all three rounds and they took me, and in 1977 , on january 11, i was accepted as an artist of the mogilevskyeen to a drama theater, no, to grab onto it, yes, yes, yes, i’ll go, i say, i still have to understand, i want to work, do i really need the puppet theater, and do i need it after i’ve worked? another year, i had already played 12 roles, suddenly i realized, this is the revival of the inanimate, and for me it was like an insight, a discovery that an artist... is an artist, and then i take a spoon or a fork, attach a bow to it, and i start not just, as they say, chatting and moving and moving to the music, i start to see how she looks, and what she thinks, but how she evaluates, how she reacts, this subject, and it seemed to me that there was some kind of... that is, magic, some kind of magic, that’s it, i decided that now i’ll still be a puppet theater artist, of course, although i already... i’ve been working for many years, or as we say, i serve the theater, although i like it better, i serve the audience, of course, i serve the theater, i serve in the theater, but i serve the audien