kalhor and these, it was wonderful to be a spectator in those first two years, they took the cinema to a direction that was entertainment. and the hero went out. now , one of their characteristics was that i was forbidden to work with people before the revolution. what was in your pad? mr. hashempour , it was not because they did not want entertainment or, as mohammad salehla says, that their films should be made. even though the supreme leader of the revolution saw the same movie it was mentioned in the footnotes that this movie should be allowed, mr. hashmi's memoirs, this is what has been stated in other places, like malik , who have seen the artists themselves, met the artists , it was broadcast on tv, it is a very good movie, how many people are in front of this movie. even though the movie is breathless in your words, this is the same duality that our art officials have, the attitude of our art officials , look at it as you see it, he didn't make 10, 60 films. unfortunately, these evil and evil rulers of the house stopping the cinema in front of it and not letting this happen , s