odyssey, director ekaterina granitova script by the absolutely brilliant screenwriters lutsik. it wasd my musical horizons and palette, let's talk about eurovision, what do you remember, but you somehow missed it, and it was a big preparatory moment for a big performance for the tenth year, but there was also something so sad there and everyone was waiting so they poured in now yes... it turned out that one woman who liked the fact that we do, despite the fact that she worked there somewhere for a long time in germany, she wrote: friend, what do you know, there’s a competition going on, you ’re a pop group, here’s a competition song, but we’ve never heard about this competition and like, what’s this all about, you just need to send an application, she sent this link, we’re like, well, let’s send it, they tell us that according to the terms of the task, the song should not be published anywhere, that is, it’s absolutely fresh, we had it there three sketches, two more moving and one just this sad ballad in the style the sixties, as it was called lost and forgotten, well, of course we al

odyssey, yeah, and she found kim’s text based on the twelve-block, which yuli chersanych wrote in theing. tirin found gennady. this is so extended, written in its magnificent style with these folk elements, poetic, text. we began to rework it with my friend german magilevsky, who has this connection to the screenwriting craft, we began to rework it, at some point quite a lot of material accumulated, and even ekaterina gennadievna staged this story at the gitis educational theater, and just in the past year i came there. it means in gitis, the guys started dancing and singing, and i thought, what a cool story, why am i sitting here, i need to record all this, i began to record, expand the tracks, turn sketches into full-fledged songs, also rethink some compositions, arrange them, i contacted yuli chersanych, he gave the green light, okay, let's get on with it, guys, then we started finalizing the text, now a teaser came out some time ago, as we call it in a cinematic way, five songs with such a literary twist, introducing a little into the course of action, but this is exactly what hap

odyssey, directed by ekaterina granitova, script by absolutely brilliant screenwriters lutsik and samoryadovand there i managed to expand my musical horizons in terms of literature, because somewhere we had some kind of free jazz, somewhere something ambient, it had to be filled in there, it should be there. then it’s as if 15 verses are skipped, as usual in a song, you know, it’s endless, and there’s some kind of sad ending about what it means she didn’t love him and he went somewhere, listen, but i’m going far, this is a song , this is a song that was specially composed i was there for this performance, and we searched for a long time. in fact , the time signature there is constantly changing, all the musicians, when they come, they see notes and such, and what a horror, god, here there are five, here 10, here six, here again 10, here there are four, so she’s like this quite tricky, it became such a general leitmotif of this performance at the beginning at the end, so i admit that this, well , naturally i adore guitars, but this is my favorite song performed by you, i’m very glad, because