a camera in this strange shop and follow its owner, good afternoon, hello, i want to buy something from spirena items, you have come to the right place, i at your service, thank you, pasha, come on, excuse me, i’ll be there for a second, yes, yes, help, nothing will work out for you as a little man, now i control the alarm system. olya, nikolai we occupied, work calmly, ready, the signal is
yes, master cars nikolai efimov, he is also the owner of an antiques shop. so, yeah.w about i work? olya, it needs to work. car alarm old man, come up to it, kick it, what are you planning? eh, i love cars with stuffed electronics. mikhail ilyich, i picked up a radio signal. so what now? while we wait. pasha, from the video. any news? see for yourself. this is a cctv footage of the entrance to the store on the day vlad disappeared. it seems to be working to this office. so, vlad took dina home....
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same carnival night, so interesting , there is a production designer, i think his name was konstantin efimovcostumes and scenery, and worked workshops, a whole workshop worked... to work on historical projects, because it’s a whole hunt, hunting through vintage shops, searching for some authentic things, sometimes one thing can create the image of a whole heroine, as if from some found one suit, you can start and come up with a whole life, in an office novel this brown suit is said to have been found by alisa friendlich herself, they climbed through all sorts of costume rooms of musfilm, not musfilm, they were looking for something so terrible... secondly , this is some of the most terrible soviet fabric, that is, this is the kind of thing that no actress would want to put on you, you just dress a little gloomily. yes , the beauty, hmm, i didn’t notice, but there was an actor who put it on himself, do you remember this story 2 years ago, when brad pitt came out in lyudmila prokofievna's suit, no, this is for the red carpet, i know that this is always compared to all sorts of prada outings an
same carnival night, so interesting , there is a production designer, i think his name was konstantin efimovcostumes and scenery, and worked workshops, a whole workshop worked... to work on historical projects, because it’s a whole hunt, hunting through vintage shops, searching for some authentic things, sometimes one thing can create the image of a whole heroine, as if from some found one suit, you can start and come up with a whole life, in an office novel this brown suit is said to have...
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1.0
Feb 13, 2024
02/24
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1TV
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same carnival night, so interesting, there was a production designer, i think his name was konstantin efimovmake costumes and sets, and the workshops worked, a whole sewing workshop worked, but... in the film they found these fabrics with difficulty, they found patterns and patterns in magazines somewhere, somehow these magazines came from abroad, then were processed for many years, that is, it was all very difficult painstaking work, because during the period of shortage it was impossible to just go to the store to buy, let alone clothes, even fabric. and how much easier it is to work in cinema today, and easier it is more difficult, let’s say so, it’s very interesting to work on... historical projects, because it’s a whole hunt, a hunt in vintage shops, a search for some authentic things, sometimes one thing can create the image of a whole heroine, as if from some found one suit, you can start and come up with a whole life. in the office novel, this brown suit, they say that alisa friendlich herself found it, they climbed through all sorts of costume shops, musfilms, not musfilms, they wer
same carnival night, so interesting, there was a production designer, i think his name was konstantin efimovmake costumes and sets, and the workshops worked, a whole sewing workshop worked, but... in the film they found these fabrics with difficulty, they found patterns and patterns in magazines somewhere, somehow these magazines came from abroad, then were processed for many years, that is, it was all very difficult painstaking work, because during the period of shortage it was impossible to...
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0.0
Feb 27, 2024
02/24
by
RUSSIA1
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war, but i rummaged through newspapers of the soviet period, 1926, 26, a century has passed, boris efimovurope is moving forward, america is dragging it somewhere in a dollar collar, which can sometimes be confused with a life preserver. drags somewhere forward, forward - this means to a cliff, has been dragging for 100 years, this is a caricature long before the second world war and after the first world war, so the second world war, it was provoked and organized by the anglo-saxons in order to increase dependence europe, so that even the chain should not be so gold, but it would be possible somehow with slaps on the head or behind cracks to drive europe where it is necessary, we agreed to the point that for expansion. shut up, get ready, why, i'm not for you, anna is my woman, i love her, she loves me, you understand me, anna is a medium, today on rtr, good morning, my beloved, my voice sounds only for you, my heart beats only for you, on the ordynka, on the ordynka, in this program they perform: fantastic, some morning mail with nikolai baskov, on sunday on rtr. what kind of job are yo
war, but i rummaged through newspapers of the soviet period, 1926, 26, a century has passed, boris efimovurope is moving forward, america is dragging it somewhere in a dollar collar, which can sometimes be confused with a life preserver. drags somewhere forward, forward - this means to a cliff, has been dragging for 100 years, this is a caricature long before the second world war and after the first world war, so the second world war, it was provoked and organized by the anglo-saxons in order...
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1.0
Feb 16, 2024
02/24
by
1TV
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carnival night, so interesting, the production designer there, uh, in my opinion, konstantin his name was efimovas also the costume designer in the film volga-volga, and in some other films with... lyubov orlova, that is , these are the same people who could make costumes, sets, and they worked, workshops, a whole sewing workshop worked at musfilm, they found these fabrics with difficulty, they found patterns somewhere, in magazines, somehow these magazines came from abroad, then they were processed for many years, that is, it was all very complicated, painstaking work, because well, there is a period of shortage, just go to the store to buy no... it wasn't even clothes, not even fabric. how much easier is it to work in cinema today? and it’s simpler and more difficult, well, let’s just say, it’s very interesting to work on historical projects, because it’s a whole hunt, a hunt in vintage shops, a search for some authentic things, sometimes one thing can create the image of a whole heroine, it’s like from some found one suit, you can start and imagine a whole life in the office... that is, this
carnival night, so interesting, the production designer there, uh, in my opinion, konstantin his name was efimovas also the costume designer in the film volga-volga, and in some other films with... lyubov orlova, that is , these are the same people who could make costumes, sets, and they worked, workshops, a whole sewing workshop worked at musfilm, they found these fabrics with difficulty, they found patterns somewhere, in magazines, somehow these magazines came from abroad, then they were...