. - michael evans, who was a guy from "all in the family," he had access to norman lear, and norman lear told him to write something, and he wrote something with eric monte. - just to get that chance to prove yes, we deserve to be here. i think eric monte and mike evans proved that. - dy-no-mite! (upbeat funky music) (audience laughs) dy-no-mite. i know might i did a little tiny dynamite just in rehearsal. john rich, our director, says, "i love that dy-no-mite thing. here's how you do it. dy-no-mite!" i said, "john, please, people will never go for this." - then jimmy walker's character takes over, and instead of "good times," you end up with the dy-no-mite hour. - "good times" was a microcosm of what it is to produce black television. - eric monte and mike evans were forced to partner with a white show runner. that reflected a dynamic that we see throughout the history of black tv, which is having black creatives needing the co-sign of a white person in order to make their thing, even though it's based in the stories they know. - by season two of "good times," john amos was complaining