, georgy georgievich , and many other interesting artists, wonderful masters, there was a discussionhere you are going, what you want, and what to do next, that is, some kind of creative conversation that did not sink into the artist, but well, how about me? it seemed like it was guiding, that is, this is, in my opinion, a very good springboard. i also want to remember my wonderful teacher tyurin, vyacheslav petrovich, who gave me a lot in terms of technology and spatial thinking, that’s just me i went to him when i was preparing for kokoda. among the teaching staff there was, well, i don’t know, a stereotype that this is a male profession, a woman should be in the family, give birth and cook, so to speak, they, it seems to me, did not want to waste time on something like that, they wanted to train artists , then it is necessary to train male artists, so then it was especially difficult for girls to enter. now it’s the other way around, by the way, well, no, it’s not that it’s difficult for boys to enroll, now boys just don’t go to the academy to enroll, i’m teaching right now, and t