structures, esenstein’s hand, me and his very wide pants.s, a great, beloved studio, we must pay tribute to its director in recent years, karen shakhnazarova. i was asked to read a poem, i’m not an artist, but i could n’t resist reminding myself to you, you probably know this poem, but i read it very often, so i’ll read these poems to you, famous ugly people, that’s not what lifts you up high, you don’t need to start an archive , you don’t have to worry about this whole family, the goal of creativity is dedication , not hype, but failure, sadly, it doesn’t mean anything to be a byword on everyone’s lips, but you have to... live without imposture, live so that in the end , to attract love, space, to hear the call of the future, you need to leave gaps in fate, and not among papers, whole places and chapters of life, outlining in the margins, plunge into the unknown, hide your steps in it, as the area hides in the fog , when there are no curves in it, others, following a living trail, will follow your path behind five five, but you yourself sho

the film is being removed from the screens, esenstein is making an opera at the bolshoi theater basedl second life, because this image of nevsky, and especially the ending of the film, turns out to be incredibly consonant. go tell everyone in foreign lands that russia is alive. “let them come to visit us without fear, but if anyone comes to us with a sword, he will die from the sword, the russian land stands and will stand on it. it’s interesting that when ezenstein took on this film in the thirties, there was practically nothing about nevsky it is known that when the order of alexander nevsky was introduced during the war, the image on... the film was sent by plane to moscow, the negative , the plane was shot down, they had to take a positive, a positive copy, yes, make a so-called countertype from it, that is, the second negative from this negative is already making new copies, that is, the film could have been lost altogether, so in fact, many leningrad films were lost, those that were shot in the twenties, because after the evacuation of the partial alenfilm some things were burie

esenstein's witnesses are us, we are witnesses of how... how russian cinema has been created and continuesch classic, popular, little-known, forgotten films of russian cinema, and today we will talk about gleb panfilov’s film the beginning, which was released in the seventieth year, but despite despite the fact that it is known, perhaps not everyone knows how it was made, in what context, under what conditions, and what could... happen after it in the fate of panfilov, churikova and soviet cinema in general, in fact, panfilov, our the hero, as a director and as the author of the script, is the person who launches, of course, this story, but it launches in his first full-length film of the year sixty-seven, which is called there is no ford in fire, where churikova, panfilov, and this film comes to him as a not very young man, and his story, the story of greb ponfilov too... is important for how the film turned out, because he started working as an engineer at a factory, not at all in moscow, he became interested in films like this amateur, yes, he started working for television, entered the