classmate of grigory chukhrai, and paradzhanov seems to be, when we look at creativity today, a personit seems that he came to cinema quite late, that he began working almost later than torkovsky, although in fact he, in general, was much older with... song, song, to some extent it’s like that in tushko row, soviet storytellers, but on the other hand hand, yes, if you look closely, squint, then in this film, which he did not make alone, which he did as a co-director, as was then expected for young directors, that means... a general framework, and accordingly, he realized that he needed to do this , what he likes to do and it seems to me that he came out of it like what he wants to do, and what he has inside, if you look closely at his films, this is all his drama, everything... and walked along it, this is the most important thing, that in all these films he did not betray himself, this first, second, for some reason it seems to me that he, like andrei arenyevich, torkovsky, yes, they all... and so on, that is, every film for him was some kind of composition, all films for me are parab