all the details of the new law were explained to us by liliya gumerova. lilya solovatovna. russia by unknown authors, and how often do situations arise when, due to this precarious status, legal status of works cannot be used music or text? well, if we talk about the number of such works, it is perhaps not possible to name them exactly. i would name those moments when there is a need to use such works: the first is when digitization, decoding of archives takes place, these can be photographs, texts, musical... works, and we understand that their protection period has not yet expired, they have not become public domain, but we need to use them, popularize them, convey our unique cultural heritage, and since the author is unknown, previously the legislation did not allow this, the second case, it is not of a mass nature, it is more important for the business community, when our unique soviet heritage is posters, for example, graphics... ornaments that were on textile factories of that soviet era, now our modern fashion designers would really like to use, but unfortunately, fo

all the details of the new law were explained to us by liliya gumerova. liliya solovatovna.re there many works in russia whose authors are unknown and how often do situations arise when, because of this... this status -

all the details of the new law were explained to us by liliya gumerova. liliya solovatovna. the actual question is: are there many works by an author in russia that are unknown, and how often do situations arise when, because of this precarious status - the legal status of the works - music or text cannot be used? well, if we talk about the number of such works, perhaps, it is not possible to name them exactly, i would name those moments when the need to use such works arises: the first is when digitization, decoding of archives takes place, these can be photographs, texts, musical works, and we understand that their period of protection has not yet expired, they have not become public domain. but we need to use them, popularize them, pass on our unique cultural heritage, and since the author is unknown, early legislation is not made it possible to do this, the second case, it is not of a mass nature, it is more important for the business community, when our unique soviet heritage - posters, for example, graphics, ornaments that were in textile factories of that soviet time,