hollywood, made a detailed report that helped to partially change soviet cinema, although not all of kolotozovn and so forth, yes, he actually started out as a cameraman himself, when already in the fifties he began working with cameraman sergei rusevsky, a much younger man, they somehow... agreed on this visual ground , yes, in fine art so, having taken, in general, quite not like a standard play, but having taken to filming quite... therefore, such a strange picture, the light is not quite clear, the light is not quite so flooding the faces, it is sharp, it is dramatic, and then it was innovative, it was a return just to this style of the twenties, on the one hand, absolutely realistic lighting decoration, on the other hand, the opportunity to show with light not only... but the hero on the screen, so it was not so easy to play this role, she was not unambiguous, it was very complex, it was intense, and of course, when the cranes fly gets into cannes in 1958, it was a sensation, it was a sensation from the point of view, again , of directing, from the point of view of cinematography, from th