he ended up in ostend because he _ in ostend. he ended up in ostend because he had _ in ostend. in ostend. he ended up in ostend . because he had troubles at home, he was being pursued by the irs over unpaid taxes, he had a severe drug problem which followed him to london, and he was clearly in need of some solace and a break, which they belgian promoter who we met in london and took him to ostend provided, at a critical point in his life, but he was always a challenging guy, even at the peak of his success in the 60s into the 70s, he was never a conventional man, and so it is always a challenge to work with him. that's not to say he couldn't produce extraordinary music, but he was not an easy collaborator. d0 music, but he was not an easy collaborator.— music, but he was not an easy collaborator. ,, ., , , . collaborator. do you think any music that comes — collaborator. do you think any music that comes out _ collaborator. do you think any music that comes out of _ collaborator. do you think any music that comes out of this _ collaborator. do you think any music that comes out