museum, cordoned it off with the police , didn’t let anyone in, only with the passes of the film creww, i remember our wonderful film screening at... kleiman was very sorry that he was busy in those days, he couldn’t get into this crowd because everyone wanted to get into this crowd, he could have, but he was busy. this is a podcast of witnesses from einstein, and today we are talking about the cult soviet film, one of the main works of the otepel cinema, in film by marlena khutsyev, zastava ilyecha, or i am 20 years old. well, in general, the shooting of this film was a huge event for soviet cinema, not only. for moscow, but for all cinema in general, because they talk a lot about this film even before it was released, everyone tells each other about what incredible shots the film’s cameraman margarita pelikhina shoots. how she works with the camera, how she shoots outdoor scenes, everyone talks about the dialogues, about khutsiev’s style, waiting endlessly for the right moment when you can start shooting, yes, the father of russian prolongation, as he was called, but here khutseev i