line with what frederick jackson turner talks about trader, the hunter, the cattle raiser, the frontierng from this painting. what kind ofcter archetype. can. like that? like a like a general type,o a military officer, is thatliken or statesm, going make rules ae keep, li sociano check, right? so we're back to bureaucracy, right? but i don't think reauats are popular subjects for zcertainly are.soldi and they're missing here. and if you look at look at guests, sort of famous painting of manifest destiny, ■k■çamerican right, with the won strain telegraph wires across the plains. also,t=ng. it's really interesting that ■ñ■ critical of this imperial. but just note that frederick jackson turner also doesn't list the army soldiersd nd of have tk ourselves why that is. they were so c■ ticall also no't to pull out this painting is first painting that ever hangs in the us capito feature an african-american subject. and you can see him there down along bottom between the horse and the cow the young african-american boy there. so the first black individual to be portrayed in a painting inte. it's