in relation to kmartie, quite often, when you read his interviews or some texts about him, you come acrossught, he defended, tell me who he fought with, he’s like donkey hot, himself. in the history of art of the 20th century. we'll see, what evolution happened in cinema, yes, not my cinema, they played with grimaces, they all looked like grimaces, then cinema became some kind of auteur art, i don’t know anymore, 60s, great about 50s, beliki opusi, draiger, thirties and twenties years already - a petrified ego, which they come out with, of course, i’m not saying that this is bad, pay attention, in this, in this there is also some kind of cultivation of this art, such is what it is, i want to explain what, in which world did mortier come to fight, with whom did he fight, he came and began to fight with this great italian...