and so, like, these were the sort of shots i was trying to find and give to ilm.ally reserve it for those hero moments... and so you wouldn't get some of those throwaway moments that many people have responded to. iwould... i basically didn't tell people towards the end whether they were going to be a! or not in the movie, which made the visual effects really difficult because we didn't have tracking markers or anything on anybody. i found that once you tell someone they're a robot, they start behaving like a robot. but while the movie still spent a lot on the creation of the robots themselves and also on the big action sequences, new camera technology helped to speed up the shooting and reduce the crew size even further. we shot the movie on a new camera that came outjust before we started filming, which was called the sony fx3. and it's kind of the size of a domestic mirrorless camera, and it meantjust working backwards. the camera was small. it meant it could now go on equipment called a gimbal, which stabilises the shot. and then because of the sensitivity of

and so, like, these were the sort of shots i was trying to find and give to ilm., you really reserve it for those hero moments... and so you wouldn't get some of those throwaway moments that many people have responded to. iwould... i basically didn't tell people towards the end whether they were going to be a! or not in the movie, which made the visual effects really difficult because we didn't have tracking markers or anything on anybody. i found that once you tell someone they're a robot, they start behaving like a robot. but while the movie still spent a lot on the creation of the robots themselves and also on the big action sequences, new camera technology helped to speed up the shooting and reduce the crew size even further. we shot the movie on a new camera that came outjust before we started filming, which was called the sony fx3. and it's kind of the size of a domestic mirrorless camera, and it meant just working backwards. the camera was small. it meant it could now go on equipment called a gimbal, which stabilises the shot. and then because of the sensit

and so, like, these were the sort of shots i was trying to find and give to ilm.really reserve it for those hero moments... and so you wouldn't get some of those throwaway moments that many people have responded to. iwould... i basically didn't tell people towards the end whether they were going to be al or not in the movie, which made the visual effects really difficult because we didn't have tracking markers or anything on anybody. i found that once you tell someone they're a robot, they start behaving like a robot. but while the movie still spent a lot on the creation of the robots themselves and also on the big action sequences, new camera technology helped to speed up the shooting and reduce the crew size even further. we shot the movie on a new camera that came outjust before we started filming, which was called the sony fx3. and it's kind of the size of a domestic mirrorless camera, and it meant just working backwards. the camera was small. it meant it could now go on equipment called a gimbal, which stabilises the shot. and then because of the sensitivity

you think of new york is a blue state but the salient's of climate ilm immigration is part of long island, big deal and outsized anywhere else in the street and a lot of parts of the country. that's what that district thought, which is why suozzi was thought to be such a good candidate for this. he won nassau county as the executive in 2001 after 9/11, when terrorism was big and people were worried about crime . because he had it he was a tough on crime democrat. he's the guy you want is to mcgrath. but it has not, it's still a crime to consider to be the issue there. >> all right, jennifer palmieri, thank you very much. we will keep monitoring the race throughout the night. first, the latest timing on the battle that will hold trump accountable in court. plus new concerns about his mental acuity, and if you can call it, that and how putin is getting exactly what he paid for. all coming up. stay with us. h us. vitamin and supplement brand. (♪♪) some people just know that the best rate for you is a rate based on you, with allstate. not one based on paul. you don't want to ride with paul. o

and so, like, these were the sort of shots i was trying to find and give to ilm.a lot on the creation of the robots themselves and also on the big action sequences, new camera technology helped to speed up the shooting and reduce the crew size even further. we shot the movie on a new camera that came outjust before we started filming, which was called the sony fx3. and it's kind of the size of a domestic mirrorless camera, and it meantjust working backwards. the camera was small. it meant it could now go on equipment called a gimbal, which stabilises the shot. and then because of the sensitivity of the camera, it meant we didn't need really powerful, crazy, massive lights on big cranes all the time. we could have battery—operated led lights. and so just like you have a boom operator with a microphone, we had what's called a best boy — nancy, her name was — and she had a pole with the light on the end. and so as we're filming a scene, i suddenly want to go round here. normally on a movie, that would take 15 minutes to move all the lights and move all the equipment,