klopata was ill, and galubok mary's theater was very early. in 1917, minsk had posters for belarus. celebrated the first products of drama and comedy. uladzisla went to casting and became actors. there was a problem with the rappers. belarusian songs were rejected, no problem, galubok said, i’ll write it right away, and lethal burial of the corpse of your dogs. there were a lot of comedies, then drama, apocalypse spatkanne, revalutsyya, khannya, turma and the more tragic death of the heroic heroes in the city, although such a plot is intriguing at all times. beyond the pain, with praise, the charming locksmith hastened to build his own theater. i didn’t have... nothing, no everyday life, no action, no dekaratsy, or even a weak feather? performances can be performed in workers' clubs, or simply on a vyaskovy padwork, songs can be written by yourself, dwarf dachshunds, props are used neighbors, darlings, who knows what a lot of their talented artists are? so, at the corpse of the patriarch, the 16-year-old stepha stanyuta, the future legend of the scene, debuted with her and the best