central asia to the caucasus, first of all mosfilm , which is directed to central asia by volmat , linfilmhere until the end of the war, practically, yes, some things are gradually beginning by plane transfer, but during this first blockade winter the trains remained, they loaded everything, they loaded everything at a frantic pace in the summer, yes, but the ring closed too quickly, the classics of leningrad cinema were already transported to the mainland by plane, i understand correctly that the real story of this central film studio , which is being formed in almaat , in general, it’s still not written like that, and the main thing that we know today about... at this moment he needs to consult with his superiors, the authorities are far away, at this moment england is important to us now, we need this show it on the screen, and they say , show it, but not very much, and even unique footage has been preserved where mihaly cherem plays the role of the queen of england, and this is very funny in itself, and mikhail rom auditioned for roles from the english one, very similar to the famous o

dad gave the scripts to linfilm, during linfilm they spent two or three months thinking about how, what attention to the story published in the magazine youth called while on duty, it was the sixty-second year, he invited the young author to the studio, a conversation ensued , a picture was put into production, this first work united two semyonichs, yulian semyonovich and semyon semyonovich, in the credits. somewhere at the end of the year, tatyana mikhailovna leznova, a talented director, a student in the workshop of sergei blinarvich gerasimov and tamara fedorovna makarova, entered the end office ; tritopol’s film had just been released with brilliant success, breaking all distribution records. plyushchikha, semyon. hello, tatyana mikhailovna turned to my father, i read your friend’s novel, i want to ask, tanyush, what kind of friend, i have several of them, my father answered. eleana semyonova, 17 moments. stedletz came here quite often. the imperial security administration knew that he was making appointments for his agents at the museum. in the zoological museum of moscow state uni

and the association somehow persuaded linfilm to do this, in the end they decided to take the first stepof view, although all the freedom was that i included it, including a story about the same hero, which was written by the same hamsun, and there was such a structure, where the novel and the story, they were actually confused by this, basically it was, well, everything was according to gamson, the norwegians said, yes, well, okay, we will probably participate, we went to our son, to the heir. i was right and it turned out that 2 days before the visit of our norwegian representative , an american producer came to my son and bought the rights from him, well, that’s it - the story collapsed for the second time, i didn’t have a film studio yet, but i filmed the happy days of the workshop herman, that means his next film had a castle, we also wrote there together scenario. after all, returning to the film, brother , but look, a man shoots like a bull, shoots like a kavka, well, that is, it’s like an intellectual movie with a western direction, how after these films the idea of ​​a brother s