participated in some way, of course, yuri entin, since yuri entin is the author of the rights, yeah, uh, i talked to yuri entin - my partner, our general the producer, leonit imilevich verishchagin, and leonit imilevich did a great job communicating with each of the authors of this music. to study something new for myself, if i feel that i am interested here, now, here, here, in this particular zone, in this particular genre, in this feeling with the children, i feel good, i understand that there is a lot there is a lot of energy inside me now and it must be transformed into something, and this something, this is a new film, as a rule, a new film, but what genre it is, that is, we understand. a lot of funny, and drama in a sense, because there are places where, as it seems to me, they are very touching and they bring tears, mm, this fabric, which is created from completely different scraps, mm, make it convincing, make its organic, because if we try to weave silk and, i don’t know, cotton or something else, this or leather, it may turn out strange, but for me the cartoon itself was