mironova , also very young, i need these romeo and juliet, they play themselves, this is very important, there is a film village, village houses, gates, and i made a sketch there, it was more charestematic , although the music was specially written, even the zongs were written, it’s a little bit of a rock opera, a little bit, because it’s still a presentation, it’s still a sketch, it had to be bright. with fire extinguishers they watch for any spark that falls on the stage of the provincial theater, this is impossible, i understood that there would still be some kind of tolerance, still some kind of convention, if it was for real there, because we are in nature, this is op, then sinterno there is a convention, so i invented a different move, this may have our, our individuality and maybe a fresh interpretation of the captain’s daughter, who is everything. for us, for the audience, that very mother of christ, what did you come up with? you know, i started with the ending, yeah, all the events that are taking place in this play, an investigative experiment, i need the characters’ reflecti